Painter Of The Night: Dropped amusement 😞

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

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I have to admit that when I read chapter 126 for the first time, I was disappointed. Why? It is because Yoon Seungho appeared so stupid and weak. He kept running from one place (chapter 126) to another (chapter 126). He allowed his father to humiliate and abuse him (Chapter 126) once again. It was, as if the story was back to square one and the protagonist had learned nothing at all. Under this perception, my avid readers can comprehend why I selected such a title. However, instead of thinking that the author was a bad writer, I decided to ponder on the following question. Why did the author choose such an evolution?

1. The fools in love

First, since it is Baek Na-Kyum’s destiny to go through the same experiences than his loved one, I deduce that the main lead is now following Baek Na-Kyum’s path. In other words, they are switching their fate. This explicates why the lord is naïve, blinded by his love for the painter. Yes, Yoon Seungho is a fool in love too. (chapter 7) Like Baek Na-Kyum, he rushed to his loved one’s side. However, he was first stopped (chapter 126), because it was not the right time. How so? Notice that his brother had fetched him at the port (chapter 125), but he never followed him to the bureau of investigation. And the same happened later. Why didn’t he go to his shed, when he was trapped there? Where was he, when the eldest son visited the father? (chapter 126) His absence exposed his passivity and betrayal. However, at no moment, Yoon Seungho noticed this. To conclude, Yoon Seungho was so worried for the painter that he didn’t pay attention to his surroundings, just like the painter didn’t see the learned sir’s disdain expressed through the cold gaze. (chapter 07) Therefore Yoon Seungho didn’t notice the presence of a civilian next to the governor. (chapter 126). Striking is that the governor knew about Yoon Seungho’s whereabouts before his arrival: the coast. As you can see, I am detecting a link between the governor and the younger master Seungwon. Yet, it was disguised as a rumor behind the expression “I had heard”. My assumption is that Seungwon came from the bureau of investigation in order to inform his brother. Therefore it is not surprising that Seungho was invited by his brother to visit the prison during the night. (chapter 126) And the moment I perceived the protagonist as a fool in love, I realized that chapter 126 is a reflection of episode 7, 29 (chapter 29) and 40 (chapter 40). Here, the painter was trying his best to protect Jung In-Hun’s interests (life, high position). Moreover, in episode 40, the painter had a dream, when he saw the announcement for the civil service examination. He smiled, for he was looking forward for the future. (chapter 40) And what have these episodes more in common? A betrayal, abandonment from a loved one and a paper (painting, poem). Hence I am more than ever convinced that the petition will resurface very soon and play a huge role in the downfall of the schemers and haters. Besides, chapter 40 represents the negative reflection of the conversation in the prison. (chapter 126) Though they are in a tough situation, Yoon Seungho is not leaving his side contrary to episode 40. (chapter 40) There is neither disdain nor mockery. The mentioned scenes are similar, for the present resembles the past. And this brings me to the second reason for the Webtoonist’s decision.

