Painter Of The Night: Truthful Flowers 🌸🌺🌹🥀

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. Night flower

You are wondering why I selected this picture (pictures from video Nightflower) as illustration for this analysis, while the beholder can not see any flower. Yet, this is just a deception, for in front of the protagonist are scattered petals of a cherry tree. The way the pink petals in the study are displayed insinuates the end of Spring or in the worse case the destruction of nature. As you can see, this scene symbolized the slow ruin of Yoon Seungho’s soul or his fall into darkness and hell. Thus I conclude that the cherry tree and its flower represent the protagonist. Therefore it is no coincidence that at the end of the video, the couple was seen together in front of an orchard of blossoming cherry trees. Thanks to Baek Na-Kyum, the noble’s soul and heart got healed, he was able to be his true self again. Therefore the trees were in blossom. At the same time, the cherry tree has another signification.

South Koreans consider cherry blossoms a symbol of beauty and purity. In Korean pop culture, these beautiful blooms have also been associated with true love. In fact, according to the female lead character in a popular Korean drama entitled Goblin, Your first love will come true when you catch falling cherry blossoms’.” Quoted from https://symbolsage.com/cherry-blossom-flower-meaning/

To sum up, this blossom symbolize true love. Yet, the plant has other significations. First, in Japanese hanakotoba, is also used to identify someone as a ‘beautiful soul’ which is similar to the South Koreans’ perception. The flower is associated to innocence. Then due to the short-lived blossom, the tree is connected to mortality and transience of life which is a major theme in Buddhism. In other words, this flower is a reminder to live in the moment and revel in the beauty of life. My avid readers will certainly remember how I had connected the painter to the present, and how Yoon Seungho was slowly learning to enjoy the moment. This means that the painter encouraged his lover to move on from the past and his suffering. That’s how the noble could transform into a beautiful man again. As you can imagine, this scene announced that the couple had found true love. Another important aspect is that the main lead was no longer trapped in the bedchamber. Now, he was surrounded by nature. This indicates that the main lead can only flourish in nature. Because there he can breathe fresh air and smell sweet fragrance, he can reveal his talents, his fascinating soul. In my eyes, the orchard and patio both represent the protagonists. However, observe that the artist is meeting his lover during the night, as the moon is shining in the sky. This indicates that Yoon Seungho will only show his true self and skills to the painter during the night. With him, he will share everything, as he has nothing hide. Hence they meet in the pavilion. But wait… why did Byeonduck create such a scenery, when the beholder couldn’t witness the cherry tree blossom at the end of season 3? At no moment, we saw any cherry tree flowers. However, this is just a deception!! In truth, the cherry tree flowers were already introduced in season 3. 😮 And now you are probably wondering where.😂

2. The hidden cherry tree flowers

They were in the gibang, but more precisely in the annex. (chapter 96) One is on the shelf and (chapter 96) and the other on the table in the hallway. How is it possible, because this tree blossoms around March/April? The answer is simple. These were fake.

“During the Joseon era (1392-1910), the royal court never plucked any real flowers to decorate their feasts. Instead, they created artificial silk flowers, or chaehwa.” Quoted from https://www.korea.net/NewsFocus/Culture/view?articleId=118924

Striking is that the author of this article gave us the following illustration.

The rebirth of wax-made apricot flowers as used during Joseon era royal events. (photo courtesy of the National Palace Museum of Korea) https://www.korea.net/NewsFocus/Culture/view?articleId=118924

The manhwaphiles can certainly detect the similarities between this vase filled with artificial flowers and the one from the gibang. (chapter 87) (chapter 87) The chaehwa were present in the butler’s memories and the painter’s dream. Yet since these artificial flowers were used for royal feasts, I come to the deduction that these images represent the evidences of the king’s involvement and presence in Yoon Seungho’s suffering. But there is more to it. Since the fake cherry tree flowers were visible in the annex (chapter 96), where the couple confessed their love to each other, the manhwaphiles can grasp that the owner of this bedchamber is in reality the monarch. That’s the reason why the folding screen has peonies and there is this pipe on the small table. (chapter 96) The annex should be considered as the royal suite for the monarch.

During the 1392-1910 Joseon era, the peony was the most popular subject for flower-themed folding screens. The royal court used peony screens for a variety of events including weddings, funerals and ancestral rituals. The peony consolidated its symbolism of wealth and prosperity in Joseon era.” Quoted from http://www.koreatimes.co.kr/www/culture/2020/09/145_251790.html#:~:text=%22During%20the%201392%2D1910%20Joseon,and%20prosperity%20in%20Joseon%20era.%22

As you can see, Byeonduck gave us many clues about the identity of this room with all these little details. The chaehwa in the hallway and in the bedroom were the indications that this building belonged to the royal court. Under this new light, it becomes comprehensible why Baek Na-Kyum was so certain that the annex was empty. (chapter 96) If the king had announced his arrival, the kisaeng house would have been closed. My avid readers will certainly recall my previous observation linked to this drawing: (chapter 37). The streets were empty, when the monarch was in town. But during their Wedding night (chapter 93), the kisaeng house was open to anyone, the nobles were able to celebrate in the patio.

And now, it is time to examine the true meaning of these artificial cherry tree flowers. They represents not only fakeness, but also delusion. Why? It was, as if the king was able to control time and nature. While the true cherry blossom stands for brilliance, fragility and transience of life, the fake ones embody the opposite: eternity, no mindfulness and unbreakable. In case it got damaged, the chaehwa can be fixed. As you can see, I come to the conclusion that the pedophile stands for the artificial cherry tree flower. This blossom doesn’t reflect his true soul at all. Under this new light, the readers can grasp why in the video, there were scattered petals. Since there exist fake flowers, they can be present in the winter, as the video was showing this season in the beginning. Besides, the scattered petals indicated Yoon Seungho’s resistance and resent towards his tormentor. For the king, it was always Spring, as he could do anything he wanted.He knew no boundaries. He could hurt the teenager, for the pedophile confused genuine and fake fake cherry tree blossoms. If he got hurt, then he would get fixed. On the other hand, I am suspecting that the man wished a return to nature. Why? My reason is because of the publication. He would have sex at any time and place. Hence they are outdoors, close to trees. Nonetheless, this is just a deception, for the man did it in the kisaeng house. First pay attention that the small tree is close to the wall. Then we can see a naked young boy sitting on an old bearded man’s lap. And now compare it to this image from chapter 59: (chapter 59) This is the same place, but now the tree is much bigger. As a conclusion, the king stands for artificiality, dishonesty and civilization, though depraved. No wonder why the monarch imagined that having sex with the main lead would contribute to his immortality. It was because of the purity of Yoon Seungho’s soul. Nevertheless, I am still convinced that he also wished to get revenge on the Yoons and demonstrate his power.

3. The red flower

Nonetheless, in the kisaeng house, I had detected the presence of a different flower: (chapter 93) In the essay “Heena’s secrets”, I had connected the head-kisaeng to these red flowers. Hence the latter were facing the empty throne, when the main lead met his lovers’ noonas. (chapter 93) These red blossoms were an allusion to the ghost “head-kisaeng”. (chapter 19) (chapter 68) (chapter 69) But I had one problem. I was not sure about the kind of flowers. Hence back then, I had even requested the assistance of my avid readers. The latter should help me to identify the flower. More eyes are better than just two. All of them proposed the following plant: camellia.

This image shows a Korean Fire camellia, and the flower looks really similar to the ones drawn in Painter Of The Night. The moment I accepted this identification, I searched for the symbolism of this plant.

Traditionally in China, the camellia was perceived as a union between two people. To explain further, the calyx part of the flower represents a man, while the petals symbolize a woman. Normally, the petals and the calyx separate when a flower dies. In the case of the camellia, the calyx and petals fall away together. For this reason, this beautiful blossom is believed to signify undying love.” Quoted from https://symbolsage.com/camellia-flower-meaning/

As you can see, this flower symbolizes eternal love, faithfulness, devotion and longing. What caught my attention is that in Latin, “camellia” signifies “helper to the priest”. 😮 And this fits the profile of the head-kisaeng who definitely preached Christianity in the gibang. (chapter 75) As the manhwaphiles are already aware of my theory. The learned sir used this religion to approach the kisaengs, as Catholic religion was imported from China through scholars. [For more read the essay “The kisaeng and the scholar”] ]Thus I came to the conclusion that the red camellia symbolizes Heena and Jung In-Hun, especially if you take this image into consideration. (chapter 68) The learned sir was standing in front of them in the hallway, and it was the same for the noona (chapter 69), for the latter was walking in the same direction. Besides, just before entering the corridor, the author had finally revealed the artificial flowers. (chapter 69) Thus I come to the conclusion that this building represents Heena’s realm, while the annex, separated by a wall within the kisaeng house, belongs to the “pedophile”.! As you can see, I don’t see her as a powerless kisaeng. Let’s not forget that despite their low social status, a famous kisaeng had connections to the royal court and even officials.

Striking is that the fate between calyx and petals are linked to each other. They wither together. For my theory is that Jung In-Hun died, I can only deduce that Heena’s fate is to follow her idol. I had already predicted this outcome, for she had faked her execution in front of Jihwa and the other nobles. [For more read the essay “Heena’s curtains”] Yet, all of them vanished! So no one has witnessed her murder.

But since the red camellia embodies Heena, this is not surprising why Baek Na-Kyum felt very close to her. She represents everything what the artist was longing for: love and acceptance. Keep in mind that red camellias symbolize love, passion, and deep desire. And we all know that the artist has a strong libido due to his huge heart. He is definitely a passionate person. The irony is that the head-kisaeng was not a real red camellia, she was artificial. That’s how the artist got deceived in the end. Striking is that when the painter met Yoon Seungho, he discovered a new plant: the orchid! (chapter 75)

4. The hidden orchid

However, the lord couldn’t remember painting this plant. (chapter 75) Why? It is because he had connected it to punishment. He was recalling a different incident. (chapter 36) This means that while he painted on the artist’s stomach, his hand was drawing automatically. For him, they were just brushstrokes with no real meaning. However, I don’t think so, because he could paint it perfectly right away. This signifies that he must have drawn the orchid very often in the past. To sum up, the orchid has a huge value for the main lead. But there is no plant in his bedroom and library. The author revealed us the location of the orchid: by Yoon Chang-Hyeon’s side. (chapter 82) This is no coincidence that next to the plant, the owner placed the brushes. Does it mean that the father took it away in order to obtain something from his son? But there exists another possibility. first. it is relevant to know the symbolism of this plant.

An orchid is the perfect medium to convey positive sentiments and emotions. These special, delicate beauties are renowned for their meaning as a symbol of pure love, beauty, luxury, and toughness. Quoted from https://www.petalrepublic.com/orchids/

As you can see, it is also connected to love. So why isn’t Yoon Seungho missing the orchid, if the flower is a treasure for him? My explanation is the following. This flower represents the main lead’s mother. That’s the reason why he would paint it so often. However, this plant had to be removed, because it would have triggered the main lead’s memory: the suicide of his mother. At the same time, it also explicates why Yoon Chang-Hyeon has the plant in his study. It is a reminder of her deceased wife. Hence I couldn’t help myself wondering if the narration from Yoon Seungho was reflecting the whole truth. (chapter 36) We shouldn’t underestimate the lord’s amnesia and brainwashing. His memories were definitely manipulated so that he would put the whole blame on his father, covering up the participation of many helping hands. This means that Heena stands with the fake camellia for fake nature, while Yoon Seungho’s mother, represented by the real orchid, symbolizes real nature. Thus I come to the deduction that thanks to their encounter, both main leads are rediscovering landscapes and as such the world. Therefore it is no coincidence that the couple was totally honest to each other in the mountain. (chapter 102) They were surrounded by nature. And contrary to the learned sir who walked through the rice fields (chapter 70), the lord went deep into the forest. (chapter 102) Controlled environment versus wild nature!! We had the perfect example in the pavilion of the noble with the mole: the bonsai. (chapter 43) Hence I come to the conclusion that Jung In-Hun, the king and Heena are connected to civilization, control and eternity due to their believes, while the couple embodies the opposite value: wildness, nature, ephemerality and the vulnerability of human nature. One might argue about this, for the learned sir was seen in front of the pavilion. (chapter 10) However, the manhwaworms shouldn’t overlook that in that precise scene, he encouraged his pupil to defy his host. (chapter 10) He was not advocating the values of a real scholar. In truth, the painter is actually the one associated to the lotus. He is cleaning the mansion from the polluted environment. [For more read the essay the lotus and the snake].

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Painter Of The Night: The ruined paintings 🖼️

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Anyone asked how many paintings were ruined in the manhwa would reply that there exist only two of them. The first was exposed in chapter 2 . Yoon Seungho discovered the ripped picture, while the painter was sleeping. As for the second, which Lee Jihwa had ruined by pouring water on it, the painter had made the discovery just before the host‘s arrival. In both cases, the lord‘s portrait was damaged. His body was either partially destroyed or blurred. (Chapter 11)

1. The symbolism of the ruined pictures

Then it occurred to me that the ruined paintings could have a symbolic meaning. They would reflect the main lead‘s mental health. This was not his true self. In verity, he was a broken man, hence his body had vanished. According to me, in the beginning of the story, he was suffering from erectile dysfunction. (chapter 2) Striking is that in the first painting, the main lead couldn’t see his back or his naked butt. For me, this was announcing that Yoon Seungho would never be an uke again. Furthermore, the lord‘s gaze was covered by a slap of paper, reminding me of Baek Na-Kyum’s white headband. Thus I view the piece of paper on the lord’s head and eye as a sign of his mental servitude. The hidden gaze was showing that his mind was somehow trapped. Because the eyes are the mirror of the soul, Yoon Seungho needed to discover his own gaze in order to recognize not only his own attraction, but also the existence of his own identity. (chapter 3) The painting was showing him that he was not a plaything! That‘s the reason why he felt aroused afterwards. For the first time, he had his own urges and desires. In other words, the ruined painting was part of the lord’s therapy, it was pushing him to look at his actual mental state. The damaged picture was inciting him to change so that his broken body would recover. At the same time, since it was a picture, it helped him to feel safe. Therefore it is no coincidence that the lord had no huge flashback in season 1! In chapter 38, he still could control his panic attack, for he had the painter by his side. It was necessary for him to develop strength and confidence before facing his biggest tormentor: lord Song, the pedophile. And now, you comprehend why Yoon Seungho met father Lee before Yoon Chang-Hyeon. This was part of his exposure therapy. This indicates how the noble views the patriarchs responsible for his own suffering. However, I doubt that the young noble was aware of the true degree of father Lee’s guilt.

And now, you are wondering what could be the meaning of the second ruined picture. (chapter 44) My interpretation is the following. The author was revealing the presence of brainwashing!! This is no coincidence that the picture was ruined by water. (chapter 12) Furthermore, don’t forget that Yoon Seungho had been perceived as a sodomite because of Lee Jihwa in the past. This signifies that the red-haired master was undoing his wrong. It was, as if he was now purifying the main lead. At the same time, the water had another symbolic function: to bring to the surface Yoon Seungho’s traumas. This explicates why he got so mad in the study. For the first time, he was allowed to voice his emotions. On the other hand, not only Yoon Seungho’s portrait got ruined, but also Min and his friend. (chapter 44) They were all acting the same: obsessed with lust. This shows that the protagonist was not the only one who had been badly influenced. Yet there exists a huge difference between our beloved aristocrat and the two other masters. Black Heart and his companion were losing their identity, for the beholder couldn’t see their faces. That way, Baek Na-Kyum could project himself into the uke on the right side. In other words, the picture was predicting the future evolution. Min was not realizing that he was slowly vanishing, he was becoming more and more the male kisaeng for the protagonist. Hence it is not surprising that the young lord organized a huge sex party in his domain. (chapter 33) We could say that his house was slowly transformed into a brothel. Besides, I would like the readers to keep in their mind the Joker’s statement in the inn which seems to confirm this impression: (chapter 92). Yet, like mentioned in one my previous analyses, I discovered that Min was suffering from an erectile dysfunction. This explicates why he couldn’t have sex with the painter. And now, pay attention to the painting once again. The latter was showing that The Joker had actually taken Yoon Seungho’s position in the end. He was now reduced to be a bottom. Thus it occurred to me that Heena tried to run away from the kisaeng house, because she was rejecting sex. According to me, she had planned to stay in Black Heart’s mansion. She definitely hoped that she would escape prostitution thanks to her brother, but the opposite could actually happen, especially the moment Black Heart’s death is revealed. Someone could take over his domain: lord Song for example.😦

But let’s return our attention to the second ruined image. By pouring water on the nobles in the picture, Lee Jihwa never recognized the signification of his gesture. He was showing the powerlessness of the nobles! We could say that they got cursed to become shadows of themselves. One had sexual issues, while the other became a drug addict. Under this new light, the readers can grasp why afterwards Yoon Seungho had no problem to punch The Joker and to evict his guests in season 2 . (chapter 44) I believe that the ruined painting encouraged him to voice his emotions and thoughts, to act like a lord… because so far, he had been trained to live like a slave, a commoner. In that moment, he felt so powerful that he threatened to kill a scholar and the painter. (chapter 11) He was speaking like the king, the pedophile. His words were actually divulging the brainwashing. And that would be the reflection within the same chapter. What caught my attention is that contrary to the first painting, Yoon Seungho’s gaze was not covered. In fact, this was the only part that looked undamaged. Hence the beholder could still identity him. From my point of view, Byeonduck had two reasons for protecting his eyes. First, the vivid gaze was exposing the slowly recovery from the protagonist. He has now an identity which stands in opposition to the paintings in the publication where you could only see his back, butt and his long braided hair. (chapter 1) In the image from chapter 11, the beholder could sense the noble’s true desires despite the “brainwashing”. He was looking at the painter, the invisible hand. The latter was like a ghost. Secondly, the lord’s gaze was spared in order to confront the father! Yoon Chang-Hyeon had to recognize his son in order to be faced with his own sins!

2. Yoon Chang-Hyeon’s rage

Like I had pointed out in my first essay about the father, the latter was upset, for he was forced to see the consequences of his decisions. The picture was showing his hypocrisy. He was responsible that Yoon Seungho was living in debauchery. Hence it is no coincidence that in this scene, Byeonduck showed us the patriarch’s hand. (chapter 44) Yet the man would never admit that he had been the helping hand of „lord Song“, which stands in opposition to Baek Na-Kyum who was acting as Yoon Seungho’s therapist. Besides, like mentioned above, the artist was the invisible hand, the ghost whom the main lead felt attracted to.

Yoon Chang-Hyeon’s shaking hand exposes his emotions and thoughts concerning the protagonist. He is furious! He is trembling out of anger. However, he had another cause for his trembling!! For the first time, the elder saw his son with a topknot. 😢 Despite everything, his son had been able to become a noble, even a man!! He was no longer living like an animal. His status had improved, while the father had lost his support. This picture showed the reality of the purge. Now, only Yoon Seungho was benefitting from the „exchange of favors“. Moreover, Yoon Seungho could put his prick into a hole!! To sum up, the ruined painting was proving as well that the father had been wrong. That’s the reason why during their last meeting, the father’s reproach had changed. (chapter 87) But let’s not forget that the young noble was turned into a bottom so that the father’s words become like a huge farce. He had been trained not to use his prick and to look like a woman. Hence he was rather slender and had a braid. Yoon Chang-Hyeon had actually contributed to turn his son into a sodomite and the publications from chapter 1 are the evidence of the elders’ crime! (chapter 1) The moment the identity of the braided man is revealed, the beholder can detect their crimes and their hypocrisy. Both patriarchs pushed a minor to have sex with an old bearded man. And don’t forget that there was no marriage, hence the town folks are curious about the main lead’s future bride. This signifies that the sex in the picture can only judged as illegal, as a rape. That’s the reason why I believe that the ruined painting from season 1 served to prepare the father to face cruel reality. It was the first step. What caught my attention is that the patriarch left the room just before the sexual session in the past (chapter 86) and in the present (chapter 87), though in the second case, he approached the throne first. He never remained there, till the session was over. This is important, because it exposes that the father was just assuming that the sex sessions would take place. Yet, in the bedchamber, it didn’t happen, while in the gibang it did take place. However, something could have happened after the sexual lesson. As you can see, the elder made the huge mistake to trust people, to rely too much on impressions. Furthermore, the fact that he leaves the place shows that he has the same habit than Heena. Is it because he fears sex too? And now, you comprehend why the father’s hand was shaking! (chapter 44) He was scared too! He was forced to see sex with his own eyes. For him, sex was just a necessity to get a heir. (chapter 86) Consequently, I deduce that the father will be forced to assist to a sex session full of violence and torture himself, similar to the head-kisaeng’s (chapter 96), yet there won’t be love there. Moreover, he won’t be able to leave the room like before. From my point of view, this confrontation is to corner the elder master Yoon, to pressure him to admit his guilt. In my eyes, he will experience what his son went through: Hell, a nightmare. (chapter 86)

To conclude, the ruined paintings played a huge role in the lord’s suffering. They represented the first step of exposure therapy, and it was the same for the persons responsible for his martyrdom. For the first time, Lee Jihwa had to see a sex orgy with his own eyes. Thus he covered his gaze with the veiled hat. (chapter 12) He was still avoiding reality, until he was cornered to participate in a sex orgy for real, a new version of the past: (chapter 100) The only difference to the past is that this time, the villain and the antagonist couldn’t rape the main character. Hence imagine how Yoon Seungho must have felt, when it happened to him. The painter is going through a milder form of sexual assault. Nevertheless, it was still very violent and bloody. Consequently, it is not surprising that he was brought back to the past, when he saw his lover unconscious and his face was covered in blood: (chapter 102) This represented the high peak of his treatment. After this night, he became stronger than before, thereby he will be able to meet the pedophile. The painter is his source of strength, his pillar. His desire to keep the painter by his side, to protect him is the reason why he is able to overcome his PTSD. He has a reason to encounter the old bearded men and accuse them for their sins.

3. A new ruined painting?

Many manhwaphiles believe that there exist only two damaged paintings, nonetheless this is not correct. It is just they are not obvious, for they didn’t play a huge role in the story so far. So now you are wondering where they are. (chapter 41) The painter’s tears fell on the picture representing his rape. It was, as if they were washing the lord for this sin. But the water didn’t destroy the image totally, because the characters were not turning into ghosts. In reality, the two characters were slowly escaping from their mental prison, recovering slowly from their traumas and issues despite the heartbreaks. But why did it happen then? It is related to Jung In-Hun’s words. The scholar had reproached the painter to enjoy sodomy. (chapter 40) However, the night before, the artist had not truly accepted the lord’s advances. They had not had even sex. He had more kept company to the tormented Yoon Seungho. So the teacher couldn’t refer to this sex session. Secondly the learned sir was not supposed to know about the sex marathon, for the painter had just been allowed to paint erotic pictures. Hence he could only refer to one scene, the one in chapter 25. My avid readers will certainly recall my following interpretation: Jung In-Hun had witnessed the rape, but he had not intervened. This means that he knew that Baek Na-Kyum had rejected the host’s advances. He had not allowed him to touch him. This means that he was lying in the library. Furthermore, the rape had taken place because neither Kim nor Jung In-Hun had not stopped the owner of the mansion. Both had remained in the shadow!! That’s the reason why the protagonist was washed off his sin. The learned sir’s jealousy led him to wound the painter, and the latter suffered so much from this blow that the lord’s violence in the pavilion appeared as nothing compared to the learned sir’s betrayal and abandonment. The learned sir’s words were far more cruel and painful than the coerced sex in the pavilion. And now, we have to question ourselves this. Where did all these pictures go? (chapter 41) Did the butler keep them? Or did he give them to lord Song? Striking is that in these pictures, neither Yoon Seungho nor Baek Na-Kyum have eyes. In fact, they have no visage! This means that the homosexuals can not be identified, unless the tailor is present. He can recognize the persons based on their clothes. Keep in mind that the pictures will serve as an evidence for crimes or reproaches. So a person could use these pictures to push the painter to recall the lord’s actions from season 1. He had raped him, he had forced him to have a sex marathon in the bedchamber which could have killed him etc… (chapter 81) In other words, this can only backfire… in fact, this could push Yoon Seungho to look at the publication from chapter 1 more closely and remember his own past: the face of his tormentor.

As for the fourth damaged image, it was used as an illustration for the first season. Here, it is ripped like in chapter 2. From my point of view, this image is linked to the future. Someone will torn the picture out of rage and jealousy. Since the father didn’t burn or rip it, I have the impression that “lord Song” should be the one who will act like the painter. Why? It is because it looks very similar to this image in the sand: (chapter 1) Two noblemen making love to each other! This represented the artist’s wish and vision. At the same time, the future ruined painting could expose the perpetrator’s mental state: he is either living himself in darkness and broken. And if he pours water on it, this signifies that the couple could “vanish” and turn into a different couple: a real husband and wife, an official marriage, where the painter becomes Yoon Seungho’s official bride. And the painter has the face and the legs of a woman, only the presence of his short hair is revealing his true gender. (chapter 94) Yet, the moment he wears long hair, especially a braid, it will be no longer visible to detect his sex. But no one would remove the clothes of a noblewoman to see her sex, for this would represent a huge crime. As you can envision it, I am expecting a huge prank from our beloved couple to turn the pedophile into ridicule.

But since the story is in going in circle, this signifies that this ruined painting is also linked to the past. From my point of view, two paintings should have been ruined too. And we have an evidence for this: (chapter 16) So far, none of the pictures was splattered with ink. And who had done it in the past? Yoon Seung-Won, Kim or Lee Jihwa? There is no doubt that Yoon Seungho got blamed for it. Besides, which painting was it too? Since all the ruined paintings from season 1 were connected to the protagonist, and each of them were announcing the evolution of the characters, I assume that splattering it with ink represented the downfall of the main lead. He would fall into the pit and end up living in darkness. On the other hand, since we have two damaged pictures, I deduce that in the past, one picture was damaged with ink, and the other was torn. Hence you comprehend why I am expecting the return of ruined paintings, for they play a huge role in the story. They played a role in the lord‘s disgrace and isolation, thus they serve to confront the perpetrators and accomplices with verity. Moreover they help Yoon Seungho and Baek Na-Kyum to get justice for their suffering. They have to recall the past, for the painter was the innocent witness of Yoon Seungho’s suffering. (chapter 1) (chapter 68) They are the proofs of crimes exposing the pedophile’s debauchery. (chapter 1) But the paintings were not the only things destroyed: we have the music box, the letters, the books, but more importantly the talismans: (chapter 99) This was the new version of the ripped paper from chapter 2! This indicates that the talismans couldn’t be effective, they couldn’t protect Min and his friends from resentful spirits.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night / A Sip Of Poison: A Question Of Perspective: The loss of the topknot 💇🏻‍♂️ (second version)

This is where you can read the manhwas. https://www.lezhinus.com/en/comic/sip_poison This manhwa is mature. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/  I also used briefly Doctor Frost again which I highly recommend to my readers. https://www.webtoons.com/en/mystery/dr-frost/list?title_no=371 If you want to read more essays about other manhwas, here is the link to the table of contents: https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. Castration or abandonment?

Anyone reading my previous analyses about Painter Of The Night will certainly recall that I had perceived the loss of the topknot as a castration. Why? In Joseon, the topknot was given to men the moment they became adults and this Coming-Of-Age ceremony took place just before a marriage. [For more read the essay “Coming Of Age”] In other words, no topknot meant no marriage and as such no responsibility and maturity. However, this is important to recall that the loss of the topknot was brought up in a different context. It was mentioned for the first time in the painter’s statement. (Chapter 1) When Baek Na-Kyum remembered his noona’s words about Yoon Seungho, he connected it to the loss of his future lover’s topknot. Here, the gesture had a different meaning. By cutting off his hair, the father was acting, as if he was abandoning his son. According to social norms, the hair was considered as a heritage from the parents. So if Yoon Chang-Hyeon had truly done it, the latter was showing that he was no longer considering the main lead as his son. While the rumor about the haircut gave the impression that the elder master Yoon was a honest and honorable noble, anyone can perceive the elder master’s action differently: the father is a coward, a selfish, ruthless and disloyal lord, especially the moment it is revealed that Yoon Seungho was abused sexually, physically and mentally. Let’s not forget that the protagonist used to live in the shed, for he was viewed as an animal. His situation reflected the father’s betrayal and abandonment. It doesn’t matter if he had been manipulated, because in the end, he made the decision to treat his son as a slave. He refused to send for a physician. To sum up, the loss of the topknot in this rumor would be judged as the epitome for cruelty and intolerance!! This shows that the loss of the hair in Painter Of The Night has actually many significations: castration, mercilessness and abandonment.

Then it occurred to me that the painter has been cutting off his hair all this time because of his noona. (Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68 , this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why? (Chapter 94) He had no parents or guardians protecting him which is true, for here he was exposed to violence. Heena, as the head-kisaeng, had not protected him at all, she must definitely have portrayed herself as powerless. Yet as a slave of the state, she was belonging to the king. So she had connections to officers and the court. In my eyes, the head-kisaeng made sure that the artist could never get a topknot, and as such he would never be able to become a “noble” or even a man. Hence Baek Na-Kyum was constantly called boy (Chapter 56) (Chapter 59) (chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home. (Chapter 101) Here, the lord had spared his friend’s life.

2. The loss of the topknot: Symbol for forgiveness?

As you may have noticed, I often use other manhwas as a source of inspiration for my interpretations concerning Painter Of The Night. In the story “A Sip of Poison”, the main lead, the prince Nan-Woo (Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms. (chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride. (chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence. (chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress. (chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision. (chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings.

As you can see, Woo Jong Han shows many similarities with the second lead from Painter Of The Night: he was an accomplice of the real culprit, as he never intervened. He is connected to the notion: pity, knowledge, silence and passivity. Because Seo-Ha was his sister, as a dutiful older brother, he felt obligated to protect her. He was not blinded by greed like his donsaeng. This explicates why on the one hand, he saved Baek Ha’s life, on the other hand he still treated her as a slave in order to hide his sister’s wrongdoing. He felt torn between his obligation towards his younger sister and his empathy for his niece, Baek-Ha. Consequently, it is no coincidence that he once warmed her feet with his hands after the young girl had complained about her cold feet. Moreover, she received an education contrary to all the other slaves. He was caught in the middle, exactly like Lee Jihwa who had an attachment towards the main lead, yet he was still bound by social norms to his father. He needed to protect the family’s reputation. So when I saw this scene, (chapter 23) I couldn’t help myself thinking of Lee Jihwa and Yoon Seungho. How could the latter view the loss of a topknot as a gesture of leniency? (Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time. (Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum: (chapter 88) (chapter 88) By cutting off the friend’s hair, he was showing that he was abandoning his friend. He was leaving him behind, and Lee Jihwa was forced to face lord Song alone. (Chapter 83) This time, he had not his father by his side either. The latter could not protect him too. I had already voiced this theory before, as it would explain why Lee Jihwa is masking the man’s face. And note that Nan-Woo from A Sip Of Poison cut off the topknot, as he is already acting as the future ruler. Another important detail caught my attention. Just before receiving his sentence, Woo Jong-Han made an oath, (chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury.

But the red-haired noble could never reveal the king’s meddling, as his relationship with Yoon Seungho was a secret. Hence he needed to blame someone: The Yoons! I had already exposed that the words from the noble with the mole were ambiguous and as such deceiving. (Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host (chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot. (Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53 , for he was not present, chapter 57 in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang. (Chapter 69) Under this new light, this panel from Twitter get a total new meaning: The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see.

Another important detail caught my attention: the noble with the mole judged the loss of the topknot as a harsh punishment (chapter 59) Furthermore, he associated it to abandonment too. (Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment. (Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away. (Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot. That way, he will realize that if he had lost his topknot like Jihwa, his torment would be short-lived and as such it was a sign of mercy. But in this image, it doesn’t look like it. He will suffer for hours and even days before even losing his life. Now, he will be able to see and experienced how enraged or lenient the culprit for the loss of Lee Jihwa’s topknot was towards the antagonist.

The manhwaphiles should keep in their mind the following two rules: the painter’s fate mirrors the lord’s, since the story is constructed like a kaleidoscope. And now, look at this: (chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder). (Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example. (chapter 26) The red-haired noble was able to escape death thanks to Yoon Seungho. But Lee Jihwa had to hide from others that he had been punished by the king, hence Father Yoon and Yoon Seungho got blamed (chapter 1 and 59). And now, you have the explanation why father Lee accepted to receive the main lead in his mansion. (Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa. (chapter 101) Why? It is because the main lead had no intention to use his friend as a pawn. There was no pledge of loyalty… in truth, in this scene, Yoon Seungho was truly cutting ties with the second lead.

But if the pedophile chose to employ the young master after the loss of the topknot, what was his role? In my opinion, it was to keep Yoon Seungho by his side. The pedophile had slowly recognized that he could never separate these two boys, and without him by his side, Yoon Seungho would still reject him. In my eyes, the main lead had followed his friend. Under this new light, the manhwaworms can comprehend why father Lee accepted to let the main lead stay in his mansion. He could secure his position, yet pay attention that despite the topknot, he was still dressed so poorly. (chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy.

Under this new light, it becomes understandable why Heena and Kim called the main lead a bird of misfortune. (Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side.

But like pointed out in an earlier analysis, Black Heart and his friend were definitely the reason why the red-haired master had to lose his topknot. From my point of view, this is related to this night, (chapter 1) and Lee Jihwa had no idea about it. Hence the painter got framed. On the other hand, Black Heart and his friend had to spy on Lee Jihwa in order to know about his ignorance concerning their “prank”. At the same time, they could only get intrigued, why the mysterious lord Song would behave that way, though he had been treating the main lead as a male kisaeng. Towards Yoon Seungho, he was quite selfish and cruel. The discrepancy in the treatment (mercy versus ruthlessness) could only surprise the young nobles. And this observation led me to the following question. Why would Heena mention the topknot to her brother in order to manipulate him? The kisaeng was well aware that he had witnessed the sex party in the kisaeng house, for this image represents a memory from the artist. It is to divert his attention: he should never connect Yoon Seungho to the braided man!! If he had a topknot, then he could never be the one doing the fellatio to the man with the purple hanbok!! But if the painter had pondered a little more, he should have realized his noona’s lies. She mentioned the loss of a topknot, but yet the smiling hell-raiser still had a topknot: (chapter 1) Moreover, we shouldn’t overlook the publications with the braided man: (Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu. Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.

3. The tool for the loss of the topknot

Once again, A Sip Of Poison inspired me. The prince Nan-Woo asked his assistant Yoon (chapter 23) to give him a knife: (chapter 23) before grabbing Woo Jang-Hon by his topknot (chapter 23). Hence the hair fell between the men. (chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend. (chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:

  • Chapter 18: And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
  • Chapter 57: When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident.
  • However, note that the weapon was used to threaten the painter (chapter 66)

That’s the reason why I am assuming that when Lee Jihwa lost his topknot for the first time, the mysterious lord Song must have used a knife and cut off the young master’s hair. Hence Byeonduck created such a picture where Lee Jihwa was put in a similar situation: (chapter 18) It was to trigger his memory. I am even assuming that the butler must have given lord Song the knife before while remaining in the shadow. But I also think that after the incident with the loss of the topknot, the pedophile must have also threatened him. If he were to reveal anything about this incident and his identity, then he would lose his head. So imagine Lee Jihwa’s reactions in chapter 101. (chapter 101) He had now faced a sword and not a knife contrary to the past. Therefore it is not surprising that the young master got so scared and chose to flee. Lee Jihwa had betrayed lord Song by telling an anecdote from the past. He had more or less leaked the name “lord Song”. (chapter 83) (chapter 101) For the first time, he had been confronted alone with the sword directly. There was no one and nothing to protect him. When Yoon Seungho had barged in his bedroom, Lee Jihwa had fled behind the folding shield. Furthermore, his father and the domestic were also present. (chapter 67) This shows that till season 3, Lee Jihwa had never been exposed to real justice. There was always someone ready to intervene for him. And now, you comprehend why the red-haired master felt no remorse to blame his friend for his humiliation in the past. He must have thought that if he had not been in his bedchamber during that night (chapter 59), he wouldn’t have lost his topknot. Moreover, he could also use the other incident in the bedchamber as a justification. If Yoon Seungho had not dragged him there… (chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend: (chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies (chapter 77) He had kissed him without his consent, thus he got “castrated”. Let’s not forget that the main lead was forced to become a male prostitute, an uke, for he had not been able to perform, to have an erected phallus. On the other hand, Lee Jihwa had done nothing wrong in the bedchamber (chapter 59), for he was consoling his friend, so the loss of the topknot appears as a harsh punishment. Moreover, it looks unfair, for the real perpetrators and accomplices got scot-free. Yet, this is just an illusion. Min and his friend were punished too. They got “castrated” too!! How so? It is because from that moment on, they were not allowed to treat Yoon Seungho as a uke, a male kisaeng. (Chapter 1) This means that the painter’s vision was turned into a reality. That’s the moment Yoon Seungho got turned into a seme. Now, Black Heart and the noble with the mole should become his “playthings”, which signifies that they had switched positions. In my opinion, the pedophile had decided to no longer share his “companion” to others. As you can see, they got punished too, but since this was not painful, they never realized that they were receiving their karma. This was a symbolic “castration”. Under this new approach, it becomes understandable why Min was so obsessed with Yoon Seungho, why he wished to “fuck” Yoon Seungho in a figurative way. This is what he had desired in the past, in the gibang, but he had failed. Thus we have this gesture from Black Heart in the woods. (Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole.