2. Past, present and future

It is because Byeonduck is now mixing the past with the present indicating that the future will be different. Let me elaborate my thoughts more precisely through the relationship between the protagonist and his father. First, when the incident with the stolen kiss was reported, (chapter 123), Yoon Chang-Hyeon considered Yoon Seungho as a human, for he employed the personal pronoun “he”. He was still his son. Then in episode 77, he judged him as a slave (chapter 77), hence he was submitted to the straw mat beating and was held captive. He even refused to send for a physician. (chapter 83) Here, the father is denying his humanity, he is just an animal. In their next confrontation, he describes him as a monster, hence he wished that he had never been born. (chapter 86) However, his words exposed that he was still viewing him as a living being. Therefore it is not surprising that he accepted lord Song’s request to order the murder of his son! In the gibang, he decided to no longer acknowledge Yoon Seungho as his son. (chapter 107) The tragedy is that the protagonist still viewed the Yoons as his family because of Yoon Seungwon, who keeps calling him “brother”. This explicates why Yoon Seungho sponsored his brother to have an official position. (chapter 115) Therefore it is not surprising that he followed Yoon Seungwon’s advice again. (chapter 120). He would bring the petition to his own father. This means that he is acting like the painter who listened to his noona Heena so well. (chapter 46) But now, Yoon Chang-Hyeon believes to have the petition. (chapter 125) This explicates why the patriarch is now calling the main lead “nothing”. (chapter 126) He is not even a thing. This means that he is actually discarding him. This explicates why he sent him to the shed. (chapter 126) It was, as if he had become a merchandise. Or we could say that the elder master had been using him as a tool, which he can now abandon. (chapter 126) Interesting is that the idiom “plaything” has for antonyms tool, implement, instrument and utensil. And this brings me to the following remark. The father’s words are reflecting the last scheme. Yoon Seungho was used as the sword to get rid of an enemy, lord Song. It was, as if someone had decided to get rid of lord Song, for he represented a danger or threat. It also mirrors the trick in the shrine. Min and the others got killed, because Lee Jihwa went to his childhood friend. And who had seen the main lead using this sword, when he was enraged? Father Lee! (chapter 67) But let’s return our attention to the patriarch and his son. Yoon Seungho is no longer recognized as a Yoon member. Therefore I come to the conclusion that Yoon Seungho will make the following decision: to become an orphan. And this is symbolized by the loss of hair. I am expecting him to cut off his hair, something the painter has been doing for a long time. That’s why Byeonduck showed us the lord without a topknot. (chapter 126) This would coincide with my previous statement. The lord is going through the same experience than his loved one. However, people will come to the conclusion that this was done by the father. How so? Remember how each rumor became a reality. (chapter 1) I had already demonstrated that Yoon Seungho was not a fiend for sodomy with no regard for time and place, until he met Baek Na-Kyum. But once a deed is done, it can never be repeated. (chapter 101) So should Father Lee claim that he has long disowned Jihwa by cutting off his topknot, no one will believe him, for the young master was still seen with a topknot after confessing his feelings in public. (chapter 57) In other words, the topknot incident at the kisaeng would be brought up. It is impossible for 2 fathers to act the same way. Besides, the loss of the topknot has another signification: Yoon Seungho would cut off ties with valet Kim, for the latter was the one who gave him the topknot. And episode 126 reflected one more time his position: (chapter 126) He is the one dressing him. It was, as if he was the pope.

3. Abandoned plaything

Because of my initial disappointment, I examined the chapter more closely. This sentence from the patriarch caught my attention (chapter 126) Why would he call Baek Na-Kyum a “plaything”, when before he viewed him as a servant? (chapter 116) It is because someone had reported to him the conversation between lord Song and the painter. (chapter 122) There was a spy listening to their conversation. Since all the guards died (chapter 124) (chapter 125: I am assuming that the survivor got executed), I am suspecting the scholar. Moreover, why would Yoon Chang-Hyeon accuse his son to have abandoned Baek Na-Kyum? It is related to this departure of the staff and Yoon Seungho. (chapter 120) And who was present there? Jung In-Hun! But there is more to it. Since leaving Baek Na-Kyum behind is considered as an abandonment, it means that the patriarch abandoned his son too. (chapter 27) By speaking to Yoon Seungho, the elder master Yoon didn’t realize that he was admitting his own wrongdoings. Actually, he had abandoned him many times… like here for example (chapter 87) Therefore his words will come back to bite him. But these words are also exposing the valet’s betrayal and abandonment towards Yoon Seungho!! How so?