But it is time to return our attention to the knife and the loss of the topknot. First, it is relevant to remember the following rule. Baek Na-Kyum will through the path than the main lead’s. Since the painter has been constantly cutting his hair, he never had the chance to get long hair and as such a topknot. And the lord was in a similar situation. He only got his topknot very late… but the only difference is that he had a long braid the entire time. This hair dress was the symbol of his servitude. (chapter 57) Hence the author drew slaves with braids constantly. (chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress. (chapter 59) Because of this, Yoon Seungho had become a lord, a noble. That’s the reason why we are not able to distinguish the main lead’s hair dress properly, neither in the last picture and in this one: (chapter 57) The hair was short or not? Now, I don’t think so. The mystery of Yoon Seungho’s suffering is linked to the hair dress, yet the readers shouldn’t realize it too quickly. According to me, he still had the braid, until the doctor questioned why Yoon Seungho still had no topknot. (chapter 57) Don’t forget that in each visit of a physician, the latter would question the butler: (chapter 33) (chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home, (chapter 101) the loss of the topknot had four significations: admission of a sin, mercy, forgiveness but also ABANDONMENT! He was cutting ties with his childhood friend. So he must have known the last meaning, but from a different source, as the first incident represented a sign of leniency. Consequently, I ended up with the following theory. Yoon Seungho must have cut off his own hair, yet he had been manipulated by Kim. Let’s not forget that the painter continues cutting his own hair and there is no sign of trauma linked to such an event. He had been encouraged to lose his hair by his noona. From my point of view, this must have happened between these two scenes: (chapter 77) and this one (chapter 83) The length was almost the same, yet 3 or 4 years had passed in the main time. Let’s not forget that this scene represents the patriarch’s abandonment (chapter 77) and Kim had also experienced rejection from Yoon Seungho (chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband: (chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers! (chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state.

Since I detected that rumors often become a reality, I deduce that after the lord’s vanishing, Heena’s words will come to the surface and become the verity: (chapter 1) While in the past the father could judge this grapevine as positive, for he was portrayed as a honest and respectable man, the town folks will perceive him as the opposite: cruel, depraved and selfish. And this because of the false accusation: (chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.

4. The reason behind the loss of the topknot

And before closing this essay, I would like to point out another similarity between A Sip Of Poison and Painter Of The Night. Though Baek -Ha is the daughter of Nan-Woo’s enemy, the prince couldn’t hurt her in the end, for she saved him: (chapter 33) (chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that (chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins! (chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha: (chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband.

Chyomchyom and Byeonduck explained perfectly why the protagonists would suffer so much: ambition. (Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes.. (chapter 34)

To conclude, the loss of the topknot has many significations: punishment, castration, loss of power, servitude, guilt, abandonment, absence of protection, cruelty, betrayal, but also freedom, loyalty, leniency and forgiveness. As you can see, the gesture is associated to opposite notions: servitude versus liberty, betrayal versus loyalty etc…. as it depends on the perspective.

Thanks to Yoon Seungho, Lee Jihwa was able to free himself from his guilt and he could liberate himself from social norms (peers pressure, his father’s expectations,) and his shame due to his sexual orientation. Before losing his topknot, he had admitted his sins to his friend and it also indicated his loyalty towards Yoon Seungho. And this was the same for the general. The latter could finally find peace in his mind and redeem himself. Yet, now, he is no longer a powerful general, he is just the puppet of the prince. However, the moment the red-haired aristocrat lost his topknot, he was no longer the king’s puppet. Therefore he was no longer useful for the mysterious lord Song. That’s the reason why the antagonist got aware that he shouldn’t expect any forgiveness or mercy from “Captain Hook”. No matter what he would say, he would be suspected of a crime (chapter 101) and this because of the first incident with the topknot!! Since Black Heart and the noble with the mole had been able to avoid punishment after this incident in the kisaeng house (chapter 1), he assumed that he could repeat his actions!! But he got proven wrong, for he ended up losing his life.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Baek Na-Kyum’s foot 👣👣

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Announcement: Shocking discoveries has been updated again.

1. The caress on the child’s foot

The author released this picture on Twitter yesterday, and naturally this made many people happy, for Jung In-Hun was stroking Baek Na-Kyum’s foot gently. How could people identify the characters, though we don’t see their faces? Simply by the clothes! The manhwaphiles remember the painter’s grey pants and the learned sir’s favorite color, lavender, (chapter 19) (chapter 68). While many manhwalovers found this image cute , something else came to my mind. A question. Why did Byeonduck create such a panel? One might say that she is showing us the painter’s past. Here, he is a young boy, for his foot is so small. He is carried on the learned sir’s shoulders like a little boy. Due to the presence of the light bubbles, refraction, I deduce that this picture represents a happy memory from the artist. He felt loved and warm in that moment.

2. The strolls

However, what caught my attention is that the young scholar was strolling through the countryside with the boy. In the background, you can see the fields and trees. This means that this scene embodies the positive reflection of this night: (chapter 70) The manhwalovers can immediately detect the contrasts: the visages of the protagonists versus the hand and the foot, day versus night, sun versus moon. That’s the reason why I came to the deduction that this image embodies a happy memory of the painter: sadness versus happiness.

On the other hand, these two situations have something in common: the learned sir is wearing the same clothes (a lavender hanbok) and he is walking through the countryside. But why? In order to get an answer to this, it is important to remember why the painter was forced to follow the learned sir during the night. It is because the artist had witnessed Yoon Seungho’s sequestration and abuse, whereas he thought that his noona had been mistreated. . (chapter 68) This means that Baek Na-Kyum was removed, because he was a witness and could generate a scandal. He is beloved by the kisaengs. However, back then, he got misled due to Heena’s indoctrination and false impressions. When he saw this, he was only looking at his noona, hence he didn’t pay attention to the actions of the black guard. Moreover, he had no idea why Heena and Yoon Seungho were behaving like that. So when the painter recalled Jung In-Hun from that night, he was no longer heartbroken, because the stroll with the scholar came to his mind. (chapter 70). The trigger for this recollection was his farewell to Heena. This time, he could say goodbye to Heena properly by embracing her and giving her a scarf so that she would remember him. In the painter’s mind, after that night, he would never see her again. (chapter 69) In other words, this night represented a closure for Baek Na-Kyum, the end of his abandonment issues. In episode 70, Jung In-Hun had consoled him, he had tried to cheer him up. Thus the learned sir was smiling. Yet, this couldn’t cover the painter’s scar. He felt that he had betrayed Heena, for he had not been able to protect her. It was, as if he had run away. Nevertheless, when this incident occurred, the learned sir had not run away from the gibang, because you could see that Baek Na-Kyum was wearing socks and shoes. (chapter 70) The man had put the shoes on the child, as in the building, the painter only had his socks on. Because of the presence of the socks, (chapter 68), I deduce that this walk must have taken place in a colder season (fall) while in this picture, Jung In-Hun was carrying the painter on his shoulders in the summer. No one would question why the artist had no sock or no shoe, and the manhwalovers can see the shadow of leaves from the trees on the hanbok. One might object to this distinction between fall and summer, because (chapter 70) the trees in the background still have their leaves. This point can be easily refuted, for in South Korea you can find typical evergreen broad-leaved species like camellias and camphor trees. But there exists another reason why I am associating this scene to fall and not spring or winter. It is because this image

represents the reflection from another episode: (chapter 102) In both scenes, the main lead is seen with bare feet. He is also carried by his loved one. But here, it is snowing, hence this signifies that it is winter. On the other hand, the manhwalovers can detect the presence of a purple flower on the right side. This signifies that Spring is on its way. That’s how I came to realize why Baek Na-Kyum is now recalling the learned sir’s gesture from the past.

He felt loved because of the learned sir’s caress, but in my opinion, this affection was superficial, as the warmth was coming more from the sun than from the learned sir.

In reality, this scene was actually exposing the teacher’s fleeting and superficial affection. But how do I come to this conclusion? By simply contrasting this scene with the one from chapter 102. Now imagine the situation in your mind. Both main leads are walking in the mountain (chapter 102) where it is even colder than in the valley, secondly it is snowing and there is no sun, only the moonlight. So the moment Yoon Seungho witnessed that Baek Na-Kyum was alive, he must have recognized the seriousness of the situation. Since Baek Na-Kyum had only a hanbok on, he could die of hypothermia. What he had imagined for himself, death, had terrible consequences. He could be the reason for the painter’s curtains. So in my opinion, he must have warmed the painter’s feet with his hands, a new version of this scene: Through the comparison, the artist can only sense the lord’s selflessness and deep love for Baek Na-Kyum. He will do anything for him. And now, you comprehend why the painter was reminded of the past. Yoon Seungho is slowly taking over the scholar’s role. But this doesn’t end here.

By comparing these two scenes, another contrast come to the surface. Yoon Seungho went to the mountain to bury the painter and to commit his suicide. This means that this stroll is associated to death, while the walk with the learned sir embodies the opposite: life and joy. However, as you can imagine, this is just an illusion. Because the moment the lord realized that his lover was still alive, he made the opposite decision. He is now fighting to remain alive. The painter has become the lord’s source of strength. Without him, Baek Na-Kyum can die and can even become the target of filthy and violent nobles. This means that after this stroll, the lord is forced to give up on his suicidal thoughts for good. Hence I deduce that in this image, the opposite must have happened to the painter. There was a change too: Here, he felt happy and loved… yet at the end, he must have felt guilty. Why? It is related to Heena. According to me, in this scene, she had used the painter as a shield. (chapter 94) His presence was to divert the attention from these men so that she wouldn’t be asked to have sex with them. And since I have already detected that each time, the painter suffered, karma would retaliate, the logical consequence is that Heena got punished for her wrong action. This signifies that while the painter was following the learned sir, his noona was abused in the kisaeng house. This would explicate why later she had no remorse to turn Yoon Seungho into a victim. And don’t forget that the painter was much younger than in this scene. (chapter 68) However, since the painter’s legs are longer than in the image from chapter 94, , I deduce that the scholar went for a walk with the painter, the latter was a little older. And this brings me to the following observation: the scholar’s walks were never random. They had a purpose which stands in opposition to Yoon Seungho’s behavior. (chapter 45) (chapter 75) The latter would let his partner walk through town in order to please him. He would even follow the painter. In other words, it was always for the painter’s sake, and in the mountain, it was the same. But it was not the same for Jung In-Hun, it was for his own benefit. We have the best example in chapter 10: (chapter 10) Here, he desired to separate the couple. Baek Na-Kyum should refuse to paint erotic pictures.

That’s how I come to the deduction that Jung In-Hun had taken away the artist from the gibang on purpose, to separate Baek Na-Kyum from his noona Heena. Hence I am assuming that during that day, something must have happened in the gibang. Like mentioned above, she could have been hurt during the painter’s absence. That’s the reason why the painter developed self-hatred. But there exists another possibility. Since this scene took place during the day, I think that the learned sir didn’t mind of being seen contrary to his attitude in town: (chapter 29) He could definitely meet peasants in the countryside. As you can see, Baek Na-Kyum is wearing clothes for low-borns, hence no one will question why he has no socks and no shoes. The learned sir looks like a generous and humble scholar, who doesn’t care about social status and origins, for he is carrying the painter. This stands in opposition to the stroll during the night: (chapter 70): The artist is dressed with good clothes, he looks more like a young master than a commoner, only the shoes are indicating that he is a commoner. That’s the reason why I believe that during that night, the learned sir was avoiding people. They could have wondered why the young boy was carried in his night clothes outside. From my point of view, this scene is strongly connected to Heena and the suffering in the kisaeng house. The other reason for this theory is that this panel is strongly intertwined with episode 29, where the learned sir had gone on a walk too, but this time without the painter. Here, he had a girl on his laps. (chapter 29) He had already been seen with a girl before who seems to like him either. (chapter 6) Thus I couldn’t help myself wondering if the learned sir was not directly involved in prostitution, bringing girls to the gibang and even covering up for the sexual child abuse. We shouldn’t forget that the pedophile was portrayed as a man consumed by lust who would never pay attention to the time and the hour. (chapter 1) Hence the painter had to leave the gibang during the day as well.

To conclude, though this panel seems to ooze happiness and warmth, I believe in the opposite. It is connected to pain and suffering. That’s the reason why I am convinced that this recollection will help the painter to move on from his self-hatred as well. He won’t feel guilty towards his noona, for she definitely manipulated him, especially at the end of season 3. And this would mirror the lord’s transformation, both are overcoming their traumas: self-loathing and abandonment issues.

3. The learned sir’s hanboks

At the same time, since I realized that the painter embodies memories and is the witness of the lord’s downfall and lord Song’s crimes, I came to the following theory: Jung In-Hun was involved in the torment of people in the gibang, but Heena never realized it. She preferred blaming nobles. Jung In-Hun’s role was to ensure the absence of scandal. Under this new light, it becomes comprehensible why the learned sir’s karma was to die incognito. Since he had contributed to cover up and ensure that there was no witness and ruckus, he should suffer the same way. On the other hand, since he contributed to the painter’s happiness, as he was his only friend, I believe that at some point, his death will cause a huge scandal. And before closing this essay, I would like the readers to remind that the teacher didn’t wear all the time a lavender hanbok!! When he first met the main lead, his clothes were rather light green. (chapter 6) (chapter 7) (chapter 7) This change is not random in my eyes. I had already associated the learned sir to a chameleon. This change of color seems to validate my theory that Jung In-Hun had been sponsored by Min, hence we have the light green. Black Heart is symbolized by green. However, the light pigment reflects that he had been abandoned and betrayed. Nonetheless, when he encountered Yoon Seungho, the latter was wearing a purple hanbok. (chapter 6) That’s how the man got influenced and chose to wear his lavender hanboks again. But he never realized that behind the young noble, there was standing the pedophile, someone he had helped in the past. From my point of view, the change of the learned sir’s hanbok was the indication of his betrayal. According to me, the old bearded man (chapter 37) was not a former servant, but the pedophile. So he could have recognized the learned sir thanks to his hanbok… just like the readers did with this picture:

The purple hanbok is the common denominator between the mysterious lord Song (chapter 83), the topknot incident (chapter 1) and the couple. (chapter 102) At the end of season 3, both are now wearing a purple hanbok, though their pigment is slightly different. And what have all these chapters in common?

4. Love and feet

The main leads are bare feet. (chapter 83) According to me, in the painter’s vision from episode 1, the braided man is Yoon Seungho. The absence of shoes and socks was in truth an indication of neglect and abuse, but the warmth and gentleness from that scene deceived the painter: If the learned sir had been so caring, he should have let him wear shoes or socks. Here he was forced to rely on the learned sir. The latter should have ensured for the painter’s education either. He didn’t read a book with him during that day. In reality, the author let us see what true adoration and affection is: (chapter 73) From my point of view, the intimacy in the bedchamber stands in opposition to the teacher’s gesture in the countryside. His caress was just a casual gesture with no real deep meaning in the end. This explicates why he could betray and abandon the artist on so many occasions in season 1 (chapter 11, 24, 25, 29, 35, 40). The learned sir had always prioritized his own interests.

And if my prediction is correct by contrasting this memory to this scene (chapter 102), the painter should realize the difference. (chapter 68) Yoon Seungho’s love is deep and real, it is never changing. And the embrace in the snow confirmed it. (chapter 102) The lord let the painter cry, (chapter 70) talk and ask questions before apologizing and hugging him. The lord never acted, as if nothing had happened, (chapter 102) This was true love and Baek Na-Kyum’s feet always reflect his emotions: (chapter 58) (chapter 80) So now, imagine how the painter must feel if the lord took his feet in his hands! This is no coincidence that there is this saying:

Your feet will bring you to where your heart is.

And now, you comprehend the importance of the foot prints (chapter 100) (chapter 102) and the zooms on the feet: (chapter 53) The couple was following their heart!! But this was not the case with the scholar. Baek Na-Kyum had no other choice than to follow Jung In-Hun.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: Heena’s secrets 🔐

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Recently, Lezhin released a message on Instagram announcing the return of manhwas in hiatus for November. And unfortunately, Painter Of Night was not part of them. 😭 Later, the author announced that due to a surgery, the release of season 4 has been delayed. She apologized, for she couldn’t keep her promise. This means, either it will start at the end of December or in January. Nevertheless, this doesn’t change my resolution to keep analyzing this story, for Yoon Seungho’s suffering and the painter’s past have not been entirely unveiled. Like a detective, I am trying to put the pieces of the puzzle together. In this essay, I would like to elaborate my new discoveries concerning Heena which led me to develop new theories.

1. Heena: a mother or a sister?

During season 2, I had trouble to figure out her true identity. Was she the head-kisaeng who had adopted Baek Na-Kyum? (chapter1) Or was she simply the noona? (chapter 70) At some point, I came to realize that Heena had acted as the surrogate mother, but she had never clearly stated that she was the painter’s mother. In other words, his adoption was never official, which explicates why the main lead only considered her as his older sister. This is important, because her ambiguous status can not only generate problems, but also expose her betrayal towards Baek Na-Kyum. Note that in chapter 97, the noona treated Baek Na-Kyum as her “child” who wouldn’t listen to her (Chapter 97), while later she implied that they were both equal, for she employed the personal pronoun “us”. (chapter 97) On the other hand, she used her seniority as status, when she called him a fool (Chapter 97). He lacked experiences, hence he was too naïve, and as such he would trust the protagonist too easily. As you can see, Heena herself had an ambiguous relationship with her brother. Nonetheless, thanks to chapter 93, I got finally a definitive answer about Heena’s true identity. She is indeed the head-kisaeng in the gibang. I realized that the protagonists were invited to stay in Heena’s personal room. (Chapter 93) That’s the reason why the seat of the host was empty and why Yoon Seungho didn’t go there. He would have violated social norms, if he had taken her seat.. Moreover, by doing so, he would have revealed that he knew where the woman was. This could have raised questions.

2. Heena’s study

But how did I come up to this revelation? What caught my attention is the type of the door from that room (rectangles). Its pattern diverges from the ones in the hallway. (Chapter 93) This means that the figures were not sitting in the room shown in the last panel. On the other hand, their voices in the hallway exposed their location. The noonas and Heena were not far away from that door hidden by the veil. That’s how I got aware where Heena’s room was situated. In the last picture, the readers are turning their back from Heena’s study, which is right after the corner. Thus I could recognize the design of the building: ][ In the center, there is this huge hallway with the purple veils, but at its end, on each both sides, there exists a corridor perpendicular to the one with the purple curtains. What the beholder imagined as a door at the end of the hallway, (Chapter 68) was in truth a huge window. How do I know this? First, in this scene, the scholar was hiding a huge white vase with red flowers. Hence I deduced that Jung In-Hun couldn’t have walked through that “gate”, it was just a window. Therefore I assumed that he had to walk past the flowers, either turn to the right or the left. Secondly, observe that next to the lantern on the left, there is a small white panel. This means that the view from chapter 93 was more or less taken from the right corner. Moreover, in the next chapter, Heena is not facing this “window”, when she is in the same building. (Chapter 69) This time, the white vase with the flowers is standing in front of a wall. That’s how I deduced that Heena had to turn to the left in order to go to the hallway. (chapter 69) On the other hand, another element caught my notice. In this picture, (chapter 69) the purple curtain is covering the wall and is very close to the lantern, which is not the case in this picture from chapter 93. (chapter 93) And now, if you pay attention to the curtains in the hallway, you can detect a huge difference. (chapter 69) On the right side, there is no white wall between the purple veils, while it is not the case on the left side. And all these observations (the window in the background, the length and position of the purple veils, the white wall) made me realize that Jung In-Hun and Heena were actually walking in the same direction. At first glance, the beholder has the impression that the learned sir was leaving the building, whereas Heena was supposed to return to her private room. However, as you can see, this is just a deception. Furthermore, what caught my attention is the presence of a tiny window . (chapter 93) which is not present in episode 69. (chapter 93) Since I came to the conclusion that Heena’s private room was on the right side after the corner, I deduce that the kisaeng was not on her way to her room. Moreover, since the kisaeng was walking in the same direction than the scholar, I can only conclude that Heena was actually approaching the entrance of the building. I believe that she had turned around, but the author didn’t reveal this. One might argue that it is possible that in chapter 68, the learned sir could have gone with the painter to Heena’s bedroom. However, back then the latter was not the head-kisaeng. We know this due to the presence of a kisaeng standing right behind Yoon Chang-Hyeon during the sexual lesson. (chapter 86) She was the superior. Moreover, we saw the teacher walking through the countryside during the night. (chapter 70) That’s how I realized that Byeonduck had deceived the readers once again. She was playing with reflections. That’s the reason why I deduced that Heena was not talking loudly by accident in front of Black Heart. (chapter 69) It was done on purpose!! She wished that Min would take care of her brother. Under this new light, it becomes comprehensible why the noona has a drop of sweat on her cheek. She is faking ignorance, she is acting, as if she was very protective of her brother. She uses illusion to manipulate people. In reality, she was acting here. One might argue that I am overthinking again. This is not possible, for Heena didn’t know Min at all. Hence she couldn’t manipulate him. The latter had heard of her for the first time in Yoon Seungho’s mansion. (chapter 66) But let me ask you this. How could Heena have never met Min, when she was the head-kisaeng? Secondly, just because the servant had never heard of the noona, this doesn’t mean that it was the case for Black Heart. The domestic assumed Black Heart’s ignorance, just like the readers. Moreover, recently I had detected that Heena had been standing in front of a mansion belonging to a noble. (chapter 46) This was not Yoon Seungho and Lee Jihwa’s mansion, for the gate and walls (chapter 67) diverge. Moreover, Min has been seen in the kisaeng house in so many chapters , (chapter 19) (chapter 59). Here, I would like to point out that in episode 59, Lee Jihwa had visited the kisaeng house on different occasions, for his hair was slowly growing. (chapter 59) Moreover, note that his visits took place during the day and not during the night. Why? It was for privacy and so far, during the day, the manhwaphiles never saw any kisaeng in the gibang. (chapter 1) (chapter 94) Lee Jihwa was not supposed to meet kisaengs and especially Heena. As you can see, Min had strong connections with the gibang. Hence he should have known Heena, for she was the head-kisaeng. But I would like to bring up a more conclusive proof for this interpretation. (chapter 19) This image was showing us that Yoon Seungho was visiting the gibang. However, pay attention to the pattern of the doors in the last picture and the next: (chapter 19) The motive diverges, it looks like the one from the hallway with the purple veils. This means that the party was not taking place in the room shown in the former picture. What caught my notice is the presence of the white vase with the red flowers in front of the building. It was present in each scene taking place in the gibang. (chapter 68) (chapter 69) (chapter 93) For me, the red flowers symbolize Heena noona. This explicates why during the painter’s dream, the flowers were not present. (chapter 87), as Heena was not included in his vision. And this image (chapter 19) made me think of Yoon Chang-Hyeon due to the writing on the wooden planks. (chapter 44) Due to the similarities, I believe that in chapter 19, Byeonduck was actually exposing the ghost head-kisaeng. Exactly like the father, she was hiding. Why? It is because she is involved in Yoon Seungho’s suffering. And now, imagine her reaction, when she hears that Black Heart has organized a feast for the main lead’s honor. The woman could only avoid the main character. And now, you have the explication why Heena as the head-kisaeng was not present during that festivity. It was deliberate. (chapter 19) Striking is that the kisaeng had a similar hair dress than Heena, This is no coincidence. She was acting as the head-kisaeng. The manhwalovers will certainly remember that only two kisaengs had no braided bun or braids: this one and Heena. Look at all the others: (chapter 51) (chapter 93) (chapter 93) (chapter 95) The extravagant hair dress was exposing the kisaeng’s status. And now, you comprehend why the other noona explained the disappearance of Heena during that night. (chapter 93) She was the head-kisaeng’s right-hand. She had to give an explanation why the noona wouldn’t appear in her bedroom.

But let’s return our attention to chapter 19. What did the kisaeng do during that party? She questioned the main character. (chapter 19) But how could she sense that the noble was in a good mood? The latter was silent and not even smiling. (chapter 19) How could she claim this? In reality she was actually spying on him. Heena had no idea why the lord would come to the gibang, especially after suffering there so much. The kisaeng’s task was to dig up information. This visitation must have bothered the head-kisaeng.

3. Heena and Min

According to my theory, Heena was walking in front of the room where Black Heart was on purpose. She wished to push him to remove the painter from Yoon Seungho’s side. Yet one might reject this thought, because it was impossible for her to know about the man’s presence. The entire time she was looking straight (chapter 69), and Min was sitting on the floor in the corner of the room. (chapter 69) She was even turning her back to him. But actually, she could have detected his presence, exactly like I had recognized him: through his laugh!! (chapter 69) And this would actually reinforce my interpretation that the noona was familiar with Min, and her encounter with him was not recent. Moreover, I would like to point out another discrepancy. This is what the kisaeng claimed to Yoon Seungho: (chapter 99) He was wearing a veiled hat, yet in chapter 69, this was not the case. (chapter 69) They could have seen his face, and as such recognize him as lord Min!! The kisaengs claimed that they had no idea, for they couldn’t see his face. But like pointed out, Black Heart was not wearing a veil in chapter 69! So they could identify him properly. People could have noticed that he was impersonating Lee Jihwa. That’s the reason why the villain had to change the hat!! Moreover, in this scene, he was not alone, he had been followed by his best friend, the noble with the mole. (chapter 69) That’s the reason why the trick with the first impersonation failed. Under this new approach, it becomes understandable why in season 3, Min was no longer followed by his friend and why he was wearing the hat with the black veil. They needed to ensure that no one would recognize his face. That way, the impersonation would be perfect, and Lee Jihwa could be framed easily. But this means that Black Heart must have got aware that the head-kisaeng had tried to trick him with her words in the hallway. This explains why in season 3, the woman got deceived herself with illusions. (chapter 88) (chapter 97) This was her karma. She had spoken with ill intentions (to achieve her goal by using a pawn), therefore she couldn’t speak in front of blood. This is no coincidence that her hands were covering her mouth, the opposite of her behavior in the hallway. Moreover, she had acted, as if she was caring for her brother, but the reality is that she cared more for the scholar than Baek Na-Kyum. In other words, the noona and Min were both fooling each other, they were constantly acting in front of each other. Hence when the noona saw the Joker in front of the scholar’s house, she feigned ignorance, while it was the opposite. (chapter 99) Under this new light, Min’s words get a new signification: (chapter 99) He was implying that they knew each other for a long time! The irony is that the manhwaphiles had the impression that their relationship was recent, and his cynical tone contributed to it. Secondly, he called her Heena, a sign that they were close to each other. Note that Lee Jihwa never mentioned her name. (chapter 99) His words even insinuate that Black Heart had just given the following order. The red-haired master should just fetch a kisaeng and in my opinion, Heena was waiting for Lee Jihwa’s arrival to leave the gibang. He had no idea about the kisaeng’s identity. The moment he arrived in the gibang, she just followed him. That way, they would avoid to attract attention, and with her new hair dress (chapter 99), she could no longer be recognized as the head-kisaeng. And this leads me to the following observation. When Heena was sent to the storage room, she actually lost her position as head-kisaeng. (chapter 93) In other words, when Yoon Seungho jailed her (chapter 93), the gibang had lost its “leader”. This explains why this noona as her right-hand had to explain the absence of the owner. (chapter 93). This scene (chapter 93) was actually announcing the downfall of Heena. She was about to desert the kisaeng house. She was giving up on her possessions and her position for “freedom”.

4. Heena and Yoon Chang-Hyeon

Because of the empty seat, I couldn’t help myself thinking of the elder master Yoon. (chapter 86) The latter had been eyeing the throne in the family mansion, but he failed to take over the mansion. This was the negative reflection of Heena. Whereas the kisaeng had a powerful position in the gibang, it was the opposite for the patriarch. He was no longer recognized as the head of the Yoons. Yet, both have something in common. Both lost their position for good, for Heena and Yoon Chang-Hyeon couldn’t take or keep the seat. We could say that both got defeated by Yoon Seungho. In chapter 93, the main lead acted as a respectful and calm master, whereas in the bedchamber he showed no respect to his own father. He talked back and even made fun of him. (chapter 87) This picture stands in opposition to this one: (chapter 93) To conclude, the surrogate mother and the patriarch made a similar experience in season 3. Both got deceived by manipulations and in both cases, letters played a huge role.

On the other hand, the noona chose to give up on her seat and position in order to avoid trouble with justice. The elder master Yoon decided to act the opposite. He made accusations against his son (chapter 94), definitely thinking that he was doing the right thing. He thought that he could never get into trouble. But this is just a deception in my opinion. As for the former head-kisaeng, she has to run away, for she did something wrong! In the past and in the present! She definitely plotted, and she is aware that her actions will have terrible repercussions.

5. Heena’s departure

This means that Heena chose to renounce on her position and wealth in order to save her own skin! That’s the reason why she faked her death. (chapter 99) No one would be looking for her. The problem is that the witnesses of her curtains all vanished. Lee Jihwa ran away, Black Heart got killed with his friends, and the only survivor, lord Jang, was confronted with real corpses in the shaman’s house. (chapter 102) That’s why I come to the deduction that her murder will be questioned. Why? There is no blood contrary to the bloodbath in the shaman’s house and there is no corpse!! Since Black Heart used different corpses in order to deceive Heena and the couple, there is no ambiguity that the head-kisaeng’s curtains will be doubted. Striking is that Heena staged her death out of cowardice and selfishness, while Yoon Seungho made the opposite decision. He was resolute to commit suicide in order to follow his lover in his death. During that night, Heena and Yoon Seungho lost their “home”, but at the end, he found his true home: the painters embrace. (chapter 102) He gave up on everything (fortune, house and life), hence he will be rewarded for all his sacrifices. Under this new light, I am more than ever convinced that Heena has not reached the bottom. Her karma is to be punished for her deceptions and acting!

As you can imagine, the moment I questioned the relationship between Heena and Min, everything appeared in a different light. It becomes comprehensible why Min would whisper to the head-kisaeng, why she didn’t push away his hand (chapter 96) (chapter 96), though he is a noble. Besides, I am suspecting her of suffering from genophobia (fear of sex and intimacy) Their behavior exposes closeness and a certain trust. But how is this possible? It is because she knows that Min is a sodomite, and he is not looking for sexual favors. That’s the reason why she trusted Black Heart in my opinion. Moreover, he is smiling like Jung In-Hun. Therefore it is not surprising that she was speaking like the Joker in chapter 97. Here, the man had actually projected his own thoughts onto Yoon Seungho, and due to her own belief, Heena was more than willing to believe Black Heart. . (chapter 97) That’s how I came to realize why in season 2, Jung In-Hun was mentioned in front of Min. (chapter 52) It is because Black Heart knew Heena! I even believe that he had already met the scholar. Note that the man with the black hanbok was repeating the rumors about the learned sir. And the other questioned the main lead’s action exposing that he had never heard about this grapevine before. Hence I am deducing that the one spreading this rumor could only be MIN!! That’s the reason why he just said this (chapter 52) That means that the noble knew the teacher in the end. Therefore it is no coincidence that Min was aware where the learned sir lived!! (chapter 83) And now, if you connect the two scenes from chapter 97 and chapter 52 , you can only come to the conclusion that Min was the learned sir’s previous sponsor, but at the end he changed his mind (chapter 52). Why? It is because there was an incident in the gibang!! (chapter 01) And who had covered up the incident? Heena, for she was the head-kisaeng! She had lied to her brother by blaming the biggest victim, Yoon Seungho, who was the man with the braid! This image is a real memory of Baek Na-Kyum from that night, yet from far away, the painter couldn’t see the face of the sodomite! This is another secret Heena has been hiding from her brother!

That’s how I realized that season 3 focused on the “face”, the symbol for identity. The readers could never see the face of all the corpses (chapter 94) (chapter 97) (chapter 97) (chapter 101), and even Kim hid his face under a hanbok. (chapter 92) That’s the reason why I believe that in season 4, the visage will play a major role! The couple will recognize people due to the face!! In my eyes, the former head-kisaeng knows the identities of all the persons involved in Yoon Seungho’s suffering.

Hence I am encouraging you to read Painter Of The Night once again under the following theory: Heena and Min knew each other, and Jung In-Hun had already been in contact with Min…. This is no coincidence that Black Heart had to die at the end. Jung In-Hun was killed, after Min had betrayed and abandoned the scholar. If he had kept his words… the murder of Jung In-Hun wouldn’t have taken place. But let’s not forget that according to me, this scene in the gibang (chapter 1) corresponds to Yoon Seungho’s first liberation. This means that the sponsorship was doomed to fail, because the gods would no longer tolerate the abuse. Min’s promise was short-lived, because his dream couldn’t come true. He had no longer any use of the scholar. This truly exposes that Heena told many stories to her brother in the past and in the present, yet only now, (chapter 97) her brother is detecting her deception.

PS: It would be great, if one of my readers could tell me the name of these flowers

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The liars 🤥 in front of the mirror of truth 👺 : Lee Jihwa and Yoon Chang-Hyeon (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Announcement: The essays “Sex and passion” and “The puzzle with the paper” have been updated.

I selected these pictures as illustration for this essay for two reasons. On the one hand, the couple was still in denial about their true desires. Both wished to be embraced and loved by the other, yet in this panel they still feared to voice their own wishes. Why? It is because they dreaded disappointment and betrayal due to their painful past experiences. In other words, they were lying to themselves. Therefore it is no coincidence that at the end of season 3, the two protagonists were confronted with separation and real lies! They had waited for a sign from their partner, hence their karma was to wait and lose the right time. (chapter 102) The painter had confessed too late, for the schemers were already pulling the strings in the shadow. To conclude, the main leads’ self-deceptions were connected to love and time. The importance of self-manipulation leads me to the next observation. All the antagonists and villains were liars, because they were also deceiving themselves. They refused to admit their own fears and flaws, therefore they chose to commit a wrongdoing and manipulate others in order to hide their true thoughts. This means that not only the crime was covered up with a deception, but also the manipulation was hidden by another lie. This means that the list of their sins increased. Therefore it is not surprising that the gods chose to confront the liars with the verity, as they kept refusing to admit their sins. Now, it is time to focus on the antagonists and villains’ manipulations and the scenes where they were facing the mirror of truth. However, the readers are probably wondering where the mirror of truth is. The answer is simple. The mirrors of truth are not only the two main figures, but also Kim and Min, though they are their negative reflections. Remember that in Snow White, the item led the evil Queen to her doom, for the latter refused to accept reality. At the same time, the mirror of truth was not entirely honest either, for it never explained the definition of “Beauty”. In other words, it lied by “omission”. I realized that I can not examine all the antagonists and villains in one text, as I am so detail-oriented. Consequently, I selected Lee Jihwa and Yoon Chang-Hyeon first, for both characters’ lies are strongly intertwined.

1. The red-haired master’s sins

The manhwaphiles could witness his first wrongdoing in the study. He had kissed Yoon Seungho without his consent. (chapter 77) The problem is that he had been caught by the butler. Thus the door was open. The door is full of symbolism. It can represent opportunity, but also imprisonment. Simultaneously, the door embodies the passage from one world to another in religion and literature. In the analysis “The window, the door, the air and their signification”, I had explained that in Painter Of The Night, the door embodies the passage between the conscious and the unconscious. This means that when all the villains are confronted with the mirror of truth, they are standing on the doorstep. That’s why the reflection is linked to the open door. The characters are forced to face their own repressed desires and anxieties. Hence I deduce that the room symbolizes memories too, which means that we are dealing with repressed memories. In our first case, since Lee Jihwa was seen in the study, this means that when he got caught, he tried to deny his responsibility in the seduction. That’s how he started being in denial of his wrongdoing. Thus out of fear, he left his friend behind and as such he buried the incident in his unconscious. He tried to forget it. He convinced himself that he had seen the friend’s smile. This was the evidence of his “statement”, yet this was just an illusion. However, before he ran away, he lied to the butler too. He told him that the one who had kissed him had been the main lead. So not only he lied to the valet, but also to himself. That way, he was avoiding to feel guilty. There were two lies, and both were used to covered up his own wrongdoing. But the one who had been smiling, was in reality Lee Jihwa, as he had the impression that his dream had been fulfilled. Thus the author revealed the young master’s blushing, the expression of happiness. (chapter 77) However, since he had been caught by the valet, he was facing the butler’s visage. And what did he see in his facial expressions? Shock and horror!! That’s how Lee Jihwa realized the gravity of his sin and chose to blame his friend. Thus I imagine that he must have blushed again and this time out of shame and embarrassment. It is very possible that in that moment, he must have copied the valet’s facial expressions before leaving Yoon Seungho behind and lying to the butler. Why do I think so? It is because the butler had made such an expression in front of the barn, when he had been caught. (chapter 64) And what did the main lead say? (chapter 64) Since the painter seems to have forgotten it, I deduce that it was the reverse for Lee Jihwa which explains why he felt so guilty in the end. As for the butler, when he had barged in the study, he had committed a wrongdoing himself. He should have asked for the main lead’s permission, but he did not. Consequently, he decided to believe in Lee Jihwa’s deception. One hand washes the other. He was covering up the guest’s sin, while the latter was doing the same thing for the domestic, though I doubt that Lee Jihwa truly realized it. Simultaneously, Kim had the perfect justification to hide the violation of social norms. He had caught the main lead red-handed, hence no one would question his own action. As you already know, I associate the butler to Pilatus, therefore he is connected to the bucket.