Where was he, when the protagonist was looking for Baek Na-Kyum? (chapter 125) Where was he, when the latter visited the patriarch’s home? Why did he only appear during the night? One might argue that he needed to wait the night in order not to be detected. But since Kim was supposed to be with Yoon Seungwon and the staff (chapter 122), then he should have been at the patriarch’s house. The absence of the valet is the evidence of his treason. For me, he is now working for Jung In-Hun which explains why he never mentioned his presence in the mansion, only lord Song. Besides, keep in mind that once deed done can not be repeated. In episode 27, the lord was too angry and busy to notice the learned sir’s spying activities. (Chapter 27) Moreover, Kim didn’t report the interrogation to his master. This means that the butler covered up for the teacher’s wrongdoing. But here is the deal: (chapter 120) The library was ransacked, hence this crime is bound to be discovered. Finally, his intervention in the shed is exposing his deception. (chapter 126) He could do something in the past! He entered the shed, and even brought him clothes. This stands in opposition to this scene: (chapter 83) That’s why I am convinced that these words (chapter 126) are reflecting the butler’s actions. He treated Yoon Seungho like a tool which he could use. In verity, he could have helped his master in the past by telling the truth!

Because my theory is that the lord was the king’s male kisaeng, the noble could utilize this principle against the monarch. Since he always left him behind, he just treated him like a plaything and not like a loved one and allowed others to use him.

4. The return of Yoon Seungho’s strength

Finally, I believe that Byeonduck had another reason to turn the table so that Yoon Seungho would appear as powerless. It is to outline his desire to live. (chapter 126) He is no longer suicidal, in fact he is full of hope! Though he was sent back to hell for a short moment, he came out of this as a winner. My evidence is that the lord has now become a believer. (chapter 126) Yes, episode 126 exposes the return of his faith! And where could we see the atheism of Yoon Seungho in the story? In chapter 92! (chapter 92) He didn’t believe in the spring poetry to ward off bad luck! That’s why he was sent back to the past. He needed to lose everything in order to find hope! In his darkest moment, he expressed a wish: to meet his loved one! And where did he pray to the gods? In the shed! (chapter 126) Observe how he is kneeling in direction of the bars. He is hoping to meet Baek Na-Kyum again. As you can see, though this scene (chapter 126) seems to be a repetition from the past, (chapter 83) it is not! The reality is that in episode 83, Yoon Seungho had lost all hope. This explains why he showed only resignation in front of his father. (chapter 83) However, the Painter Of The Night-philes certainly could observe how he had reacted, when he was put down by the guards. (chapter 126) He was showing resistance and anger towards his father. Moreover, he was no longer shaking in front of the patriarch or the guards. (chapter 86) Thus I deduce that though he was mistreated and insulted like in the past, he was no longer suffering from his traumas. He is healed. His will is now really strong, supported by his new found faith.

Under this new light, it becomes comprehensible why Yoon Seungho sent the painter to the shed after the so-called desertion! (chapter 62) Even if they were hugging, they were not close emotionally and mentally. This stands in opposition to the scene in the jail. They might be separated by the bars, but they are touching each other tenderly. (chapter 126) They are able to see each other.

What to Do When You Feel You Are Losing Your Faith

Acknowledge and Accept What You Feel (…) (chapter 126) Try Meditation (chapter 126) or Prayer (chapter 126)

Count Your Blessings (chapter 126)

Talk It Out

Spend Time With Loved Ones (chapter 126)

Consider Counseling

Take a Break

Take The Time to Reflect (chapter 126) Quoted from https://www.verywellmind.com/losing-faith-definition-suggestions-and-take-away-5214137