And since the childhood friend had been able to avoid punishment by lying and putting the whole blame on his friend, he learned that he could get away by deceiving others and by putting the whole blame on his friend. I would even add that with this incident, he was taught another lesson: Silence and burying the truth. Note that he never came clean, he never exposed the truth to his friend or to the elders. That’s the reason why from that moment on, Lee Jihwa became a hypocrite, but deep down, he felt guilty and ashamed, for he couldn’t outlive his sexual orientation due to the horrified expression. He had to hide his homosexuality in front of others, hence later he had sex in the barn with Yoon Seungho. This explains why the spirits chose to confront Lee Jihwa with the truth on different occasions in season 1.

I could mention the argument between the main lead and the red-haired master. (chapter 13) However, in my eyes, this doesn’t represent the biggest confrontation with the mirror of truth. For me, it is the altercation in episode 17, for it took place in the same place than the aristocrat’s crime. When the red-haired master looked at the picture, he was suspecting that the painter had seduced his friend due to the insinuations by the staff. And his fear reached the peak, when he saw the painter’s reaction: (chapter 17) As you can see, in this episode, the gods were recreating the same situation: a servant had witnessed how the two men “were fooling around” (chapter 16), though this was definitely not the case!! And this is exactly like in the past, Yoon Seungho was totally pure and innocent. And what was Lee Jihwa’s reaction? A slap! (chapter 17) This is what Yoon Seungho had experienced in the past. Yoon Chang-Hyeon had definitely abused him. (chapter 57) Thus the main lead’s cheek was bruised. Then exactly like in the past, Lee Jihwa accused someone else of committing a crime. In the past, it was his friend, in the present it was Baek Na-Kyum. Both were portrayed as immoral seducers. (chapter 17) These words were exposing the verity about the past. Lee Jihwa was admitting in front of the painter that his friend would never act like that, and as such he had not attempted to woo him in the past. Striking is that in front of the painter, the red-haired master was misinterpreting the incident. Why? It is because he was influenced by his past experiences. Since he had lied twice, he jumped to the wrong conclusion that it was the same in the present. And back then, he had even achieved to fool Kim. Therefore he couldn’t allow himself to be fooled like the butler. That’s the reason why he couldn’t imagine that someone was innocent. (chapter 17) He was a liar in the past, so it must be the same for the painter. Yet, this was the negative reflection from the past. Thus his karma was to get caught by his childhood friend. Striking is that this time, he was put in his friend’s place. He was turning his back to the door. Moreover, due to his anger, he didn’t hear Yoon Seungho’s steps and the opening of the door! (chapter 17) But the childhood friend refused to face reality in that moment, and as such to admit his guilt and responsibility. Why? It is because he had committed another crime in the past. This is related to the bedchamber incident. (chapter 83) However, here he had been caught by his father, hence I believe that this confrontation represents mainly the elders’ punishment. As for Lee Jihwa, despite the humiliation and abandonment in chapter 18, he refused to give up on his friend. (chapter 18) One might say that he was motivated by love, yet I think that it is related to his denial about his sexual orientation. And this coincides with his lack of honesty. He had not confessed his own sins and lies yet. Therefore (chapter 36) he presented himself as a pitiful creature, as he was sharing the protagonist’s suffering due to his knowledge. However, this was not empathy, just sympathy. The person only feeling sympathy will always put a distance between himself and the counterpart. There‘s a “I“ and “you“, but no „we“. The person might come to pity the other, yet he won‘t intervene and help. He will just understand and that‘s it. (chapter 36) This panel is the evidence for this interpretation. Lee Jihwa never used the personal pronoun “we”, even during the abduction. (chapter 59) [For more information about sympathy read the essay “Sympathy for the devil”] Hence the gods let him meet the mirror of truth a second time: (chapter 43) Based on this panel, Lee Jihwa had more or less barged in the study, but his presence was detected too late! One detail caught my attention in this picture, the presence of the light reflected on the door. Hence I assume that the main lead detected the presence of a witness because of the light!! (chapter 43) Let’s not forget that the room was dark, when they were having sex. (chapter 42) He was still looking at his lover’s face, when he perceived the change of the light. Hence he turned his head in direction of the light reflected on the door. My friend Luzaly brought my attention to this detail. The couple was turning their back to the door before. (chapter 42) The form of the light reflected on the door doesn’t come from behind the gate (chapter 43), for this is what we would see: (chapter 97) And now, you comprehend why I came to the deduction that Lee Jihwa had witnessed the love session not from this door, (chapter 43) from a different point. This explicates why once again, the lord couldn’t see the identity of the so-called “peeper”. Besides, don’t forget that the author is working with reflections, as such this means that the second lead must have been placed differently. But this doesn’t end here. I would like to point out that during that evening, the main lead had left the door wide open, when he confronted the artist. (chapter 41) However, in the next episode, Byeonduck showed us a slight change. (chapter 42) The door was now close. This means that the butler had intervened at some point. This was the negative reflection from episode 20. (chapter 20) This time, the main lead had not requested for more privacy, for he had not detected the presence of his right-hand. And this leads me to the following conclusion. Since this is not the door (chapter 43) which had been opened by Lee Jihwa, it is impossible for the second main lead to have witnessed this embrace from this perspective. (chapter 43) I am even suspecting that he didn’t view this scene at all, because logically, the light should be coming from the other side!! But on the other side, there is no door!! (chapter 49) But there is the window…. And now, you comprehend why Yoon Seungho never investigated the matter with the “door”. It had never been opened in the first place. But how could Lee Jihwa imagine such a scene? (chapter 43) It is impossible, for he confessed later that he knew about the friend’s longing for an embrace! (chapter 57) However, here it is necessary to remind the readers of my previous character’s examination. I had described Lee Jihwa as trapped in a dark room, because he had lost his auditory and visual sense due to his guilt!! This was the price to pay for his sins. He had imagined to see the friend’s smile and he had lied to the butler. And since in episode 17, his visual senses were triggered (the painting, the painter’s facial expressions), I deduce that in chapter 42/43, this time Lee Jihwa was confronted with the mirror of truth through words. Through the window, he could hear the moaning of the couple, hence he couldn’t see the painter’s sadness. Moreover, this is what the painter said: (chapter 42). It sounded like he was indeed seducing the main lead. As for the embrace, he couldn’t hear it, but someone had heard the longing from the painter. (chapter 41) In other words, the butler had helped Lee Jihwa to spy on the couple and had even divulged what he had heard from before. Naturally, he had deceived the red-haired master by omission. He never mentioned the existence of the scholar and the painter’s broken heart!! One might argue that this is not possible. I am again overthinking. But I would like to outline the existence of the following rule on which the story was created: the reflection within the same episode. How did Black Heart manipulate the red-haired master in the pavilion? Through words and that’s how the childhood friend came to envision this scene: (chapter 43) The gods were punishing Lee Jihwa for his lie: his friend’s smile!! But I have more evidences for this theory. First, it is important to pay attention to Min’s words, when he manipulated Lee Jihwa. First, he portrayed the painter in a pejorative light with the idiom “indecent life”. (chapter 43) Moreover, the noble employed the personal pronoun “we”, which is not typical for the selfish and hypocrite villain. This means that he was repeating Kim’s words. Then he added how the couple would have sex in the barn (chapter 43) (“vulgar roll in the hay”), but this was not true. However, this is what had happened in the past with Lee Jihwa. The latter would have sex with his childhood friend in the storage room. This explicates why Lee Jihwa came to believe in Black Heart’s words and manipulations. With such a description, he was reminded of his own past!! Therefore it is not surprising that Lee Jihwa had such a vision. (chapter 43) This is what he had wished in the past, and what he had done too: he had seduced his friend and smiled… and he had been caught! In other words, Kim was actually viewing the red-haired master as an immoral witch: (chapter 43) Moreover, since this night was a reflection of the first Wedding night, this means that the author left a clue there. And now, look at this… (chapter 21) The windows!! As you can see, the door is not the only place to spy or interrupt intimacy. Secondly, we should have reflections of the spying through the window in season 2. (Chapter 49) In this episode, the light in the study had suddenly vanished, and this is what we had before: (Chapter 49) This darkness exposed the presence of someone outside. Then in episode 70, the author drew a panel focusing on the window and the bougies. (Chapter 70) I had already suspected back then, that someone was listening to their conversation, and with this new discovery, Lee Jihwa hearing the love session from the window, this interpretation gets reinforced. Furthermore, in chapter 96, the main lead had explained the opening of the door with this: (chapter 96). This signifies that in the past, the lord had explained the sudden opening of a window and the vanishing of the candle light with the wind during the night of chapter 49.

But why was Lee Jihwa confronted with the mirror of truth? It is because he was still dishonest. He kept deceiving himself and refusing to admit his wrongdoings. In the inn, this is what he had said in front of the nobles: (chapter 36) The reality is that he couldn’t cut ties with his friend. He had lied in the past, therefore he got manipulated in the present. And since he was confronted with his auditory and visual senses in season 1, he was put in a similar situation in season 2. However, there was a slight change, now the red-haired master was confronted with a real crime: murder!! The darkness of the room and the silence from Yoon Seungho and the painter were referring to the master’s loss of senses and his guilt. Deep down, the young master knew that the assassination was not right. And note that the aristocrat had this nightmare in his own bedroom confirming that the room is the symbol for the subconscious. Finally, in season 3, Lee Jihwa got confronted with another uncomfortable truth: his friend’s sexual abuse. Lee Jihwa had acted, as if this stolen kiss was nothing. However, due to his silence, he let his friend get raped. And he knew about this, but he chose to close an eye to this. First, Lee Jihwa refused to share his friend with the painter (chapter 18) implying that in the past, he had to share Yoon Seungho with other men. But since he had declared that the main lead had never taken an initiative, this signifies that the protagonist had no choice in the selection of his partners. He had not the right to refuse anyone, not even the red-haired master. Hence the latter got furious and angry, when he was rejected for the first time. (chapter 5) Therefore it is no coincidence that in the shaman’s house, he was put in the same position than Yoon Seungho. He couldn’t select his partner (chapter 100), he had to rape Baek Na-Kyum. This is no coincidence that the Joker was standing in front of the door. He was pushing the young man to face his repressed memories and lies. That’s the reason why exactly like in the pavilion (chapter 43), Black Heart coerced the antagonist. He used words to manipulate the second lead, but there is a huge difference. The shaman’s house was representing the young noble’s unconscious and as such his true personality, while it was not the case in the pavilion. The room in chapter 43 was more embodying the Joker’s unconscious. Why? It is because Lee Jihwa was speaking the truth in that scene. (chapter 43) He reproached Black Heart to have deceived him. On the other hand, the scene in the shaman’s house corroborates my interpretation that Lee Jihwa had not seen the embrace from chapter 42, for Black Heart was voicing the butler’s thoughts and emotions. (chapter 100) This shows that during the night of chapter 42/43, the valet had intervened. Thus Min was acting, as if he was a victim in the recent past. He had been deceived by Lee Jihwa’s lies by omission or commission. This is what had happened in the past. Besides, I realized that when the man confessed the incident in the bedchamber (chapter 83), Min couldn’t see the whole story. He had to rely on the second lead’s words. Just because we could observe the whole scene, this doesn’t mean that this was the case for the character. It is very likely that Lee Jihwa left details out, especially as he portrayed himself as a victim. Due to the narration, Min could have been misled. He could have envisioned that the childhood friend was living in the study and had dragged his friend to the bedchamber. Hence you comprehend why I consider it as another evidence that Lee Jihwa didn’t view the love session in the study from chapter 42 with his own eyes. He had to rely on his ears and naturally Kim played a role before Black Heart’s intervention. The servant hoped that Lee Jihwa would decide to do something…. in other words, he had been gradually manipulated by Kim and Min to hire an assassin. That way, he could be blamed for the murder of the scholar. He would become guilty by association. And the one pulling the strings behind the scene can only be the mysterious lord Song, for he can no longer interfere directly, though I am certain that he was not aware of the butler’s own meddling. Why? It is because in the past, Kim had never become proactive like that. Moreover, I think that even in the past, the man was not omniscient and omnipotent either. He over-estimated his own abilities, and didn’t recognize that he had been fooled himself either.

But let’s return to the scheme in the shaman’s house. The young master Lee was now cornered, for he had kept denying his own wrongdoings: the sexual assault with the stolen kiss and the lies by omission and by commission! What caught my attention is that the antagonist associated the sexual abuse with murder! (chapter 100) This is no coincidence, for the sexual abuse is the reason why Yoon Seungho’s heart and soul got destroyed. This had the same effect than killing someone, especially if the person is so innocent and pure. Because he recognized the truth, he had the courage to abandon and betray Black Heart. That’s how he could redeem himself in the end. (chapter 100) At the same time, this is not surprising that Lee Jihwa met his friend and admitted his wrongdoing. For the first time, he didn’t remain silent and chose to intervene!! I also believe that during that night, he apologized to the protagonist before vanishing. In other words, Lee Jihwa had to face 4 different mirrors of truth, until he was able to admit the verity. He was responsible for Yoon Seungho’s suffering. He had lied, therefore he got deceived, until he had no other choice to confess his guilt and sins.

2. Yoon Chang-Hyeon’s lies

In episode 77, we discover from the butler the patriarch’s following promise to Kim: (chapter 77) He would do anything to cure Yoon Seungho implying that he wouldn’t mind spending money for the main lead’s treatment. However, the truth was that he refused to send for the physician, when the young boy was sick after the straw mat beating. (chapter 77) This means that he broke his promise. Striking is that the vow to the butler was introduced in connection to the patio!! When the readers hear this promise, this is what we see shortly after. (chapter 77) Secondly, the elder master Yoon was seen shortly after there. (chapter 77) That’s how I realized that the elder master was connected to this patio in front of the building. Thus Byeonduck showed us him in this place in the gibang (chapter 87) Finally, there exists the flashbulb from Yoon Seungho’s memory: (chapter 55) My avid readers will certainly recall how I had claimed that this scene was representing Lee Jihwa and father Lee. I am not changing my mind, but I would like to point out that this story is built like a kaleidoscope and as such, each image is actually a reflection. Thereby I come to the conclusion that in this panel, the young boy and the elder are in verity embodying 4 people: the boy is Lee Jihwa and Yoon Seung-Won, as for the elder, it is father Lee and the elder Yoon. Why? It is because the punishments were related to the Lees’ behavior and words. There is no ambiguity that elder Lee intervened to protect his son’s reputation. In other words, father Yoon was seen in the patio in chapter 55. Then when he visited the physician, he remained outside too contrary to the main leads. (chapter 57) It was, as if the elder master had nothing to hide, for the domestic and the butler could hear him. However, the latter got deceived. There is no ambiguity that the valet and the young master trusted him. On the other hand, the valet was the one who introduced him to the physician, like we could see here. (chapter 57) But what does it mean? First, it shows that Yoon Chang-Hyeon was never seen in the bedchamber!! In other words, his power was fake. This interpretation gets validated, when I use the confrontation between Heena and Yoon Seungho. (chapter 65) In that very same place, the protagonist had been insulted and could do nothing, for neither Kim nor his staff intervened. And this perception reinforces my perception that the patriarch has always been delusional and arrogant, over-estimating his own power. Moreover, the lord was not honest either. (chapter 65) This shows that the patio is connected to violence, hypocrisy, deceptions and offenses.

Moreover, the patio in front of the bedchamber where anyone can see and hear the elder Yoon reminded me of the learned sir who selected the pavilion to incite the painter to disobey his host and sponsor. That’s why I started suspecting Yoon Chang-Hyeon again, if he had not manipulated the butler in the past and this on purpose. Moreover, since in Painter Of The Night, the room embodies memories and the unconscious, I deduce that the patio is exposing Yoon Chang-Hyeon’s true personality. He lacks not only integrity, but also knowledge. Let’s not forget that knowledge is acquired through reading and experiences. But in the patio, there is no book… and the person can only witness what is happening in the courtyard. This means that the view is limited and the person is not interacting with people. This explains why the man is stupid and superficial. Because of this new discovery, I had another revelation!!

According to the main lead, only his grand-father had a government post. (chapter 7) Then in the study, Yoon Seungho confessed that his father had been dismissed from his post which contradicts the previous statement. (chapter 80) But how did Yoon Chang-Hyeon obtain his office then? Then the expression “follow in his footsteps” caught my attention. That’s how I realized that the elder master never passed the civil service examination!! In truth, he failed terribly. How can I be so sure about this? First, the civil service examination consists of different tests. Secondly the idiom from Yoon Seungho indicates an gradual rise in the grandfather’s career which is not reflected in the lord’s confession to the messenger. Finally, in front of the mirror of truth, the father voiced the following wish: (chapter 86) This expectation exposes that this had not happened in the past. But why didn’t he expect this from Yoon Seungho earlier, though the latter had such a good notoriety? It is because he desired to be admired himself. He viewed himself as the Yoons. Thus he said this to his son: (chapter 86) This means that he was using his own sons for his own career, though he claims that he is doing for the Yoons’ notoriety. In other words, the patriarch’s position was obtained through sexual favors. But since the king was the sponsor, there is no ambiguity that at some point, the elder master must have started dreaming even bigger, similar to the scholar: (chapter 18) Hence I have the impression that he must have acted, as if he was the king’s relative. Hence he asked to be called by a certain title. This could only infuriate the mysterious lord Song, for the latter was hiding his sodomy and debauchery behind closed doors. No one was supposed to make a connection between him and the Yoons. However, I don’t think that the elder master Yoon had planned everything from the start. He had definitely been misguided, for in season 1 and 3, we could see that he was believing blindly what people would say to him. He never doubted his son’s words, when the latter said that Yoon Seungho had given him such a paper. (chapter 44) And it is the same with father Lee. That’s the reason why I still think that he had been manipulated. He was pushed to sell his own son, thinking that the Yoons would benefit from it. However, this was just a delusion, as he was dependent on the monarch’s benevolence.

Therefore I came to realize that the confrontation in the bedchamber in chapter 83 was actually organized to mock the elder master, but not only by Kim. (chapter 83) Here, he was confronted with reality. His power came from prostitution and nothing more! From my point of view, this scene was a reflection of the night in the study with Min: (chapter 53) But Yoon Chang-Hyeon refused to admit it, it went so far that he was denying his relationship with Yoon Seungho. He was just an animal. (chapter 83) The reason why I am connecting it to episode 53 is because of The Joker’s smile which reminded me of lord Song’s evil smirk. The man had a view to the patio, hence he could see who could enter the bedchamber or not. And observe that when the brutal father was in the bedchamber, the main lead never replied to him. This could only reinforce the man’s delusion and greed. That’s the reason why Yoon Seungho had to live in the barn and was not dressed properly. The elder master Yoon was avoiding his son for this reason. He was closing an eye to the truth. And that’s how he could convince himself that Yoon Seungho was just a sodomite. In other words, he came to believe his own lies, while in the beginning, he had definitely been deceived himself. To sum up, his evolution stands in opposition to Lee Jihwa. Instead of suffering from guilt and shame, he came to adopt this philosophy, Yoon Seungho is responsible for everything. His hatred towards the protagonist could only increase. But reality caught up with him during the same night! He ended losing his power, as all the noble families supporting him vanished. He had promised to cure his son, he ended up as a wreck. His health deteriorated, hence he is much thinner now. (chapter 87) He was paying the price for his lies about the cure. Furthermore, the manhwaphiles will realize that he is no longer seen in the patio. (chapter 44) This explicates why he refused to bid farewell to Yoon Seung-Won from the patio. This means that he chose to live in the bedroom, totally cut off from the world. And this leads me to the following observation. Once he met his son after such a long time, he refused to accept the verity. He was responsible for the situation and for Yoon Seungho’s suffering. This shows that his self-manipulations can no longer be removed. He remained once again totally delusional, thinking that the treason was just a subterfuge! (chapter 86) Why? It is because the young lord was supported by the “king”. But since he had cut ties with the main lead in the past, treating him like a servant, there is no doubt that the pedophile doesn’t view Yoon Chang-Hyeon in a good light. Hence the son became the true owner of the mansion. In the bedchamber, the father was confronted with the consequences of his decisions and lies. He had lost everything: his position as the head of the family, the propriety, the wealth and the connections. Thus he was left speechless. (chapter 86) But when he arrived in the study, this is what he saw. This picture revealed his greed and ambition (chapter 86), but he would never admit it. This is no coincidence that the open door is reflected with the shadow. He claimed to contribute to the lineage of the Yoons, but like mentioned above, he was only thinking about himself. This scene shows that he was eyeing for the throne, and this must have happened in the past too. That’s the reason why I believe that he did sell his son to a pedophile for his own greed and ambition, but he never admitted it. He used the family and traditions to hide his ruthlessness and selfishness. When the father was on the verge of leaving the study, he expressed his regret that he shouldn’t have saved his son. (chapter 87) This was another self-deception. Without the main lead, the latter would have lost everything. Note that he is living comfortably in the house in Hanyang. So if the young master were to disappear, I doubt that the mysterious lord Song will allow the father to take over the mansion. His regret implied that he shouldn’t have sent for a doctor. This is important, because this signifies that he will be punished the same way, it will be even worse. No one will be by his side to protect him and to save him… no one will request for the physician’s assistance. Similar to the broken promise in the patio: (chapter 77) Moreover, the father acted, as if he was decent and righteous (chapter 87), while Yoon Seungho was compared to a monster! (chapter 86) The outcome of his lie can only be that he will be perceived by people as a monster, as an immoral father who had no conscience at all. How do I come to this conclusion? First, the painter could see right through the father’s gaze. (chapter 87) He was a cruel and resentful father. Moreover, the lord’s words always become a reality. Hence the father can only be condemned as the licentious and depraved degenerate. (chapter 86), the black sheep! Furthermore the moment Yoon Chang-Hyeon loses the house in Hanyang, he has no place where he can hide himself from public gaze. He can only ended up as a powerless outcast. I am suspecting that since he longed to be admired and fawned, he could end up committing suicide, for he is unable to tolerate people’s rejection and insults. To conclude, the father refused to admit his guilt and wrongdoings till the end. Even cornered, he chose to avoid reality, preferring to trust father Lee and the butler’s lies. Why? It is because he envisioned that by removing the main lead, he could take over the mansion, and act, as if nothing had happened, as if Yoon Seungho had never existed. The gods will fulfil his wish so that he can be confronted with reality. Besides, note that the patriarch never stopped his son from kissing the painter, he even followed him to the seat. (chapter 87) This shows that deep down, the man was not truly against sodomy and prostitution. The father resented the son, for he could only achieve “glory” through debauchery and sodomy. I believe that the elder master Yoon was thinking like this: “no matter what” the Yoons’ power and notoriety must increase. In the bedchamber, the man exposed his true personality, while in the patio he was just the fake image of a powerful, decent and righteous man. This explicates why it took the teenager so long to realize the father’s betrayal. (chapter 55) In the patio, the son still trusted the patriarch. In reality, Yoon Chang-Hyeon needed admiration in order to feel alive. In other words, his credulity, arrogance, superficiality and narrow-mindedness were the causes for the downfall of the Yoons and the main lead’s suffering. We could say that the folding shield in his bedchamber truly reflected his personality. (chapter 82) He was just an empty shell, his knowledge, experiences and possessions were just an illusion.

Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.

Painter Of The Night: The puzzle with the paper 📜 📨 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33  That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

Announcement: The essay “The secret behind curry, apple and butter” has been updated.

Here, I would like to thank my friend Luzyla for her latest observations which made me realize the existence of a new connection!! Before elaborating my new discoveries, I would like to repeat the following principles on which the story was developed:

  1. There is always a reflection within the same chapter.
  2. The next episode is mirroring the previous one, naturally with slight changes.
  3. Each season is reflected in the previous and the future one.
  4. The author is working on positive and negative reflections.
  5. Thus the story is going in circle.
  6. Thus the lord’s destiny is reflected in the painter’s.

That’s the method I am using to unveil the mystery behind Yoon Seungho’s past and as such behind the painter’s.

1. Baek Na-Kyum’s apology

Everything started with this panel. (Chapter 5) Baek Na-Kyum was apologizing for his past behavior. He had insulted the main lead because of the poem. And his words sounded really similar to the butler’s in the library, for they both employed the same expressions: “That day” and “I spoke out of”. (Chapter 77) Striking is that the painter employed the expression “hand”, while the valet talked about “turn”. Why did they do that? It is because when Kim was caught committing a crime, he turned his head! (chapter 68) Thus in the library, the butler excused himself in front of the lord by using the following expression: “spoke out of turn”!! On the other hand, the painter had used his hand, (chapter 4), therefore he described his wrongdoing with the following expression “out of hand”. In my eyes, his words indicate the interference of the butler. Furthermore, the two men had a drop of sweat, a sign that they were not truly honest. (chapter 77) Both were apologizing, as they had wronged the noble. As you can imagine, the similarity in the excuse is no coincidence. The proof that both incidents are reflections is that they have another point in common. The wrongdoings of the low-borns had taken place in front of a gate. The butler had disobeyed his master (chapter 68), and the painter had assaulted the lord by trying to retrieve the poetry. (Chapter 4) Because both characters had violated social norms, showing disrespect towards a noble, (chapter 04) the consequence was that two people were pushed down, the black guard and Baek Na-Kyum. (Chapter 4) In other words, since Yoon Seungho had punished the butler due to the incidents in episode 67/68, I deduce that episodes 67/68 were reflections of episode 4/5 as well!! This corresponds to the rule 2 and 3.

1. 1. Yoon Seungho, the commoners and the Lees

But this doesn’t end here. When the lord caught Kim’s wrongdoing, he was returning from the Lees’ mansion (chapter 68). Since this is the positive reflection, I am deducing that in chapter 4, Yoon Seungho was actually returning to the domain of the Lees, as it should mirror the opposite. (chapter 4) Let’s not forget that just before the great entrance of Black Heart and the protagonist in chapter 67, this was what the author showed us: (chapter 67) And now compare the building to this one from chapter 1: (chapter 1) Under this light, my theory that Yoon Seungho was living with the Lees in the beginning of the story gets reinforced and even validated. In season 1, Yoon Seungho had sex with his friend in the pavilion so that the father and the staff could see the truth: the young master Jihwa was a sodomite. But since we saw Yoon Seungho in that building in episode 1, we jumped to the wrong conclusion that this was his house. But actually, from chapter 12 on, the author was showing us that we had been deceived. This was the lord’s house, and note that there is no building in the big courtyard contrary to the domain from chapter 67 and 1. (Chapter 12) (For more read the essay “Lee Jihwa’s special relationship with Yoon Seungho”) Then in season 2, the main lead forced the elder Lee to hear what he had been denying all this time (Chapter 67), while in chapter 3, he could only witness it from the patio. On the other hand, Yoon Seungho had been proactive during their sexual encounter, hence the father could only blame the main lead for his son’s debauchery. The intimacy in the pavilion was in verity hiding Yoon Seungho’s huge traumas. But due to Lee Jihwa’s confession in the inn, the red-haired master’s reputation got ruined in town and this must have definitely reached the father’s ears. Striking is that when Yoon Seungho confronted Lee Jihwa with his crime (abduction of a person from his household), the red-haired master ran away and hid behind the folding shield. Thus he never apologized to his friend. And it was the same with the elder Lee. The latter knew about his son’s wrongdoing, for he accused the intruder immediately. (Chapter 67) As you can see, the absence of the excuse from the uke and his father outlines that chapter 67 is a reflection of episode 5 and 77. I detect a pattern, chapter 5 contains a superficial apology, chapter 67 no apology and chapter 77 a fake excuse again. Furthermore the manhwalovers can recognize that in the same episode (episode 5), the antagonist Jihwa had indeed wounded the painter with his insult too, a reflection of episode 4. (Chapter 5) This confirms that chapter 5 is connected not only to episode 77, but also to chapter 67/68. We have the same elements: an incident linked to a door (chapter 67), insults towards the main leads, a wrongdoing, the allusion to love (chapter 67), a punishment, but also the absence or presence of an apology. But all of these episodes have other similarities: hypocrisy and arrogance. The Lees were looking down on Baek Na-Kyum and Yoon Seungho (chapter 5-67), while in episode 77, it was the butler who yelled and criticized the noble. (chapter 77) By detecting a reflection between these chapters, I had a new revelation.

1. 2. The lord and the papers

In addition, if the manhwaphiles compare the scene with the painter’s excuse (chapter 5) to the scene with the butler’s (chapter 77), they can detect the fourth parallel: Yoon Seungho’s correspondence. 😮 How is it possible, as in episode 5, the noble never wrote a letter? In fact, he gave the poem to the black guard for the investigation. On the other hand, it looked, as though Yoon Seungho had written a letter (chapter 5), while it was not the case. As you can see, anyone seeing the black guard leaving the owner’s study could have had the impression that the lord had written a letter. This means that this mistake must have taken place later again due to the rule 2! The manhwalovers could discover the deception in chapter 37/38!! (chapter 38) That’s how Jung In-Hun got misled. (chapter 38) Yoon Seung-Won had never received a letter, but the ruined painting. The readers only discovered the trick in the final episode, when the father was looking at the picture. And this connection between a letter and a painting was reflected in season 2. While Min stole the painter’s last creation (chapter 56), Jihwa sent a forged letter (chapter 56). Striking is that the butler was the one who received the paper before delivering it to his sick master. These two scenes (38-56) indicate that the valet is related to the correspondence. Moreover, he was seen delivering the message to Yoon Seungho in the courtyard. (chapter 35)

All this proves that in chapter 5, the butler had seen the black guard departing from the study with the paper in the hand, and he had jumped to the wrong conclusion that his master had written a letter. Therefore right after this conversation, the lord’s table vanished. (chapter 5) It was, as if he was not allowed to write any letter. So where did the table go? To the study!! What caught my attention is that after the first painting (chapter 2), the table had been removed from the study, just like the papers. (chapter 4) This was no coincidence. It had been sent to the lord’s bedroom, but after the lord had tasked the black guard, it was no longer there. This is the indication that someone was interfering with Yoon Seungho’s habit to take a brush. And this can only be Kim. As you can see, the appearance and the vanishing of the small table is the element which was reflected in chapter 1, 2, 3, 4 and 5. And now, look at the scene where Lee Jihwa met Min. (chapter 67) The table had also disappeared. And when did it happen? (chapter 21) The noble had ransacked his own room with his sword. And what did we see in that episode? A paper folded in a book. (chapter 21) In other words, the First Wedding night is also a reflection from these chapters (4/5, 67/68, 77), for it contains the same elements: (chapter 20) an incident with a door, someone is pushed down, a wrongdoing committed against Yoon Seungho (theft), an apology (episode 19) and the importance of the table. According to me, the valet had put the expensive wine on the painter’s table on purpose. To conclude, I see a connection between episode 4/5, 19/20/21, 67/68 and 77.

And now. you are wondering if I am not drifting away from my initial statement, the painter’s apology. However, I would like to remind the readers that in order to write a letter, a person usually needs to have a table in order to write properly. So imagine the butler’s reaction, when he hears from Yoon Seungho this: (chapter 77) He can not trust his words, especially since he views the nobles as violent liars. Why? It is because there was this huge table. This is no coincidence that right after the valet betrayed the main lead and wrote a message to the patriarch. That’s how I had another revelation. The butler is symbolized by the table! Thus he was often seen with this small table (chapter 11) (chapter 17) To conclude, when the butler saw the black guard leaving the mansion, he believed that his master had sent words to someone! That’s the reason why he removed the table and returned it to the painter’s study.

(chapter 5) However, this was just the poem!! This confusion between a letter and a poem should be reflected in season 3 according to rule 3. That’s how I came to the conclusion that when the painter returned to the annex and took the poem, he was actually taking a letter (chapter 97) written by Yoon Seungho, but he envisioned that this was the Spring poem! (chapter 97) We had the same situation. Black Heart had stolen the Spring poem, and the noonas had deceived the protagonists by faking admiration in front of an empty paper. (chapter 93) Since the paper in episode 93 was empty, I could only come to the deduction that this paper contained words!! (chapter 97) Another evidence for this theory is the color of the paper, for the second doesn’t have a shade of pink. Then I suddenly recalled that the artist had received two calligraphies, the one from his beloved and the other from the old bearded man. (chapter 92) The latter’s work was a copy of Yoon Seungho’s poetry, the repetition from chapter 4. Hence you comprehend why I deduce that the paper in the annex was different from the Spring poem. So during that night, Yoon Seungho left a note to his lover, and that’s how the butler discovered that the artist could not read Chinese, for he saw his master writing in hangeul. But there exists another evidence for this interpretation. Baek Na-Kyum had wished this: (chapter 97) The goddess was actually fulfilling his wish, when she reminded him of the Spring poem.

And that’s how I realized why Kim had suggested to his master that two servants should remain by Baek Na-Kyum’s side and bring him back to the mansion. The reason is simple. The two domestics were to divert the artist’s attention, that way the painter wouldn’t read the letter. If the domestics were present, they could give some information to the painter without revealing too much. (chapter 97) If the lord had mentioned in the letter that they had found the corpse of Deok-Jae, the painter would have believed him. However, as you can envision it, the butler and Min were determined to generate a misunderstanding, to create the illusion that the scholar had died. Consequently, the servants deceived the main lead by omitting the existence of the paper. They had not delivered the message properly.

In other words, the letter is connected to a painting and a poem, yet each time, the paper was stolen or misused. Striking is that none of the main characters noticed the switch or the vanishing. We could say that this was Yoon Seungho’s karma for stealing the painter’s belonging. (chapter 4) His own poetry got stolen. But let’s return our attention to episode 5. Since the lord had given the poem to the black guard, this signifies that the lord no longer had the sijo. Therefore he had to write the poem again in order to mask the disappearance. In my opinion, he must have copied the original poetry for the artist in order to prove that he had not been lying. Hence the paper looked different. And this brings me back to the painter’s apology in the patio. (chapter 5) Why did the painter apologize to Yoon Seungho in the end? How did he come up with such an idea? It is because this had been suggested to the artist by Kim. This explicates why he was speaking like the butler. The latter had actually made a huge error, when he advised the artist. Why? It is because he was mixing cause and consequence. In the valet’s mind, the lord had kept the message, for the painter had offended him. So if he were to confess his wrongdoing, the lord would return the poem, and after that, it was just a matter of time, until the painter would desert the propriety. However, the lord had stated this: (chapter 04) That’s the reason why he had taken it in the first place.

Since Kim had been the one suggesting to the painter to beg for forgiveness with the hope that he would get back his poetry, it is normal that Kim was present, when the poetry was returned. (chapter 7) But where is the sijo now?

In my eyes, Kim had witnessed how the paper had left the property in the past, and he had not intervened. Why? It is because of the black guard. (chapter 65) Moreover, I believe that in chapter 65, he had collaborated with the noona. He had shown her the painting of Baek Na-Kyum, while in the study there was a blank paper. As you can see, in season 2, we had again this connection between a painting and blank paper. But let’s return our attention to chapter 5. The black guard was acting on the order of someone else, Yoon Seungho was not the one hiring him. The butler hates ruckus, his MO is to lie low and act in the shadow. If he had retrieved the paper, the man could report it to the master of the black guard. On the other hand, he could have asked the warden about his master’s request. He just needed to say that he desired to assist him, similar to this situation. (chapter 82) Thus I conclude that when the lord returned the paper to Baek Na-Kyum (chapter 7), Kim must have realized his error. He had mistaken the poem for a letter!! This explains why he repeated the trick with the younger master Seung-Won. But unfortunately for him, he was caught by the teacher who asked the painter about the letter the next morning. (chapter 38) Baek Na-Kyum could have realized that the butler had acted behind his master’s back. The problem is that during that evening, the lord had indeed written a letter to his brother (chapter 36), but the moment the latter interrupted the couple (chapter 37), Yoon Seungho chose to hide it. But why is it important? It is because if the painter had mentioned the paper given to the younger master to Yoon Seungho, the latter could have noticed the valet’s meddling and wrongdoing. On the surface, it looked like Kim had written himself a letter to the younger master. In other words, in episode 37/38, the butler gave the impression that he was a spy, for he was acting without his master’s permission. He had even left the propriety, as he was standing outside in front of the gate. Don’t forget that during the meeting, the brother had mentioned that he had sent him many letters (chapter 37), and there is no ambiguity that Kim had intervened. Here, the lord had said nothing, for he imagined that Kim had done it to protect him from his family.