As you can detect, Yoon Seungho did everything to revive his faith. He didn’t listen to his father’s words in the end. He chose love over hatred. He might be a sinner, but he is no longer self-destructive. But more importantly, he went to jail while carrying the light. (chapter 126) It is relevant, because light represents knowledge and truth. He is now the bearer of the truth. And he got his blessing from Baek Na-Kyum, when he touched his hands. (chapter 126) Because he came with the candle, Kim had no reason to follow him. In other words, Yoon Seungho no longer needs the butler by his side. But why didn’t the domestic follow him to the prison cell? It is because he feared that if the painter were to see him, his memory could get triggered. The artist could ask him where he was, when the scholar came to the mansion? (chapter 120) Yes, chapter 126 mirrors 92! This somehow confirms my theory that the butler was the one hiding under the purple hanbok. (chapter 92) Moreover, we have another reference to this episode, the pouring of alcohol! (chapter 92) (chapter 126) It was, as if someone wanted the lord to pay for Min’s insult! That’s the reason why I come to the following conclusion: Yoon Seungho is now opening up to Baek Na-Kyum. He is confessing to the painter about his wishes. (chapter 126) Therefore I am suspecting that the lord will reveal his past to his loved one, something he never did before. (chapter 85) The manhwaphiles should keep in mind that the request from the artist in the study was strongly connected to forgiveness. And Baek Na-Kyum could also confess what happened in the past: his guilt and regret asking for the lord’s forgiveness. Right now, both are blaming themselves for the incidents, although they got fooled by many schemers. Because the lord proved his loyalty and blinded trust in the painter, I see the scene in the jail as a new version of this confession: (chapter 75) Thus I consider the prison cell as a sacred place, where both characters are about to be freed from their guilt! (chapter 126) That’s the reason why now I view the lord’s short torment as a necessity. His faith was and is tested through the trials which coincides with the upcoming trial. Through his love for the painter, he found support and strength. He is not resigned, though their situation looks terrible. He is now true to himself. This means that he chose to drop his life lie for good.

Life Lie : 1. the false conviction held by some individuals that their life plan is bound to fail due to other people or to circumstances beyond their control. This was postulated as a method of freeing oneself from personal responsibility. [defined by Alfred Adler]

2. any false belief around which an individual’s life is built. Quoted from https://dictionary.apa.org/life-lie

And what was his life lie? To be powerful… (chapter 11) thus he could escape justice! (Chapter 11) Simultaneously, the first definition of life lie corresponds to Yoon Chang-Hyeon. The latter blames his eldest son for the downfall of the Yoons. ! (Chapter 86) Secondly, he still thinks that he is powerful. But it is just an illusion. (Chapter 126) How so? The guards are able to manipulate him. He has become their puppet, for he follows their suggestions. Hence they make decisions on their own (chapter 125). They fail their duty, for they allowed the main lead to barge in the room. (Chapter 126) Finally, observe how they keep apologizing without giving any explication. (Chapter 125) Their apology is fake. As you can see, the patriarch is living in an allusion. He is powerless, and the best evidence is that he doesn’t have the petition. (Chapter 125) He took the paper full of blood, the evidence of his involvement. This means that in this scene, (chapter 126) the elder master Yoon chose to maintain his life lie. This explains why he blames Yoon Seungho one more time. And this coincides with his speech about hatred. (Chapter 126) He is actually encouraging his son to hate himself and indirectly his own father! However, the son made the exact opposite decision: love!! Hence I am more than certain that the elder master is about to experience a harsh awakening.

On the other hand, the Manhwa lovers can grasp why I selected the title “dropped amusement”. Faith is something serious which stands in opposition to the gangrape in the shrine. Here, the lords had made fun of the spirits and gods. (chapter 101) Thus they got punished. And now, the two main leads are about to face human justice. (chapter 65) But strangely, the painter is showing no fear at all. (chapter 126) He is ready to sacrifice himself. So why was Yoon Seungho dressed up in the end? One might say that with the topknot and the hanbok, the abuse from the patriarch got covered up. That way, Baek Na-Kyum wouldn’t detect Yoon Chang-Hyeon’s lies and abandonment! (chapter 125) The latter brainwashed him to take the fall for everything, implying that way, his loved one would be protected! However, I am suspecting that if the lord were to leave the prison, he could meet someone in the office. That way, this person is not confronted with the reality: the main lead was “abused”. According to the butler, he was supposed to meet his brother at the office. (chapter 126) If the noble encounters his brother there, then Seungwon would appear as hypocrite, for he would feign “ignorance”. He was not there, when he got insulted by their father. However, he could meet someone else. (Chapter 92) In episode 92, we have a mysterious man in the background dressed in black, but he is not wearing his gat. Besides, I would like my avid readers to remember this image from the trailer: which reminds us of the office: (chapter 98) This place symbolizes power and strength. And because episode 126 is a reflection of chapter 7, 11, 29 and 40, I think, Yoon Seungho is about to receive a deal, for these episodes are focusing on the deal between the painter and the protagonist: protection from the father and punishment in exchange for entertainment. He would appear as a fake savior in the end. Remember what in episode 11 the artist said in front of his fated partner: (chapter 11) He would do anything except painting!! He was not willing to give up on this principle, which reminds us of faith. So when Yoon Seungho faced his father, he experienced powerlessness for one reason. (Chapter 126) They wanted to corner him, to make him desperate so that he would look for a way to become powerful! Moreover, they desired him to resent his father more than before. To conclude, he was pressured on purpose. And this brings me to the following remark. Why did the father describe the painter as “Plaything”? It is to minimize Baek Na-Kyum’s value in the lord’s life. However, if this theory about a new deal comes true (pedophile rekindling with him), then I believe that exactly like in episode 11, the lord will choose to follow his conscience and integrity over power and torment. He will make the same decision than his partner which corresponds to a rejection. However, I don’t think that he would make it obvious. He could fake submission.

5. Quit smoking

In fact, I have the impression that his memory could get triggered. What caught my attention is the absence of the pipe! According to me, the pedophile is a smoker, that’s how the main lead started smoking. But so far, the lord was not seen in connection with the pipe in season 4. This tool appeared on this drawing making fun of officials and the king (Chapter 105) Then in episode 122, we discover that lord Song employed the pipe to beat the painter. Moreover, I detected a progression. In season 2, Yoon Seungho was still smoking. (Chapter 74) But once the painter showed that he didn’t like smoking, Yoon Seungho stopped taking the drug. This explicates why in season 3, he was no longer seen with the item in his hand. Even under stress, he chose to hunt instead of smoking in front of the window. We have two scenes where the pipe is present. One is when the lord is throwing it out of anger,: (chapter 86) which reminded me of the incident with the music box. (Chapter 85) This shows that this item had no value to the protagonist. Then the pipe appeared in the gibang on the table. (Chapter 96) However, here the lord had only eyes for the painter or Heena. Hence I have the impression that the pipe could resurface and serve as an tool to identify the perpetrator, just like the glasses were used to recognize the scholar. (Chapter 102) Finally, since the pipe appeared in the gibang twice, it indicates that this hobby is linked to the kisaeng house!! And this brings me to my final observation: the pipe is connected to paper (chapter 121), just like in the erotic book of sodomy! (Chapter 1) (chapter 1) However, there exists two books!! And one has no PIPE! This coincides with the decision of the painter to stop drawing erotic pictures! Yes… dropped amusement! At the same time, Yoon Seungho has long lost his interest for erotic publications. He also dropped this hobby. On the other hand, the books were dropped in front of the painter. (Chapter 1) Finally, the petition was dropped in front of lord Song (chapter 123) which announced his death sentence. To conclude, the papers have a strong connection to punishment and death.

As you could see, Byeonduck had many reasons to create such a chapter in the end. We are definitely getting closer to the end. And before closing this essay, I would like to point out that the Yoons’ mansion had been left empty, yet neither his father nor his brother moved in!! (Chapter 126) Yoon Seungho went to the father’s mansion, and it didn’t take him that long! As you can see, I consider this trip with Yoon Seungwon as a diversion. (Chapter 121) So why didn’t the elder master return to his old home? It is to drive the Yoons out of their propriety. In other words, the lies from the past are becoming a reality exposing the liars in the end. Their life lies will be ruined.

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