According to my theory, Yoon Seungho was living with the Lees, and as such Baek Na-Kyum had to trespass the propriety in order to retrieve his tools and vanish!! (Chapter 4) But on his way out, he met Yoon Seungho who had just missed the painter’s departure. But there, he discovered that the main lead had stolen his poetry. (Chapter 04) Therefore he was forced to return to the mansion. At the same time, Yoon Seungho was encouraged to come back to the propriety too. He had to keep an eye on the painter. He couldn’t be so sure that the poem was strong enough to keep Baek Na-Kyum by his side. Therefore it is not surprising that in episode 5, Yoon Seungho was seen sitting in front of the window smoking. (chapter 5) He was looking at the gate and as such making sure that the artist’s departure would be noticed. By sending the low-born to the Lees’ mansion, Kim was encouraging the painter to commit a crime: trespassing! But the artist was fortunate, for he was not caught by the lord of the mansion, who preferred hiding due to the ruckus caused by his own son. 😉 As for Yoon Seungho, he came back to the mansion and saw the empty study. Kim just needed to say that the low-born had left to the Lees’ mansion. This is important, because this indicates that in chapter 4, the couple missed each other first! And this situation was repeated in season 3, precisely in chapter 98, when the lord returned from the bureau of investigation (chapter 98)! The lord arrived just after the painter’s departure. And who was with the main lead? Kim. As you can see, the lord’s luck seems not to be on his side, for Baek Na-Kyum had just left the propriety. Once again… the lord was standing in front of the gate!! As for season 2, this time, it was Kim’s fate to miss his master. (chapter 56) The reason for this punishment is simple. He had sent away the artist to the study just before Yoon Seungho regained consciousness. The latter didn’t see that the artist had taken care of him during that night. Thus the butler’s karma was not to notice his master’s departure which stands in opposition to chapter 4 and 98. And note that all these chapters have the paper as common denominator. So imagine the butler’s surprise in episode 4, when he witnessed the artist’s return to the mansion followed by his master. He had sent away Baek Na-Kyum with the hope that the artist would desert the town for good, but no…

2. Kim’s hidden action

Kim must have been intrigued. Why did Baek Na-Kyum come back? He had witnessed the execution of a servant, then he had been abducted before getting imprisoned in the storage room. Finally, he had been threatened and forced to paint an erotic picture. Hence Kim felt the urge to discover the reasons for the painter’s behavior. In other words, he must have interrogated him, the older version of this scene: (chapter 23) The first similarity is the allusion to his bag. The butler was actually thinking that during the hunt, the painter would decide to run away. That’s the reason why he asked about his belonging, for in the past, he only wished to vanish after retrieving his tools. Naturally, the artist saw no harm in the butler’s question and answered truthfully. He must have narrated the argument in the courtyard about the poem. Yoon Seungho had kept the sijo, consequently the painter had used his hand to take it back and had by mistake removed the lord’s hat. Thus Kim must have told him that he just needed to apologize. But one might say that this is just a story imagined by me. The manhwaphiles never saw such a scene. But don’t forget the existence of the reflections. I have definitely an evidence for this theory. Since the butler had manipulated the painter in chapter 4 in order to get rid of this uninvited guest, his karma was to receive a new guest!! (chapter 7) This is not what the valet truly desired at all. He wanted to live in peace. But now, he had three new people he had to serve: Jung In-Hun, the painter and his own master Yoon Seungho who had lived for quite some time in the Lees’ mansion. He had to work!! And note that in this episode 7, we have the following elements:

  • The arrival of a guest, exactly like in episode 4-5; 67/68 and 77.
  • a paper
  • the library
  • a reference to “love”
  • the first appearance of Kim
  • The existence of a deal which is also present in chapter 4 and 77
  • The connection between the letter and a poem (chapter 5-77)

This truly shows that during that night (chapter 77), the valet chose to write a letter in order to denunciate the protagonist. As you already know, attack is the best defense. Exactly like in the courtyard, he badmouthed a noble, this time he must have compared Yoon Seungho to the younger brother Yoon Seung-Won. The latter would succeed with the civil service examination and bring glory to the Yoons, whereas the main lead would only live like an idle sodomite.

Through this contrast, another detail caught my attention. (chapter 7) How did Yoon Seungho know that the learned sir had no connection and was poor? Who had told him that? One might think that this can only be the butler. However, Yoon Seungho had tasked the black guard to investigate and not Kim. Yet, there is no ambiguity that the latter definitely played a role in this investigation. Why? It is because of the expressions the main lead was using: “hardly knows”, “determination”, “labor in vain” which resembles to the valet’s vocabulary, though he embodies the opposite: ignorance, hesitation and laziness. The aristocrat’s description about the teacher is actually questioning the main lead’s actions. If Jung In-Hun was portrayed as poor and powerless, why would he sponsor such a scholar? He would gain nothing. Moreover, with such a portrait, the speaker is implying that only through connections you can achieve greatness. These words are actually exposing the meaningless of the civil service examination. In other words, this description was already insinuating the existence of sodomy, sex in exchange of favors. And this negative depiction of the civil service examination was exposed once again in the gibang. (chapter 93) It was a futile dream. When I had analyzed episode 93, I had explained that the speech from the main lead was influenced by the butler. As you can see, the lord’s narration (chapter 7) was mirroring the valet’s mentality and meddling. He had tried to stop his master from visiting the learned sir the day before. However, I don’t think that Kim is only responsible for this negative characterization of Jung In-Hun in episode 7! Why? First, we never saw the return of the black guard, but when the main lead visited the learned sir’s mansion, he was followed by another one! (chapter 6) There was a switch. That’s how I had this revelation. Heena is the missing link between the learned sir and the protagonist. And observe that in episode 93, we have the same elements again:

An empty paper which is confused with the poem

The incident with the door: (chapter 93) This time, Heena is the one standing behind closed doors, while it was Yoon Seungho in chapter 77

The reference to the library:

The allusion to Kim

The presence of love and affection:

The lord got badmouthed

The fake apology: (chapter 93) In chapter 99, the noonas still lied to him.

An invitation (chapter 93), which was also present in chapter 4/5, 7 and 67/68 and finally 77 ! Since episode 93 is a reflection of episode 7, I could only come to the conclusion that Heena was the one standing behind the black guard! Besides, I had already discovered that Heena was associated to the table as well (see chapter 94 and 68). She represents the link between the butler and Jung In-Hun. She had already collaborated with the valet in episode 65. So from my point of view, she must have received the scholar’s poem with Yoon Seungho’s request. But what could she do with it? Keep it? No… her interference would have been noticed. Hence I believe that the kisaeng was not acting on her own. She was following the orders from the mysterious “lord Song”. At the same time, I think that she is also connected to the Lees. This would explicate why the black guards would change between episode 1, 5 and 6. Finally, according to me, the learned sir had connections to elder Lee, for he had seen the baby Na-Kyum at the gate. (chapter 1) [For more read the essay “Baek Na-Kyum’s origins”] There is no ambiguity that these words (chapter 7) were not reflecting the verity.

In other words, she had been working for two people, just like the butler was turning Yoon Chang-HYeon against the son and the reverse. Both stands for disloyalty. Therefore it is no coincidence that the kisaeng was seen with different black guards in chapter 64. On the other hand, the readers should keep in their mind that the black guard can be seen as a double-edged sword. They can serve as protectors, but also as “spies and as captors”. They could report Heena’s actions to the nobleman who had hired the black guards. Finally, the manhwaphiles will certainly recall the butler’s statement: (chapter 55) Who was lord Song’s contact person then? In the past, I used to think that he was the one receiving the letters. But now, I have a different opinion. I believe, it is Heena! Why? It is because Kim couldn’t identify lord Song’s writing. According to me, Yoon Seungho was sent to the gibang in order to entertain the mysterious “lord Song”. Thereby I am assuming that the kisaeng would receive a word from lord Song and have the main lead fetched from the mansion by the black guards. Heena and Yoon Chang-Hyeon are the only ones seen with black guards, I am excluding the main lead, as he was always more or less their prisoner. As you can see, there is a connection between the noona and the Yoons.

3. Heena and the letters

First, I would like to point out that the kisaeng mentioned letters twice in season 2. (chapter 68)(chapter 69) and in season 3, the noona sent messages to her brother herself. In two different chapters (chapter 91), she is related to papers. (chapter 97) Logically, the noona in connection with the letter should be present in season 1. Secondly, when the woman appeared for the first time (chapter 64), she was accompanied with 2 guards, which is quite similar to the lord’s situation in chapter 1. That’s the reason why I believe that she didn’t keep the learned sir’s poem. Her betrayal could have been noticed and this was the first time that Yoon Seungho was making such a request.

So where is the teacher’s sijo? It was received by the mysterious “lord Song”. That’s how he discovered that his ex-lover was showing an interest in the learned sir. This is important, because the poem will serve as the evidence to identify the murderer behind Jung In-Hun’s death. On the other hand, one might refute this idea, for the teacher was seen in his bedroom with the paper. (chapter 21) But if you look more closely at the paper, you will realize that it resembles a lot more to this one due to the marble effect. (chapter 7) Nevertheless, the paper looks damaged in the previous panel. But this could be the result of anger, like this. (chapter 56) This would follow rule 3. Then according to rule 2 of the kaleidoscope, elements from one episode will be constantly mirrored in the next chapters. And what did we have in episode 19? A larceny… the bottle of wine vanished. Then in episode 20, the lord stole the scholar’s identity, while he stole the painter’s virginity. Hence the lord apologized to the painter for his wrongdoings. (chapter 21) And above I had already demonstrated the connection between the First Wedding Night and chapter 5 and 77! Here the lord was imitating the pedophile’s behavior, hence you comprehend why I think that lord Song was the recipient of the poem. I would like my readers to keep in their mind that the learned sir’s sijo was referring to a painful departure, the loss of a loved one and despair! The beholder could have the impression that the author was suicidal due to the mention of the well and the torment of the mind. Thus I am now assuming that the “mysterious lord Song” will consider the sijo as a farewell, the lord chose to commit suicide and his death was related to Jung In-Hun’s curtains. Why? It is because Heena wrote letters to her brother where she accused the main lead of killing the learned sir. Moreover, Yoon Seung-Won had definitely mistaken the painter for the learned sir. (chapter 37) His position revealed that the main lead trusted the artist. It was, as if he was treating him like his wife. (chapter 97) And from my point of view, these messages were never burned. That way, Kim can put the whole blame on the kisaeng and her brother!! The butler can even reveal how Yoon Chang-Hyeon had harassed the son and tried to frame him for the death of his messenger.

But since “lord Song” was behind the scholar’s murder, he can only retaliate against Lee Jihwa and Min’s friends. Why? Because he will deny his responsibility in the crime, though he was the one who ordered it! Exactly like in the past. He had never assumed any responsibility, he always let others take the accountability. He needs to find a culprit in order to vent his fury. If they had not brought up the learned sir’s assassination, then Yoon Seungho “could have lived” in peace. To conclude, when the lord gave the paper to the black guard, the pedophile had the impression that the main character was rekindling with him, for he was asking for his help. He was far away from him. In his eyes, he had contacted him, “lord Song” alias the king!! And now, it becomes understandable why lord Song sent hanboks and asked Min to organize parties for Yoon Seungho!! It is because the pedophile believed that the main lead was no longer pushing him away or had accepted him. This is not surprising that little by little, the main lead’s hanboks became more and more beautiful. Don’t forget the following rule, the painter’s situation will be mirrored in the lord’s. Thus in chapter 34, Yoon Seungho returned with a hanbok covered with cranes (chapter 34), and shortly after the painter was sent to the tailor. But during that night, the pedophile and Yoon Seungho had missed each other due to Baek Na-Kyum. He was not dead. So when the painter received new clothes, it was the same for Yoon Seungho. Yet, the pedophile was gravely mistaken. Why? The sijo had been stolen, and as such it was never addressed to the pedophile. Furthermore, it is because the lord was suffering from memory loss. Moreover, I believe that the main lead is not aware of the true identity of his sexual abuser. In his mind, it is just lord Song. But this doesn’t end here.

According to me, the main lead wrote a letter to his lover in the gibang. This signifies that someone else must have done the same due to rule 1 and 2. The reference of the Spring poem in chapter 97 indicates the presence of a letter in the previous episode or the next! From my point of view, Min must have asked the kisaeng to contact “lord Song”!! And don’t forget that in season 2, we had a forged letter. (chapter 57) And who was behind this? Black Heart’s friend. But then it came to my mind that Black Heart had stolen the Spring poem… so he could have sent the paper to lord Song and the latter would have mistaken it as a letter from Yoon Seungho, the latter was reaching out to him. He was wishing him luck!! So imagine that when the man arrives in Jemulpo, he imagines that the main lead is waiting for him only to discover that Yoon Seungho vanished. He wished to die because of the loss of a loved one. And that’s how he will recall the poetry of the learned sir… the reflection of this night!! (chapter 94) In episode 4, the lord had laughed about the sijo, but it was no longer the case in the kisaeng house. In my eyes, the pedophile will go through the same experience. Yes, the effect of the kaleidoscope. He will perceive the learned sir’s poetry under a different perspective. Only in that moment, he will realize the suicidal tone in the sijo. He will question how Yoon Seungho could become so desperate and suicidal so suddenly. And now, you comprehend why Heena was trembling in front of her brother, and why she had planned to leave the gibang that night!! She was aware of the arrival of “lord Song”. She knows how cruel and ruthless he can be.

And Lee Jihwa’s words will become a reality. (chapter 101) Blood will flow… The proof for this expectation is that chapter 67, 77, 82 and 93 are all referring to punishment. Kim had been beaten in episode 77, while the kisaeng was imprisoned in the storage room. Moreover, we have the use of the sword in episode 21 and 67… and during these nights, the protagonists had made love to each other.

4. Father Lee’s message

Since the Lees are connected to paper in the form of the paintings and the letter, (chapter 5, 10, 15, 17, 56), I had suddenly this question! Why didn’t Lee send a word to Yoon Chang-Hyeon? Why did he have to visit him during the night? (chapter 82) (chapter 82) It is because he didn’t want to leave any evidence of his intervention. No one should notice that he had paid a visit to the patriarch either. His visit should remain a secret. He was actually afraid of getting detected. The reason is simple. He was fearing the person standing behind Yoon Seungho, lord Song. He had two reasons for this. First, he could see that Yoon Seungho was no longer treated like an animal or male kisaeng. (chapter 67) He was even better dressed than his own son. The hanbok was exposing the support from the “pedophile”. Secondly, the main lead had threatened him. (chapter 67) Here, the lord had just insinuated that if something like that happened again, he would go to the authorities. However, since this threat was rather ambiguous, the patriarch Lee could only interpret it that way. The main lead would report the incident to the “mysterious lord Song”, alias the king. And father Lee knew that he could get into trouble. Furthermore, since these elders are all hypocrites and liars, there is no doubt that father Lee feared that the protagonist wouldn’t keep his words. That’s the reason why he approached the father. He hoped that Yoon Chang-Hyeon would intervene and impose his will onto his son. He would tame the main character. In other words, episode 82 is a reflection of chapter 4/5, 19/20/21, 67/68 and 77. The first common denominator is the allusion to letters. The messenger’s words revealed that Kim had contacted the elder Yoon, for he already knew his name, though the latter had never met the domestic. Secondly, the “letters” were delivered orally: (chapter 82), and even in person: Father Lee and the emissary. Third, the elder Lee badmouthed Yoon Seungho by mentioning the incident from chapter 67, and refused the invitation of his host (chapter 82). Finally, he called Baek Na-Kyum a peasant exactly like the main lead in front of the gate: (chapter 82). But more important, the old bearded man expressed this fear: the loss of his family home! (chapter 82) And remember that I had detected the presence of the Lees’ mansion in episode 4 and it was also present in chapter 21 and 67! And what had the butler done during these chapters? He had tried to chase away the painter and as such Yoon Seungho. The latter was not supposed to live in the Yoons’ domain. And this will be the Lees’ karma to be driven out of their own house!

5. Conclusions

And now, you comprehend why the sijo from season 1 has not appeared yet. The couple will be able to identify the culprits with the “letters”, the poems. Remember the kisaeng’s words: (chapter 97) The absence of the messages was the evidence of the main lead’s wrongdoing. However, the moment the letters resurface, they will expose the noona’s lies. It doesn’t matter, if she had been deceived. She chose to trust the butler, without verifying the facts. To conclude, the poems will serve as proof for the crimes and I would even go so far to say that the papers, mistaken for letters, are the tools to expose the truth. Yoon Seungho had never contacted lord Song, for he hates him to the core. He is connected to his suffering and martyrdom, therefore he can only view the man as the bird of misfortune, while the latter had the impression that he was now getting closer to the main lead. Consequently, he considered him as his crane! But this man is exactly like Min, totally dishonest and irresponsible. I couldn’t help myself thinking of this folding shield again: (chapter 83) It vanished, and as such it was stolen. Did the mysterious lord Song take it away in order to force Yoon Seungho to paint? The older version of this scene: (chapter 4) And remember that the “paper” is also connected to paintings. However, since this is a reflection of episode 4, I am more inclined to think hat the real purpose was to take the picture and the man had never the intention to return it. Naturally, at some point, the man had a change of heart concerning the main lead, for thanks to him, he could outlive all his sexual fantasies. And this leads me to the following conclusion. The moment, Yoon Seungho sees this painting again, he will recognize the identity of the thief. To sum up, the paper is the proof of wrongdoings, thereby we have this publication: (chapter 1) The paintings were illustrating that the pedophile was having sex with a minor.

PS: I have still so much to say about the comparison between chapter 5 and 77 and the “paper” that I will write another analysis about this.

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Painter Of The Night: The secret behind curry🍛 , apple 🍏and butter 🧈 (second version)

This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents:  https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ 

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You are probably wondering about the meaning behind this title, for until now, food never played a role in the story. However, all these words have another common denominator. 😮 The trigger for this essay started, when I discovered the expression “brown-noser” while reading another manhwa. The definition of “brown-noser/brown-nosing” are the following:

Brown-noser: a person who tries to please (esp. one’s boss) so much that their nose turns brown from kissing their ass. Quoted from https://www.urbandictionary.com/define.php?term=brown-noser

Brown-nosing: If you accuse someone of brown-nosing, you are saying in a rather offensive way that they are agreeing with someone important in order to get their support. Quote from https://www.collinsdictionary.com/dictionary/english/brown-nosing

1. Brown-nosing and boot licking

This means that the person flatters or humors somebody in an obsequious manner for personal gain. Striking is that if you look for synonyms, this is what you find

That’s how I discovered why Yoon Seungho started licking Baek Na-Kyum’s ass. In the essay “Painful departures”, I had written that the story was constructed like a kaleidoscope, thus it contained so many reflections. Each incident or notion will be reflected in each season twice and within the same chapter, just like there will be an allusion in the previous or next episode. One might say that in season 1, the manhwaphiles never saw the main lead licking the painter’s ass. So it looked like my interpretation was wrong. However, this is again just an deception. Why? It is because the lord was taking these expressions literally. 😂

The verb “brown-nose” has for synonyms “curry favor”, “apple-polish”, “suck up to”, “get on the right side of”, “to kiss someone’s feet” and “butter up”! https://www.thesaurus.com/browse/brown-nose https://www.thesaurus.com/browse/suck%20up%20to Under this new light, the manhwalovers can grasp the other common denominator between the “curry, apple and butter”. They are referring to hypocrisy, power and selfishness. However, in Painter Of The Night, these idioms get a totally new meaning. Yoon Seungho has long internalized that the exchange of favors is based on sex!! He had to do it personally. That’s the reason why he is taking the expressions literally and the painter is responding the same way. Here he is seen as a back-scratcher: (chapter 89) The lord’s back is covered with marks. Yet, he was not brown-nosing here at all, for he was rejecting the lord’s advances. And now, it is time to take a closer look to season 1.

2. Apple and fellatio

When I read the expression “apple-polisher”, I remembered this scene in the woods: (chapter 23) Baek Na-Kyum was seen holding an apple, here it looked like he was indeed polishing the fruit before eating it. Striking is that during that scene, valet Kim was interrogating him. He was acting, as if he was interested in him. It was, as if he was buttering up to Baek Na-Kyum. The purpose was to gain the artist’s trust so that at the end, he would listen to his advices.(chapter 23) However, the reality was that the valet was actually digging for information, spying on the main lead, so that he could create a new incident. As you can see, there were two apple-polishers in that scene, the painter and the butler. This was the reflection within the same episode. While Baek Na-Kyum was literally polishing the apple, the other was just cajoling Baek Na-Kyum in a figurative way. Yet, the former was not truly sweet-talking to the artist. He gave the impression that he was totally honest. And now, it is important to recall what happened to the painter in the next chapter. Jung In-Hun was kissing the painter’s hands.(chapter 24). He was flattering the painter with the hope that Baek Na-Kyum would spy on his account. But the scholar couldn’t succeed with his request. Why? It is because he only kissed the artist’s hands. He never licked his boot or his ass. We could even say that he did scratch his back, but in the wrong way: (chapter 24) In other words, he could never lower himself in front of the low-born. This was too much, explaining why the scholar failed with his request.

Let’s not forget that in the hallway, Yoon Seungho had made the following request to Baek Na-Kyum. (chapter 27) In exchange for saving Jung In-Hun’s life, Baek Na-Kyum was forced to do a fellatio. We could say that the artist was sucking up to the owner of the mansion. But the fellatio is not just an exchange of favors. It is also associated to forgiveness. At the tailor’s shop, the painter had blushed because of Yoon Seungho, The latter had embarrassed him. Thus the lord made the following suggestion: (Chapter 39) This was his way to apologize, though here he was teasing his lover. These were the principles he had been taught, therefore it is not surprising that he applied them for the painter. And now, you comprehend why in episode 71, Yoon Seungho sucked the painter’s phallus in the bathroom, he was also currying the artist’s favors. His goal was not to be pushed away, to be accepted. (chapter 71) He had wronged the painter so many times, that the blow-job was not enough. Thus he licked his ass in the bedchamber. He was hoping to seek his forgiveness. (chapter 71) It was, as if he was lowering his head, the kowtower. In this episode, the lord was on his knees in front of the painter, and this twice. One in the bathroom (chapter 71) and the other time in the bedchamber. (chapter 71) However, his nose didn’t get brown, as the painter is a pure and innocent person. 😉 That’s how I realized why Baek Na-Kyum was sent to the bathroom. His role was to divert Yoon Seungho’s attention from Kim so that the master would forget to ask for the butler’s punishment. In other words, the valet used the low-born to seek his master’s favors. This shows that Yoon Seungho had been taught that the blow-job and the ass-kissing are the means to obtain forgiveness.

And remember what I mentioned previously, the notion “suck up to or kiss ass” will continue to appear in the next episode. This is no coincidence that the author drew such a panel: (chapter 73) He was licking the painter’s foot so that he could keep thrusting. Don’t forget that during the whole night, he behaved like a servant… the one who was “sucking up to Baek Na-Kyum”. (chapter 72) On the other hand, the latter scratched the lord’s back for the first time during that night. (chapter 72) This was the reflection within the same episode, yet the “back-scratcher” was not doing it for his personal gain at all. We couldn’t say that he was currying favor or buttering up Yoon Seungho. He believed that he was just a servant and nothing more. From the outsider’s perspective, he was treated indeed like a favored servant, though in truth Yoon Seungho viewed him more like his new master and lord.

3. Baek Na-Kyum and Kim’s sucking

Episode 71 with the ass-kissing was the positive reflection of chapter 45.

Striking is that in chapter 45, we have an allusion to the teacher’s pet: (chapter 45) In this scene, the lord was acting like a teacher, and the painter was supposed to do a blow-job in exchange for a favor. But since the painter was heartbroken, he was doing it absent-mindedly. Thus the roles got switched. After the noble licked the painter’s ass, and masturbated him anal, the painter was able to confess his pleasure: (chapter 45) This shows that the lord was slowly “currying favors” to Baek Na-Kyum. And this is no coincidence that Kim brought the ink and brushes to the mansion. (chapter 45) Once again, he was acting, as if he was buttering up to Baek Na-Kyum and indirectly to the host. But the reality was that everything was done for Kim’s interest…. On the other hand, we could say that Yoon Seungho was not really different from his surrogate father, for in that scene, Yoon Seungho was more thinking about himself than the painter’s. Yet, there is a slight nuance, the lord was sensing that the painter was not himself. He was talking to him, so licking the painter’s ass was not just done in order to obtain the painter’s support. His true goal was to be noticed and looked by the painter. He desired to have a true exchange of thoughts. Interesting is that by licking briefly the painter’s ass, he indeed succeeded, Baek Na-Kyum started thinking about him afterwards. The irony is that Yoon Seungho was just applying what he had been taught. That’s how I discovered the other reason why the main lead is not suspecting the butler of treason. Contrary to Yoon Chang-Hyeon or the pedophile, Kim was never seen asking Yoon Seungho for sexual favors: no fellatio or no ass-kissing. But this is just a deception, for we could clearly see that the butler is connected to the sex parties: (chapter 33) (chapter 52) He was the one who separated the couple. Because of his intervention, the painter deserted the mansion and got sick afterwards. Then in chapter 50, he revealed the argument between Baek Na-Kyum and Jung In-Hun. Striking is that in that scene, he was standing on the lord’s left side!! (chapter 50) No wonder that Yoon Seungho got furious. Simultaneously, while Kim was acting, as if he was defending the painter’s interest and as such feeling sorry for the painter, this signifies that he was no longer sucking up to his own master. Therefore, it is not surprising that the lord scolded him. (chapter 50) In fact, he should have “buttered up” his master and not pitied the painter. And now, you comprehend why the main lead misinterpreted Kim’s behavior. In his mind, the valet was actually “apple-polishing” to the painter. He had somehow “witnessed” it in the woods. But he had misjudged the situation, in reality he had caught Kim spying. (chapter 23) Unfortunately, the lord was not perceptive at all.

4. The night of Yoon Seungho’s relapse

And this leads me to the following observation. When Yoon Seungho kissed the painter’s ass in season 3 again, it was not done for personal gain. (chapter 80) He enjoyed seeing the painter’s facial expressions and reaction. He looked so shy and pure. (chapter 80) However, during that night, three people were trying to bootlick someone figuratively speaking: the new version of Deok-Jae, Kim and the messenger. Let’s not forget that before the arrival of the messenger, the painter made the following request to the butler: (chapter 79) One might say that he was currying favor to the butler, when he asked the butler about the music box. But what did Kim do? He brought the item to the bedchamber. (chapter 79) But this is not what the painter had actually requested, since the butler said this “I thought”. He had taken the initiative on his own. In my opinion, the painter had just asked that the music box should be brought back to the study. However, Kim brought the expensive present to the bedchamber for one reason. He expected the arrival of the messenger. We could say that he was “ass-kissing” the painter in order to obtain his trust. Kim definitely imagined that Yoon Seungho was sleeping. As you can see, this scene was the reflection of Yoon Seungho’s action in chapter 80. (chapter 80) While Kim had asked the painter’s to clean his face himself, the lord was cleaning the painter’s ass himself. Or we could say that he was polishing the painter’s apples, for he has an apple-shaped buttock. 😂 This clearly indicates that Kim has never washed Yoon Seungho himself. In other words, while Yoon Seungho was totally selfless here, this was not the case for the valet. And this is no coincidence that right after, the new version of Deok-Jae appeared in front of the door calling his master. He was faking loyalty and dedication. (chapter 80) Here, he was acting, as if he was sucking up to Yoon Seungho, but his gaze betrayed him. In my opinion, he had been deceived by the butler, for the latter expected that the painter would open the door. This situation was reflected within the same chapter. Notice what the messenger said to the young master in the study: (chapter 80) He was implying that his father had to bootlick an official in order to hide the incident. And how did the lord react to this? He not only asked the servant to do him a fellatio, but also made an allusion to the sexual favor: (chapter 80) His father must have kissed someone’s ass. But as you already know, Yoon Chang-HYeon is not someone who will do such a thing himself. And this shows that he has definitely used his son in order to obtain favors in such a way. Yoon Seungho had to do fellatios and let people lick his ass for his father’s sake, as he was a uke in the past. This is not surprising that the messenger received such a beating in the end. (chapter 80) He gave an order to the main lead, he threatened him. But actually, he was just a servant. He was not treating Yoon Seungho correctly. Interesting is that he showed more courtesy and respect to lord Lee than Yoon Seungho. (chapter 82) It was, as if the man was hoping to obtain father Lee’s support either. Another interesting aspect is that when the butler approached the wounded emissary, the former was definitely brown-nosing. (chapter 82), until he heard that the scholar Lee had approached father Yoon. On the other hand, his introduction didn’t fool the courier, for he was aware of Kim’s meddling. (chapter 82) In my opinion, Yoon Chang-Hyeon had followed the butler’s suggestion. Since the painter would always sleep in the study alone, he envisioned that the messenger would suggest to the artist to meet Heena. The man could fake that he had been sent by his noona. He was dressed up for that reason!! Observe that the color of the hanbok is similar to this one: (chapter 94) Thus I had this sudden idea. What if the messenger was receiving his karma for beating the painter in the past? Remember how I had deducted that these two men could have been disguised as nobles!! And this new perception would fit my interpretation. But let’s return to our main topic. The courier refused the obsequious and submissive remarks from the butler. He was no fool, for he knew that because of his “plan”, he had become the biggest victim of Yoon Seungho’s wrath. This explicates why the author never revealed the father’s words, because the manhwaphiles would have discovered the valet’s plan and as such betrayal (chapter 82) This means that if father Lee or Yoon Chang-Hyeon are cornered, they could be forced to “ass-kiss” the king.

Under this new light, it becomes comprehensible why Byeonduck released such panels on Twitter: Baek Na-Kyum is now imitating his lover. He is also licking the lord’s boot/foot. However, contrary to the signification, he is actually making love to his companion. This has nothing to do with selfishness and hypocrisy. We could even say that at the end of season 3, Yoon Seungho had become the teacher’s pet, the yes-man towards Baek Na-Kyum: (chapter 92) He could never refuse his lover’s requests. Thus in the gibang, he encouraged the painter to stay in the gibang. (chapter 93) It was, as if he was seeking the kisaengs’ support. Thus he chose leniency towards these women, though the latter had insulted him. At the same time, he was not hoping to receive any flattery from the noonas. He was the one “sitting on the painter’s right side”. (chapter 93) To conclude, the lord had been “tamed”, he was apple-polishing Baek Na-Kyum, but not in a negative way. It is the positive reflection of Kim who will act behind people’s back, and definitely use sex for his own advantage. We have the perfect example with the 2 sex marathons. He always let the painter suffer in order to cover up his own wrongdoings. But by allowing the main lead to act this way indicates that he was not helping Yoon Seungho. What people thought as assistance was in truth “brown-nosing”.

Under this new light, it becomes comprehensible why Yoon Seungho questioned the painter’s fellatio in the annex. (Chapter 95) In his eyes, the lord didn’t need it, for he was already aroused. Remember in the beginning of the story, Lee Jihwa had to prepare his lover (Chapter 3) Secondly, the painter was in the position not to ask for favors, to suck up to Yoon Seungho. In their relationship, the low-born had the upper hand. Finally, Baek Na-Kyum had done nothing wrong before, so he didn’t have to beg for the main lead’s forgiveness. That’s the reason why the lord was actually rejecting the blow-job!! (Chapter 95) But his teacher taught him this: the fellatio is there for pleasure and sensuality. (Chapter 95) It is the expression of affection and love.

5. The night in the shaman’s house

In my opinion, we should see it as a reflection of Yoon Seungho’s past. Min was also associating sex to favors. (chapter 101) The painter had to do a fellatio to lord Jang in exchange for protection. (chapter 101) The artist was not acting like the teacher’s pet, (chapter 101), hence he needed to receive some lesson. In their eyes, Baek Na-Kyum should have licked their boot, sucked up to them… due to their power and social status. Therefore, it is not astonishing that at the end, they were executed. Why? It is because Min and the others could never “curry Yoon Seungho’s favor”. (chapter 102) Without the painter, the lord had no reason to continue living. Baek Na-Kyum was his source of joy and of strength. Without him, he was powerless. And this leads me to the following observation. Since we have a situation of brown-nosing concerning Black Heart in the shaman’s house, this signifies that we should have a reflection earlier in season 3. And now look at this: (chapter 92) In that scene, Min was indeed “flattering” his ex-sexual partner, while he was rather dismissing the painter. (chapter 92) He was also indirectly currying the lord’s favor. This was the reflection of the night in episode 52 either. However, contrary to season 2, Yoon Seungho had the upper-hand, as the painter had already sided with him. But one might say that this perception of “apple-polishing and buttering up” stands in opposition to my previous statement: sex is like a battle, a fight where there is only one winner. But that one doesn’t exclude the other, since Min had also tried to eliminate Baek Na-Kyum before changing his mind. This truly shows that we had two different philosophies, yet both were evolving around sex. This truly outlines that someone was “consumed by lust” in the end.

6. The Yoons

This means that Yoon Seungho can only discover the butler’s betrayal, when the latter no longer acts, as if he was buttering up to Baek Na-Kyum. But so far, the lord never discovered it. Even when he thought that the artist was dead, Kim gave him the hanbok. This could only reinforce the impression that Kim liked the artist. (chapter 102) On the other hand, Baek Na-Kyum is slowly sensing the valet’s disloyalty towards the aristocrat. (chapter 86) Since the lord could see through Jung In-hun’s true personality, I believe that it is the painter’s duty to grasp the valet’s treason. In my opinion, since he caught Kim having sex with the maid, it is only a matter of time, until he realizes his true personality. In chapter 77, valet Kim had thought that he could rekindle with the owner of the mansion, hence he brought him tea and the medicine. He envisioned that if he acted like a loyal and dedicated servant, he could regain Yoon Seungho’s support. (chapter 77) In other words, he was buttering up to the young master. But observe that in that scene, he never lowered himself in front of the young man. He didn’t go on his knees or he didn’t bow to him either. This attitude exposes the valet’s true personality. He considers himself better than Yoon Seungho and Baek Na-Kyum, refusing to admit any crime or mistake. In that scene, he never said YES! In fact, he kept contradicting his master. (chapter 77) Under this new light, the avid readers can understand why he contacted the patriarch in the end. He knew that Yoon Chang-Hyeon would listen to him, for he had been brown-nosing him for years. And the color brown of his shirt is no coincidence. Observe that when the father visited the mansion, he was wearing brown and red… (chapter 86) He envisioned that his elder son would return him the seat and as such he would become the owner of the family mansion again. Why? It is because of the main lead’s words in the library. His so-called respect towards the father was just fake. That’s the reason why the father imagined that he just needed to show up and he would get the mansion back. However, in reality, he should have sought his son’s support, and as such kiss his ass in order to achieve his goal. But the man has never done it himself. He has always been used to being fawned and ass-kissed that it is not surprising that he barged in the mansion. And this is the same for Yoon Seung-Won. The latter might have sent letters in order to obtain his brother’s support, but we can’t say that he was sucking up to Yoon Seungho. Thus it is no coincidence that at the end, the latter advised his brother to follow the father’s principles. (chapter 37) Here, he was implying that Yoon Seung-Won should do fellatios and other things in exchange for favors.

7. Conclusions

After these observations, I come to the conclusion that the sexual actions are not only reflecting the lord’s brainwashing, but also they are revealing what will happen in season 4. The more the couple will follow these principles (apple-polishing, boot licking, ass-kissing, sucking up, teacher’s pet, yes-man…) in a literal way, the more we will see the negative reflections of these actions in the other characters. The butler and the other antagonists will try to curry favors to the pedophile at the couple’s expense. And now, here is the question. Who will do it, fellatio and other things in exchange for favors? Yoon Chang-Hyeon? Yoon Seung-Won? Kim? Or Heena? As you can imagine, I am inclined to think that this should be Heena. Why? I can not forget the scholar’s words in the library: (chapter 40) Moreover, according to me, she used the young master Seungho and her brother to avoid sex. Furthermore, I would like to point out that when the kisaeng argued with her brother, this is what she said to her brother: (chapter 97) Here, she was referring to favors. Yet, shortly after she proposed this to her brother: