Tag: Chapter 18
Protected: Jinx: Friends 👯♂️ with benefits?💰💸
Protected: Jinx: Who is this cute doctor👨⚕️ ?
Protected: Jinx: Black Heart 🖤 and White Heart 🤍 (new password)
Protected: Jinx: Twinkle, twinkle … little star 🌟
Protected: Jinx: Out of the goodness of my heart ❤️
Jinx: Longing for a (candy)🍬 kiss 💋
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/jinx_en But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas Here are the links, if you are interested in the first work from Mingwa, BJ Alex, and the previous essay about Jinx Wendy and the mirror on the wall (locked)
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
1. Joo Jaekyung, the “cookie/candy monster” 😉
The trigger for this essay was the question I received from my follower @Denkoumaru. She wondered why Joo Jaekyung had not renewed the kiss since episode 15! I had noticed that many stans were expecting a kiss for episode 20, whereas I had predicted an ejaculation through masturbation. Her question made me look at the scene in the locker room one more time. That’s how I had another revelation.

Here, I would like my avid essayphiles to take a closer look at my illustration and more precisely at the symbols I added: the red sweet bear from Haribo and the kiss mark. Yes, by kissing Kim Dan in the locker room, the champion discovered sweetness. (chapter 15) Thus he licked his lips after kissing the doctor. I had already outlined it before, but back then I had not truly grasped the athlete’s mentality. Until that scene, he viewed sex as work! This means that in the locker room, he started connecting sex to food! The kiss was the trigger for this change of mind. Thus Kim Dan had the impression that Joo Jaekyung was devouring him!
(chapter 15) It is no coincidence that at the end, the champion even bit his neck
(chapter 15) As you can see, the words and the gestures were all connected to the lexical field eating. Striking is that the latter has for synonym “consumption”. Anyone is aware of the strong association between sexuality and consumption. To conclude, this sex session is the moment the athlete’s perception about sex changed. For him, sex became a synonym for food and the doctor was his dessert. Hence I couldn’t help myself associating him with the cookie monster from Muppet show! 😂 The only difference is that in reality, Joo Jaekyung is more lusting after candies than cookies. Nonetheless, he has not realizing yet that he is longing for intimacy and affection.
2. The kiss and Kim Dan
Moreover, I would like to point out that the moment the celebrity started kissing the doctor, the latter was forced to turn around. But the problem is that the physical therapist rejected this smooching. First, with his hands, (chapter 15) he tried to stop his partner and even to push him away. Besides, it looks like he was trying to scratch Joo Jaekyung. Then he had voiced his dissatisfaction with his own mouth:
(chapter 15) IT was, as if it was disgusting. Then he had used his hands to cover his mouth.
(chapter 15) The champion could only notice Kim Dan’s displeasure about the kiss. He was refusing to be kissed. But after the kiss, they were still facing each other. However, since the physical therapist had put an end to the smooching, Joo Jaekyung had only one option left: the renewal of the penetration. However, he didn’t change his partner’s position.
(chapter 15) Because of the doctor’s negative attitude, Joo Jaekyung could only become rude in this image. He had still listened to the doctor’s request, but the latter kept protesting and arguing with him.
(chapter 15) However, they have a deal and in his mind, Kim Dan could not object to the intercourse. Hence Joo Jaekyung silenced him with such a remark. What caught my attention is that after tasting the sweetness from the doctor’s lips and tongue, the champion was no longer satisfied with a simple thrusting.
(chapter 15) Here, I would like the beholder to pay attention to the athlete’s hand on the locker. He is clinching his fist, a sign that he isn’t relaxed and rather frustrated. This shows that there was something missing, and Joo Jaekyung sensed it unconsciously. In verity, he was longing for the candy kiss. And now, the manhwalovers can understand why with his hand, he reinitiated the kiss
(chapter 15) However, this time, he was paying attention to Kim Dan’s reactions. Therefore he didn’t close his eyes and observed his reactions. The doctor was reciprocating the smooching. The evidences for this interpretation are the doctor’s hands (no scratching, they are now on the side), his tongue and finally his blushing.
(chapter 15) Joo Jaekyung could only get greedier after such a reception… he acted like the cookie monster which Kim Dan also sensed. However, the latter didn’t consider it as a real kiss.
(chapter 15) He had the impression that he had become the beast’s lunch.
(chapter 15) Yet, the reality is that the main lead was enjoying the kiss, hence his body was reacting to it.
(chapter 15) The thoughts of the protagonist implies that he was slowly getting aroused. And now, it is important to recall the champion’s response to this view.
(chapter 15) He thrusted a few times, but he had a climax shortly after. This means that this view linked to the kiss
(chapter 15) had aroused the athlete so much that he sensed the arrival of his ejaculation. And the proof that the sportsman felt such an immense pleasure with the kiss is that he bit the doctor, the moment he came.
(chapter 15) This shows that the candy kiss from Kim Dan is so powerful that this can shorten the time of a sex session! 😮 And now… take a closer look at this.
(chapter 20) The champion is not done yet, because his hunger is not satisfied. Yes, for me, the doctor could end this by kissing him. He would be done with him, for he would have had his midnight snack. 😂 But before giving more details about this prediction, I would like to return to the question my follower had. Why is there no kiss again?
3. The absence of a kiss
Naturally, there exist many reasons. First, it is simply related to Kim Dan’s attitude. Remember what the main lead had said to his partner after the intercourse in the locker room. He had made a request: (chapter 15) Here, his words were quite ambiguous. Was he referring to the sex session itself, for Kim Dan had not been informed about the fighter’s true intention either? Or was he referring to the kiss? Don’t forget that the doctor talked about emotional preparation, and the kiss symbolizes affection and intimacy the best. And now, you comprehend why Joo Jaekyung pouted like a child after hearing the main lead’s wish:
(chapter 15) It was, as if he was deprived of his sweet. I believe that’s how the sportsman understood the message. And now, you comprehend why Joo Jaekyung came to consider Kim Dan as his meal.
(chapter 18) This is no coincidence that he licked his lips in this scene again.
(chapter 18) Because the physical therapist was somehow rejecting any kiss and as such any intimacy, Joo Jaekyung couldn’t initiate a new kiss. At the same time, the readers can grasp why the couple was no longer facing each other. Due to the physical therapist’s request and attitude, Joo Jaekyung was no longer obliged to face him. That’s the reason why the couple had sex in the dog position on the table again. After all these new discoveries, it actually confirms my previous interpretation. We should see this sex session as a substitute for a kiss. Like I had written before, it was, as though the champion was kissing his wife before going to work!! 😂 In the end, I consider this manhwa as very funny, but the jokes are subtile.
To conclude, when the fighter expressed his desire to have a snack (chapter 18), in reality he was longing for a candy kiss. This signifies that as long as Kim Dan doesn’t take the initiative, the athlete won’t change his attitude. Moreover, why do you think that the boxer said this to his companion in the bedroom?
(chapter 20) He is longing for the candy kiss, but he can’t voice it. So far, their deal is about sex. This shows that he has somehow internalized the doctor’s request. Moreover, the protagonist’s ejaculation had caused him immense pleasure, but the champion couldn’t taste the sperm. It was on the mirror. As you can see, I see a strong connection between the physician’s pleasure and the champion’s satiety. The latter is slowly learning that he can achieve his goal (having a good fuck) without putting too much strength in the end. That’s the reason why he bought the toy.
(chapter 12) Here, I feel the need to expose the sportsman’s lie. The fuck buddies could never have brought such an object, because the champion’s partners are all bottoms. I doubt that they would use it for themselves. What would be the point in the end? Besides, the protagonist already has an anaconda. However, since he viewed sex as a job (it was to get rid of his jinx), I have the impression that he could never truly satisfy the bottoms. This would explain why the champion would constantly switch partners and thought that if he used such a toy, he could provoke pleasure. However, all the ukes rejected the toy!! Why? They all got scared (“nobody was up for trying it”). Who would be crazy to try it? Funny is that he gave the toy to the doctor, as if the latter would have to use it, thus the latter asked the question: “How do you use it?”. As you can see, through his words, the main lead gave the impression that this tool was for the bottom, hence one of them left it here. It was to hide his true desire. This truly exposes that the champion had never learned how to have sex properly. It was about power, strength and as such fortune! But by meeting the doctor, an innocent virgin, the champion could change his sexual behavior. We could say, he discovered a new world. Hence the kiss plays a central role.
Finally, I would like to outline that in this scene (chapter 20) the color of the characters’ skin reminds us of a candy and the kiss mark. The main lead is grabbing the doctor’s buttocks, like he is taking a meal. As you can see, everything seems to pointing out that a candy kiss should occur very soon. It is important, because the moment it happens, it signifies that the doctor is giving up on the dog position. He has to face his partner, and as such to face reality. He would accept to become intimate with Joo Jaekyung. However, after the scene in the bathroom, the young man was still in denial. He was still avoiding reality. Therefore he chose to face the bed, and he was passive again… waiting for the time that the champion would finally stop.
(chapter 20) So if he wants to take the call from the hospital, he needs to become proactive and satisfy his partner in a short time. And the candy kiss would do the trick… Besides, I would like the manhwalovers to recall Kim Dan’s words in front of the mirror:
(chapter 16) These words expose that in this scene he had already envisioned the possibility to return such a smooching! And because we have a connection between the mirror and the locker, a different form of a mirror, it is now necessary to reexamine the doctor’s confession in the bathroom.
4. Kim Dan’s first kiss
The latter had revealed that he had never been kissed before. (chapter 16) Naturally, everyone interpreted this word like this. He had never been kissed on the mouth, for he never had any girlfriend or boyfriend before. But I would like my attentive readers to keep in their mind my previous theory. Joo Jaekyung had never been affectionate and tender, because he had never received any affection and attention from his mother. IT is very important to kiss a baby and a child, and this for 3 reasons:
- It boosts the immune system
- It makes them smarter
- A child who was often kissed will be less anxious as an adult
- Finally it teaches babies and children empathy [For more read these articles which are both similar 3 reasons (daily mon) 3 significant ways]
This means, the fighter had never been kissed or embraced before either, and not just in a romantical way. Thus as soon as I began examining the importance of the kiss, I couldn’t help myself thinking that it could have been the case for Kim Dan as well. Naturally, I am talking about a kiss on the cheek, nose or forehead, less one on the mouth.
According to me, the grandmother is suffering from Peter Pan Syndrome, hence she is rejecting adulthood and as such intimacy. At the same time, it implies that she is more self-centered. Why? Simply because interacting with people would force her to deal with reality and as such become responsible. This explains why the psychologists noticed that people suffering from Peter Pan Syndrome share some common traits with Narcissistic people. However, the kiss embodies closeness and intimacy which the halmoni rejects. Moreover, the grandmother might have hugged him (chapter 5), but I don’t think, we should jump to the conclusion that because she embraced him, she kissed him. Here, note that she used Kim Dan to protect herself from the loan sharks. She was not kissing him, she was talking to the threatening men. Moreover, I detected a certain physical distance between the woman and her grandson.
(chapter 19) The phone was between them. In addition, they were simply sitting next to each other. Then at the hospital, the doctor never hugged his grandmother. He would strike her shoulder
(chapter 07) or take her hand
(chapter 7) As for Peter Pan, she would just caress his face.
(chapter 5) Besides, if you compare all the images I quoted above, you will notice the physical gap between them. Why? It is because the grandmother knows deep down that Kim Dan is a man, and as such he is connected to the “dirty old creeps”.
(chapter 20) Thus I deduce that she must have hugged the boy, as long as he was a child. However, when he became a teenager, it was no longer possible. Such a change could only increase Kim Dan’s abandonment issues, pushing him to become more attentive towards his grandmother. This reinforced his dependency on her. Therefore it is not surprising that he never developed any dream on his own. Here, I feel the need to remind my avid essayphiles that I am not wishing her death. Quite the opposite. Why? She has to realize before her death that she was also responsible for her own misery and her grandchild’s.
Another reason for believing that Kim Dan was never kissed is the betrayal and abandonment from his own father. If my theory is correct that the halmoni had a son, we have to envision that the latter was raised by an immature and self-centered mother who was rejecting intimacy. Therefore I don’t think that she kissed her own son. In other words, the son imitated the mother. However, after getting betrayed by her own son, I believe that the grandmother changed. Because she was now on her own, she had to become responsible. Thus she treated Kim Dan differently with the hope that he wouldn’t become like her son. That’s the reason why I am more than ever convinced that the moment the halmoni discovers that he is working for Black Teams, she will view it as a betrayal and abandonment. For her, the young man should work at a hospital so that he would take care of her.
The third reason for believing that Kim Dan received his first kiss is that psychologists discovered that kissing boost self-esteem.
In addition to boosting your happy hormones, kissing can reduce your cortisol levels — potentially improving your feelings of self-worth. Researchers in one 2016 study found that participants who were unhappy with their physical appearance had higher cortisol levels. Although more research is needed, experiencing a temporary drop in cortisol each time you kiss isn’t a bad way to pass the time. Quoted from https://www.healthline.com/health/benefits-of-kissing#selfesteem
But this picture proves the exact opposite. The physical therapist has such a low self-esteem, I would even add, he has almost developed self-loathing. However, this was not truly visible, as long as he could work. His confidence was only based on his career and as such work. That’s the reason why the grandmother was so proud. However, like my follower @rantofthetimelife pointed out, Kim Dan had selected this career because of his grandmother, hence he had no real ambitious to become famous. He wasn’t seeking recognition from others… only from the halmoni.
Moreover, there is another evidence that Kim Dan was never kissed before. In the article mentioned above, the author outlines 16 reasons to smooch:
Happy hormones, Bonding, Self-esteem, Stress, Anxiety, Blood pressure, Cramps, Headaches, Immune system, Allergies, Cholesterol, Cavities, Compatibility, Libido, Muscle tone, Workout, Takeaway Quoted from https://www.healthline.com/health/benefits-of-kissing
The manhwaworms can detect that kissing is very beneficial for the body! Hence I view the grandmother’s illness as the proof that she has never kissed anyone. For her, there is only sex and it is dirty. The jinx-stans will certainly remember the champion’s complain about the doctor: (chapter 12) Therefore it is not surprising that he was in bad shape either. The smooching could have helped him to relax. In my eyes, the halmoni as a mother was too busy focusing on herself (her disillusion, bitterness, Peter Pan Syndrome) that she didn’t feel the need to kiss her own child (a son). So his son was never shown affection, hence when he became a father, he did the same. He didn’t kiss his son. Finally, we never see the halmoni kissing the main lead. So his words in the bathroom would reflect reality: Joo Jaekyung was the first to kiss him!
(chapter 16) This explicates why the doctor started viewing the champion under a different light. He hoped that he had helped him out of kindness.
(chapter 18) This scene outlines that he was slowly moving on from his prejudices and as such from his grandmother.
But now, I would like to outline another aspect. Kissing helps in assessing potential mates. It is even an important tool to create a bond and contributes to monogamy.
“Turns out the 1964 classic “The Shoop Shoop Song” was right — it’s in his kiss! One 2013 study found that kissing may help you assess the suitability of a potential partner. According to women surveyed, a first kiss can basically make it or break it when it comes to her attraction. […] Kissing causes a chemical reaction in your brain, including a burst of the hormone oxytocin. It’s often referred to as the “love hormone,” because it stirs up feelings of affection and attachment. According to a 2013 study, oxytocin is particularly important in helping men bond with a partner and stay monogamous.” Quoted from https://www.healthline.com/health/benefits-of-kissing#libido
This signifies that the moment the champion kissed the doctor, it sealed the deal. From that instant on, the champion became monogamous. Therefore, it is not surprising that he proposed his partner to live with him in the penthouse. He had many reasons to act that way. He knew that he had taken his virginity. (chapter 20) But when he saw the doctor on the verge of getting raped (though he has no idea about the true nature of the crime yet), he imagined that the poor man was now selling himself. Consequently, I judge the fighter as a very responsible man despite his actions and words. In fact, he is the opposite of the halmoni, who lets her relative take care of everything. But if something doesn’t go the way she wishes, she will surely feel disregarded and betrayed.
5. Sugar daddy
Under this new approach, the readers can understand why Kim Dan thought so much about the kiss in the first place. Somehow, he felt more attached to the fighter. This is no coincidence that while searching for a new house, he thought of his benefactor. (chapter 16) The latter was now part of his life, and he was recognizing his generosity. He was no longer judging him simply as a spoiled rich child. Since the doctor is older than the athlete and he is associated to sweet, I couldn’t restrain myself thinking of the idiom: “Sugar daddy”. 😂 Mingwa was giving a new definition to this expression. And this observation led me to the following prediction: Kim Dan will initiate a kiss.
How so? It is because I discovered parallels between chapter 1, 2 and 20! Let me show you. The lover from episode 2 was sent away, after the protagonist had called the doctor. The bottom had not paid attention to this phone call. (chapter 1) Note that he had remained silent, while the other was talking over the phone.
(chapter 1) The telephone call was not perceived as an interruption, which stands in contradiction to this scene.
(chapter 20) Secondly, observe how the sex partner had reacted.
(chapter 2) His behavior is very similar to the physician’s in the locker room. Both are sticking their tongue out while looking at their counterpart. The first big differences are that the blushing and gaze diverge.
(chapter 15) The blushing is more pronounced. Secondly, the latter is simply breathing loudly and moaning, whereas the other is just talking. The doctor’s reaction could only move the celebrity.
(chapter 15) However, the champion had a different response to the green-haired partner.
(chapter 2) He remained indifferent. Moreover, observe that the champion was called “sugar”! In that scene, Joo Jaekyung was the sugar daddy! This time, the author was applying the true meaning of this expression. A sugar daddy is someone paying a younger lover in exchange for his sexual services. This explicates why the fighter denied that they were dating and later gave him money, though a sugar daddy is still considering the recipient as a partner. Yet, money plays a huge role. This exposes that their relationship was fake, for it was based on mutual interests.
(chapter 2) In addition, the vocabulary and situation in both chapters are quite similar:
- “baby”, “sugar”, “suck of so good”
(chapter 2) versus “sucks”, “tastiest thing”
(chapter 20) The hole sucks like a baby. Another common denominator is the phallus in both scenes.
- The presence of departure which is strongly intertwined with “to be done”
(chapter 20) Besides, the scene in the bathroom was definitely hot and heavy, as the boxer had to carry his partner. The lover from episode 2 had used the exact same expression, but this was not true.
Moreover, the bottom in episode 2 said that he was talented, for he knew techniques how to make the protagonist feel good, but the truth is that Joo Jaekyung gets only satisfied, when his partner finds pleasure! That’s what he discovered in the locker room with the kiss and in the bathroom with the mirror. (chapter 20) He had a climax, because Kim Dan had liked the kiss. Then in the bathroom he had come too, but after the doctor’s orgasm. In other words, the protagonist can only feel satisfy, when it is natural! The expression technique is an allusion to a job, but what did the main lead say to the main lead at the table?
(chapter 13) He doesn’t care about technique with Kim Dan. Why? The young man’s inexperience makes Joo Jaekyung realize that the situation is not artificial. The young man’s reactions are more genuine, and it is not an act. That’s the reason why I am more than ever convinced that the young man can solve this tricky situation with an easy trick: a candy kiss. This doesn’t require technique, simply sincerity and dedication.
“A good kisser has the ability to create a mental bubble around the two people,” dating and relationship expert, and founder of LUMA, April Davis, tells Bustle. “When kissing, it should feel as if the two of you are focused on each other and the rest of the world blurs around you.” Quoted from https://www.bustle.com/p/what-makes-a-kiss-good-according-to-experts-3208024
And don’t forget that their first kiss was also done under pressure. However, in that short moment, the champion had been able to make the doctor forget the match. The latter was focused on his partner and the kiss. (chapter 15) So the moment the doctor kisses his lover, he will become his sugar daddy, for he will give the champion his dessert, the red sweet bear from Haribo. And the recommendations for a good kiss on this website are the following:
- treating it like an art;
(chapter 15)
- being willing to compromise
(chapter 15)
- being open to different techniques
(chapter 15)
- being aware of your partner’s body language
(chapter 15)
- being absolutely present
(chapter 15)
- branching out from the lips
(chapter 15)
- treating kissing like a dance (Kim Dan was turned around)
- Giving your partner positive feedback (Joo Jaekyung invited Kim Dan to watch the fight by giving him the black jacket)
- not to take it too seriously
(chapter 20) The doctor didn’t complain Quoted from https://www.bustle.com/p/what-makes-a-kiss-good-according-to-experts-3208024
Thus I deduce that the kisses in the locker room should be judged as good kisses, which explains why Kim Dan couldn’t forget them: (chapter 16) He had come to appreciate them. Striking is that he thought of them, the moment he was looking at his own reflection.
(chapter 16) Why? IT is because he had seen his own face reflected in the champion’s gaze. Moreover, the kiss is also strongly connected to the face.
Furthermore, after examining the kisses, I came to realize why Joo Jaekyung denied that he had been dating the uke. (chapter 2) He had never kissed anyone among his partners. The doctor had already implied that kisses and embraces were inexistent in the champion’s world.
(chapter 13) But the kisses changed everything, they affected their relationship, deepening the fighter’s attachment towards the physician. Therefore it is no coincidence that he crossed the line during that evening.
(chapter 17) He had already done it with the kiss. Thus I deduce that it is only a matter of time, until the champion announces to others that he is dating the doctor. And if the doctor decides to kiss him during that night, this would seal the deal. They would be together from that instant on. Keep in mind that so far, the doctor had been the one rejecting their closeness and intimacy, for he didn’t desire emotions to be involved.
(chapter 15)
To conclude, the champion has been longing for a kiss from his partner… just like the readers! As soon as the sugar daddy initiates a smooch, the champion’s mind-set about the physician would change one more time. And that’s how the athlete’s dependency on the doctor will increase. It is important, because I am sensing the arrival of a quarrel between Kim Dan and his grandmother. In such a moment, the poor man needs the presence and support from a close one so that he doesn’t feel lonely and rejected.
So if they kiss again, think of the sweet red bear from Haribo… Joo Jaekyung is devouring his sweet! The cookie monster is receiving his candy kiss! 😉
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Jinx: “I wanna f⭐ck!”❤️ (second version)
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/jinx_en But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. Here are the links, if you are interested in the first work from Mingwa, BJ Alex, https://bebebisous33analyses.com/2021/06/21/who-are-you-the-significance-of-masks-in-manhwas/ and the last essay about Jinx Belle and the Bear in the penthouse – part 1 (locked ) Here is the link of the table of contents about Jinx. Here is the link where you can find the table of contents of analyzed manhwas
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.

1. Desire and sex
Contrary to my previous essays, the purpose of this composition is to present a theory which I developed after receiving help from my follower @becalmandhappy_1111. Yes, without her I wouldn’t have been able to notice another important detail which triggered so many thoughts. It was, as if she had provoked an avalanche which could no longer be stopped. You are probably asking what @becalmandhappy_1111 had finally discovered. It is related to Joo Jaekyung’s call to Kim Dan in episode 19. (chapter 19) There he expressed his desire to have sex, and the physical therapist should prepare himself. My first thought was to wonder why he felt the sudden need to have sex, because for 10 days, he had neglected him. It can not be related to his jinx and his next match, for the champion would have mentioned the jinx. Besides, Kim Dan would have known about this, yet he was taken off-guard by the sudden request. Thus Kim said this:
(chapter 19) In addition, the expression “I wanna fuck” implies a sudden urge from the athlete. So why would he be craving for Kim Dan, when he neglected the doctor for 10 days. I have to admit that my imagination started running wild… I had a crazy thought which made me laugh. However, this was just based on my creativity and nothing concrete. I hope you are now really curious. Nevertheless, I can not expose this idea yet, because it is strongly connected to the follower’s discovery. Yes, thanks to her, my idea no longer seems absurd. Hence, before revealing it, it is necessary to introduce first my friend’s explanation why the athlete would make the phone call in the first place. One might answer that it is related to his laziness. He didn’t want to waste time loosing up the doctor’s ass. However, observe that this request is connected to preparation. And this is what @becalmandhappy found:
(chapter 15) The doctor had made the following request. Joo Jaekyung should tell him in advance, when he wanted to have sex so that Kim Dan could prepare himself “emotionally”. This means that Joo Jaekyung did follow the doctor’s desire. We could say that he took Kim Dan at his words.😂 However, he changed the meaning a little. Preparing emotionally had turned into preparing his hole! 😂Besides, I would like to remind how the champion had reacted to this request:
(chapter 15) First, he was displeased, pouting like a child. But then he replied this to his counterpart.
(chapter 15) He would judge the physical therapist’s preparation and as such he would view, if such a request was truly necessary. And look now how the athlete reacted, when he penetrated him for the first time in the bathroom.
(chapter 19) He was caught by surprise, for he never expected such a good preparation!
What caught my attention is that the sportsman’s phone call provoked a negative reaction from Kim Dan. (chapter 19) He was annoyed exactly like the champion in the locker room.
(chapter 15) As you can see, both had a similar reaction, though their facial expressions diverge. While the one is trying to restrain the other to have sex, the other would like to be able to enjoy sex to his heart content. Nevertheless, the manhwalovers shouldn’t overlook that the desire from the physical therapist was linked to the sudden kiss from Joo Jaekyung. The former had been caught by surprise by the athlete’s change of behavior. That’s the other reason why he spoke about emotions, for a kiss is connected to feelings. As you already know, a prostitute never kisses her client in order to protect her/his heart. Thus I realized that the doctor’s request was actually ambiguous. Was he referring to the kiss
(chapter 15) or the sudden sex session in the locker room? Therefore it is not surprising that from that moment on, Joo Jaekyung didn’t try to kiss the physical therapist again.
(chapter 18) However, he prepared the doctor emotionally for this by saying that he needed to have his breakfast. Striking is that the innocent man didn’t protest or even argue that this place wasn’t appropriate for this. He didn’t react, when he was compared to a snack.
(chapter 18) To conclude, the champion had somehow internalized the desire from Kim Dan, yet he had a different interpretation of this wish.
Because we spotted a link between episode 19 and 15, it dawned on me that chapters 14 and 15 (the match) are a reflection of episode 19. Thus I deduce that in episode 20, we should see elements from these episodes. As you can already imagine, I have already developed predictions in my mind.
2. The mirror in Jinx
Like pointed out above, the kiss stands in opposition to prostitution. And this topic was mentioned in the bathroom. (chapter 19) Here, the main lead was actually denying that the physical therapist was a prostitute. In his eyes, he just looked like one. The Spanish translation is even clearer in that aspect. Thus I deduce that this sex session is important for another reason. In my eyes, Joo Jaekyung is slowly moving on from the idea of prostitution. Now, I would like to introduce a list of all the similarities in the form of a table so that the manhwalovers can recognize the resemblances.
The match (14-15) | Chapter 19 |
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The athlete standing in the bathroom in front of a mirror anger ![]() | happy ![]() |
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In both scenes, Joo Jaekyung carried Kim Dan’s leg. ![]() | ![]() |
![]() A revelation, a new idea triggered by two elements in chapter 14, the plea from the doctor to be more gentle and the words from his chingu ![]() | ![]() ![]() ![]() |
The desire to know the doctor’s facial expression, hence the champion looked from behind.![]() | ![]() |
In both scenes, the uke was wearing a cloth belonging to the athlete, a jacket or a sweater.![]() | ![]() |
Another common denominator is that the main lead paid attention to the beast. He was observing him. After the match, he was determined to do his best to help Joo Jaekyung. ![]() ![]() | Here, he wondered about the champion’s life. He was sensing that the fighter was totally obsessed with his training. ![]() ![]() ![]() ![]() |
Like mentioned above preparation, but more precisely kiss a sign for intimacy ![]() | loosing up the hole – prostitution ![]() |
After reading the comparison, the manhwalovers can detect the strong similarities between these two scenes. Here, I feel the need to remind my avid readers the following rule Mingwa’ s story is based on yin and yang, which is a circle. Thus we always have a negative and positive reflection. This explicates why the positions of the protagonists were switched (facing each other versus from behind, admiration versus no admiration). This method serves to demonstrate the evolution of the characters. Nonetheless, there is a huge difference between these two scenes. Did you notice it? The absence of Park Namwook!! It was, as if he was inexistent in episode 19. And because I noticed the parallels between these two episodes, one detail caught my attention, the champion’s confession to his hyung.
(chapter 15)
3. Park Namwook and Joo Jaekyung
Now, put yourself in his shoes. He hears from the athlete that he caused so much trouble just before the match, and in reality he had no pain at all. He must have been infuriated. (chapter 11) Moreover, such a deception could only make him ponder why the champion had acted this way. And if he had no pain in the shoulder, why would he request the presence of the doctor who had to take the express in order to reach Busan? Finally, he must have wondered what the two main leads had done in the locker room for 15 minutes!! Don’t forget that he was standing behind the door.
(chapter 15) In addition, the champion gave his own jacket to the doctor.
(Chapter 15) The coach must have wondered why his friend chose to appear with a t-shirt on the ringm they usually wear a jacket, for it is easier to be removed. Finally, observe that after the match, the physical therapist no longer had it.
So PArk Namwook must have noticed, when the doctor returned the cloth. Finally, in this scene, the champion voiced the wish to have water in order to have a private conversation with the main lead, and shortly after Joo Jaekyung admitted his deception to his friend and mention. Thus the manager could only come to the conclusion that everything was related to Kim Dan. The latter must mean a lot to the protagonist that he shares things and wishes to have some privacy with the cute „Teddy Bear“. To conclude, the revelation of the lie could only make Park Namwook ponder on the reason for his manipulation leading him to notice the changes in his fighter.
All these questions could only lead me to develop the following theory. What if he knows about the special relationship between these two? This would explain why he defended the doctor in episode 16 (Chapter 16) and even asked Joo Jaekyung to go to his home.
(chapter 17), when the champion was annoyed. Besides, I would like the manhwaworms to keep in their mind that Park Namwook is also a former fighter. So he is not dumb. He can also analyze facial expressions and behavior, as he needed this skill for his own matches either. Thus I conclude that if he didn’t detect their relationship before, now he must know it. Furthermore, just because the athlete is hiding his sexual activities from his coach and manager, this doesn’t mean that Park Namwook is totally oblivious. He could simply feign ignorance. In addition, the manager is often portrayed „eyeless“, his gaze is hidden by his glasses, as if he was hiding his true thoughts from the champion.
(Chapter 7) Is it a coincidence? I have my doubts. Moreover, compare it to these two panels:
(chapter 1)
(chapter 5) The author can drew his eyes. When he was talking to the athlete, he was honest.
Naturally, this raises the following question. He could have noticed the athlete’s attraction for the doctor much earlier. If you take into consideration that the protagonist asked for the physical therapist’s phone number himself, and this before suggesting to hire Kim Dan as physical therapist… He was changing his MO, like the coach admitted in the car. (chapter 5) Moreover, in this very scene, the manager had asked him to explain how he could be in such a good form! And this is what the champion replied.
(chapter 5) Then he voiced his wish to hire the physical therapist right after.
(chapter 5) It becomes clear that the new thing was related to Kim Dan. However, don’t forget that some days had passed between the massage and the match and officially, they had not been in contact. However, the coach had given him the phone number before. While Joo Jaekyung thought, he was very smart
(chapter 5), I have the feeling that the coach could already see through him, especially after hearing the champion’s confession and new wish. The latter represented another change in the fighter’s behavior. So I am sure that Park must have already guessed that something was going on between them. Finally, we need to ask ourselves this. Why would he make such a suggestion to Joo Jaekyung?
(chapter 9) The latter was once again changing his attitude. He would never come to a team dinner, but for Kim Dan, he did it. Moreover, I would like to outline that while he was sitting crossing his arms next to the protagonist, he neither drank nor eat with them. And Park Namwook was facing him. So his conduct could only raise suspicions in the coach. From my point of view, if he didn’t know before episode 15, then after the match with Randy Booker, it is no longer possible. In addition, we still don’t know how the champion paid off the debts. Which account did he use? If he wired the money from Black Teams, then the coach would have noticed it. And such a gesture could only outline that the doctor meant a lot to Joo Jaekyung. The latter has not realized his feelings, for he has never been in love before. But for an outsider, Joo Jaekyung’s sudden change of attitude which is totally visible can only lead to the following conclusion: they are together.
But there is more to it. Since the uke’s name has a meaning, I searched for the signification of Namwook. https://korean-name.com/en/search/%B3%B2%BF%ED/ And this is what I discovered: Sunrise and South! So he is connected to the light. At the same time, it stands for mountain cherry and camphor tree. As you can see, he is connected to nature. For me, it is no coincidence. Why? It is because he is bringing light and nature to the protagonists’ life. Don’t forget that the doctor’s home had no view to the outside. (chapter 19) It was like a prison. There was no trace of nature in his room, the only view he had to the outdoors were the pictures of the beach, but these would stand on the opposite side of the window. As for Joo Jaekyung, his penthouse resembles more to a hotel room, for he barely spends time at home. I had already predicted that he would act like a matchmaker between them. And all these new observations seem to confirm my prediction.
4. “I wanna f⭐ck”- my theory
And now, it is time to present the crazy thought I had, when I saw this panel: (chapter 19) I couldn’t help myself thinking of the coaches. They could have incited the athlete to go home, a new version of this scene.
(chapter 5) Imagine their situation. The champion would spend his whole time at the gym from early in the morning to late in the evening.
(chapter 19) They must have been bothered at some point. They wished to take a break too. So they could have mentioned that their partner was complaining at home or the coach could have said that because he neglected his wife, she had enough and filed for divorce. She had blamed him for neglecting her. Park Namwook could have mentioned Jeong Yosep’s divorce and the origin for the divorce. Another possibility is that the manager could have lied that he had an emergency at home, he had to leave him alone.
(chapter 13) And the reflection of the match in episode 19 would actually validate this thesis. Furthermore, in episode 14, the fighter had kissed the protagonist, because he had remembered the doctor’s advice
(chapter 14), an indication that someone must have a similar role in episode 19.
Besides, don’t forget that the champion had lied to his hyung before, so the hyung could do the same. Or he thought that Kim Dan would be happy, if his partner returned much earlier home…To conclude, this idea got reinforced. Moreover, keep in mind how the champion had reacted, when he thought, he had been blocked. He ruined a sandbag! (chapter 5) So seeing Joo Jaekyung totally obsessed with training, the manager could have thought this either:
(chapter 7) He was overheated from training, he needed some relief. 😂
And now, you are probably thinking that this is totally crazy. But I can only reply this. Joo Jaekyung never had urges before. His sex life was determined by his career, like he explained to the doctor: 8chapter 2) This has nothing to do with desires and urges. In fact, this is more a duty, an obligation. I would even say, sex was for him like work, as his career was on the line. That’s the reason why Joo Jaekyung doesn’t consider himself an animal.
(chapter 2) Under this new light, the manhwalovers can understand why the champion would associate sex to prostitution. Sex is also work for a “whore”. So Joo Jaekyung and the “fuck buddies” have the same mind-set.
I noticed that the athlete actually needs triggers to have sex. He got jealous, when he saw the doctor surrounded by the other members. (chapter 7) This scene was the trigger to have sex with him. Then in Busan, it was because he had been provoked, and he couldn’t calm down.
(chapter 14) Then in the penthouse, he had asked for a snack, because the doctor had announced that he would try to leave the house as soon as possible.
(chapter 18) In other words, he was somehow rejecting the boxer’s offer to view the penthouse as his new home. He used sex in order to achieve his goal… the latter should stay by his side. He was not uncomfortable with him… quite the opposite, hence he could have a snack on the table.
Moreover, I would like to add that the celebrity has never dated anyone before, so he has no idea how to maintain a relationship. He is a lonely bear who has no family. That’s the reason why I am convinced that Joo Jaekyung must have been triggered to have sex… and this can only be because of his hyungs. Finally, I would like to point out this observation. How was Kim Dan waiting for the champion’s return? (chapter 19) More or less in the dark, for we don’t see any light. However, after receiving the phone call, what did the doctor do? He went to the bathroom and switched on the light!
(chapter 19) And this coincides with the name of Namwook, “sunrise, dawn”. The colors contrast so much, an indication that the return of Joo Jaekyung was bringing light and warmth into the main lead’s life. And it is time to answer why Joo JAekyung was still wearing his shoes and bag, when he entered the bathroom.
(chapter 19) He must have entered the penthouse and seen no light and probably silence… it was, as if the house was empty. And contrary to the scene in Busan
(chapter 14), there was no one to lead him to the room where Kim Dan was. He couldn’t know where the doctor was in his huge house: the guest room, his bedroom… He must have been looking for him, hence he didn’t take the time to take off the shoes and bag. I have the impression that he must have been worried for one moment… just like the doctor was concerned, when he arrived in Busan. Joo Jaekyung was in a hurry. However, this is how he was received
(chapter 15) He must have been happy, therefore he praised the doctor.
(chapter 19) His technique had improved. Thus he felt a huge urge to have sex with the physical therapist.
(chapter 19) He is discovering the good side of having a home! To conclude, in this episode, the champion was taught to have real desires, to have a life outside work!
4. Predictions
I had mentioned earlier that the connection between episode 14/15 and 19 triggered my imagination so that I could make predictions. Since in the locker room, the champion remembered the hyung’s recommendations, I believe that we should expect foreplay. (chapter 19) Why? First, the author focused on the champion’s hand in the locker room.
(chapter 14) Secondly, the physician’s phallus is not aroused. So I believe that the champion could decide to masturbate him. In addition, in the image above, his gaze is focused on the penises. Finally, since the author is following the Taoism principle (harmony of the yin and yang), it should be the athlete’s turn to use his hand, since Kim Dan did it, when he loosed up his hole.
(chapter 19) Besides, since the doctor followed his request and did a good preparation, the physical therapist should receive a reward.
(chapter 19) A compliment is not enough. Finally, I would like to add that in the locker room, the athlete never focused on Kim Dan, for he treated him as a substitute for Randy Booker.
(chapter 14) This scene stands in opposition to the mirror scene, where the champion is now aware of his lover.
(chapter 19) He is seeing him for who he is: someone waiting for him at home!!
I hope you will feel the need to leave many comments after reading this theory and these predictions. Moreover, it shows once again that exchanging thoughts with my followers helps me to make new discoveries.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Protected: Jinx / Doctor Frost: Belle 👸 and the Bear 🧸 in the penthouse – part 1
Protected: Jinx: Crossing the line – Joo Jaekyung’s secrets 🤥🤫 (second version)
Protected: Jinx / At The End Of The Road: Tattooed identity 🐲 (second version)
Protected: Jinx: Crossing the line 🏁
Protected: Painter Of The Night: “Baek Na-Kyum’s -?” 👀🧐 (second version)
Painter Of The Night: 📣Breaking news! 📣The painter vanished again! 😨 (second version)
Please support the authors by reading the manhwas on the official websites. This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night
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As the illustration of this analysis is indicating it, the title of the essay is referring to the painter’s departure from the mansion in season 3. For you can anticipate it, I would like to expose my new discoveries before the release of chapter 103. Why? It is because that way, the readers can perceive the new chapter under a different perspective.
1. “All the World’s a Stage”
Since I recognized the importance of clothes in Painter Of The Night, I started paying more attention to the appearances. Striking is that in season 3, the schemers utilized hanboks and shirts to forge an identity. By wearing a yellow hanbok, Min attempted to impersonate Lee Jihwa (chapter 101) so that he could put the blame on his “friend”. But the problem is that he was caught red-handed. Hence he ended up executed. On the other side, the corpse in the well was supposed to be Deok-Jae
(chapter 98), although he was wearing clothes similar to the learned sir’s. What caught my attention is the expression Yoon Seungho employed: “pretending”. With such an idiom, he was implying that the servant had not only violated social norms, but also he had been acting. As you can sense, these two situations have one common denominator: playing a role and the clothes served as a disguise. It was, as if both victims of a murder had been playing in a theater play. This explicates why in the fanart, the author is portraying Baek Na-Kyum and Yoon Seungho as actors who are working in a sageuk.
And this made me think of the famous poem from Shakespeare who describes life as a stage, where a person plays different roles all along his life: an infant, a school boy, a lover, a soldier, etc., until he dies, which is symbolized by an eternal sleep. https://youtu.be/_jaSFtcDEiE
Then I would like to point out that at no moment, the main lead saw the body himself. He was simply confronted with the clothes which resembled a lot to the scholar’s. (chapter 98) Why? From my point of view, they were trying to scare the main lead, to remind him that he could never replace Jung In-Hun in the painter’s heart, to shake his belief. But the problem is that the schemers had missed the right timing, for the artist had already confessed his love for Yoon Seungho and this twice. Therefore the latter couldn’t doubt his lover’s words, and mistake it for an illusion. As a conclusion, the clothes were used tools to trick the couple, they had become costumes!! However, because the author is using karma as poetic justice, this signifies that the hanboks and shirts can serve as a clue to perceive the truth too. The ones who tried to deceive the protagonists with clothes and words, should be fooled by their own manipulations.
2. A new perception of chapter 98
My avid readers will certainly recall the detected principles Byeonduck utilized to develop her story.
- The story is going in circle, it works like a kaleidoscope.
- There is a reflection within the same chapter: the positive and negative reflection.
- Each episode will be reflected in the next chapter.
- All seasons are reflected in each other.
- The painter and Yoon Seungho share the same fate, hence their actions are similar.
- The clothes and shoes are tools to identify a character.
Naturally, you might be wondering how these rules are relevant to the clothes. But note that in episode 98, the lord wondered himself why the hanboks would look so similar to the learned sir’s! (chapter 98) This shows that the lord was able distinguish the real clothes from the imitation. He had not only a good memory, but his eyes were sensitive enough to detect the difference. But how is it about the readers? Did they notice that these maids
were different from the head-maid and her colleague?
(chapter 94) Their clothes were almost identical, yet their body shapes and the cut of the shirts diverged. That’s the reason why I deduced that in episode 98, the author had the intention to manipulate the manhwaphiles. But in order to escape the trap, the readers needed to look carefully at the characters’ clothes. This was the clue that Byeonduck had left for the readers to discern the truth. And now, look at this:
(chapter 98) What was the painter wearing on his way to the bedchamber? White pants with his Mountbatten pink jacket. But how did he show up at the learned sir’s home?
(chapter 98) He was dressed differently. 😮 He had changed his pants, put on his scarf and hat. But when he went to the lord’s study, he was not carrying them!! How do we explain the difference? The answer is quite simple. He had returned to his room in order to fetch his clothes. And since Baek Na-Kyum took the lord’s clothes, this signifies that he had the intention to return to the domain. The readers will certainly recall the artist’s behavior, when he had threatened the main lead to leave Yoon Seungho. He had switched his clothes, and put on his old clothes.
(chapter 98) Thus if the lord had gone to the study, he would had realized that the painter had not deserted the propriety, for he had not taken his belongings with him. The hat and scarf were signalizing that Baek Na-Kyum considered himself as a member of the Yoons‘ household.
Moreover, because in chapter 98, the artist had tried to hide his presence from the maids at the door of the kitchen (chapter 98), I assume that later he did the opposite (rule 2). He met the maids on purpose. Why? He let them know about his intentions. He was going out in order to visit the learned sir’s home. Finally, remember what he had thought on his way to the mansion.
(rule 3) If only Yoon Seungho had left a word… The servants served as his messenger. Hence I am convinced that Baek Na-Kyum must have talked to the maids and told them where he was going!! He copied his lover, yet contrary to him, he must have given a precise information. (Rule 5) This means that he had informed the staff about his departure!! Moreover, in chapter 98, the maids acted, as if they had not detected the painter’s presence while badmouthing Yoon Seungho.
(chapter 98) Hence they were portrayed without eyes and with a drop of sweat on their face, a sign for deception. So the negative reflection would be that Baek Na-Kyum had informed the maids, and he had gone to the kitchen for that reason. From my point of view, when he met them, he was already wearing his hat and scarf. To sum up, the artist had never left the maids in the dark. And the clothes are the evidence of the staff’s lie.
Under this new perspective, it becomes comprehensible why the painter lost all his clothes during that night!! If the lord had seen them there, he would have realized that the painter had never deserted the mansion, for he would have taken his own clothes!! It was important that they vanished. First, he lost his hat (chapter 99) Then the scarf was no longer present, when the painter woke up. Then the nobles removed his shirt, socks and pants in the shrine.
(chapter 100) And now observe that after Lee Jihwa’s departure, the artist’s clothes except the white shirt vanished too.
(chapter 102) Where did they go? The readers saw Black Heart leaving the building, but we should question this: WHY? He never went there to fetch lord Shin, since he abandoned him outside. We all imagined that he left the room empty-handed. But it is true? Now, I don‘t think so. He had to get rid of the clothes in order to mislead the main lead!! A new version of chapter 61
and
97! Furthermore, was Min talking to himself, when he said this?
(chapter 101) Because the readers could detect the presence of a shadow in episode 102
, I am now envisioning that Min was not alone outside during that night. In fact, someone had misled Black Heart telling him that lord Jihwa had ran away. However, the unconscious lord Shin should have made him think that Lee Jihwa had fought back… Hence he had not fled, rather betrayed them. Moreover, he was not looking at the direction of the entrance and gate. In fact, he was turning his gaze in the direction to the shrine.
(Chapter 101) The tree serves as an orientation for the beholder. But why was someone waiting outside? It was to cover up all the traces of his meddling. Baek Na-Kyum was supposed to vanish during that night, and they had planned to employ his pants and shirt to mislead people… even Black Heart. In my opinion, the invisible hand had already envisioned the nobles’ death. To conclude, the clothes proved my previous theory. The staff had staged the desertion by faking ignorance.
(chapter 98) They were waiting for his return to fake their anger and search. And now, you comprehend why the servants mentioned the kisaeng in front of Yoon Seungho. It was to stop him from going to the study… to divert his attention. Under this new approach, the artist’s last words get a new meaning.
(chapter 102) Since he had informed Yoon Seungho through the maids about his whereabouts, Baek Na-Kyum was expecting that he would come to his side. I would like the manhwalovers to keep in their mind that the artist was not conscious, when he moved to the shaman’s house. So in his mind, he was not far away from the learned sir’s house. Finally, since he had informed the maids, he could anticipate that the lord wouldn’t get mad at him, and wouldn‘t imagine that he had abandoned him
(chapter 101) He trusted his lover’s heart in the end. That’s the reason why Black Heart’s superficial promise had no effect on Baek Na-Kyum. The latter truly believed that Yoon Seungho had been informed. But how could they play such a trick on the couple?
2. The director of the stage
Only one person could expect from the painter that he would switch clothes: Kim! (chapter 86) He had witnessed the argument between the couple by hiding behind the door. Thus in chapter 103, Kim will get the shock of his life… and it is the same for the maids. Yoon Seungho is returning with the painter. And the new trailer reveals that when the lord opened the door, adomestic was standing next to a maid.
This is an indication of their involvement, though we need to discern the head-maid from the women in chapter 98. That’s the reason why the moment the maid appears, observe her clothes and try to discern her identity. Is this the head-maid or one maid from season 3? The preview displayed the arrival of the doctor.

The author reveals the butler’s surprise and shock. He never expected his entrance. This shows that the valet is just an actor too, he is not a deity, hence he gets fooled too. But why is Kim reacting this way? IT is because he never asked for the doctor’s request. So who sent the doctor? On the other hand, if the maids are involved and they witness the artist’s return, they have every reason to get worried. Their deception (lying by omission) could come to the light, for Baek Na-Kyum had given his lover an important task. He had to investigate why he had taken so much time before joining the artist’s side. By sending the doctor, they can fake their concern and even divert attention from themselves. Suddenly the connection between the maids and the doctor reminded me of episode 33.
3. The maids, Black Heart and the physician
If you read my previous analyses about the physicians, you are aware about my theory. Byeonduck introduced three different doctors, as their clothes and hat diverge. For me, it is the physician from season 1, for he is dressed similarly. (chapter 103)
The form of the beard is also similar. But now, I have another evidence that this doctor from season 4 is not the physician from season 2!!!
(chapter 63) The shoes are also different! That’s the reason why in the trailer, the beholders are seeing the physician’s shoes!!
He doesn’t possess mituri like the other. Moreover, he is wearing a hanbok under his apron
, while the other is dressed more like a commoner, a shirt with pants. And note that in chapter 33, we had the following combination: Min’s party, the visit of the doctor, Baek Na-Kyum’s illness, the maids and Yoon Seungho who “ran away” after his mistake. (rule 1 and 4)
(chapter 33) And what had Kim done during his examination? He had not only threatened the physician
(chapter 33), afterwards he had even badmouthed him, for he had not given the correct diagnosis.
(chapter 33) However, here the butler had simply lied to hide his own wrongdoings: his passivity and silence. And note the doctor’s words addressed to the “beholder”:
(chapter 103)
He is lying. The drop of sweat is the evidence. First, he has already seen the painter in a terrible state before. But since he is referring to Yoon Seungho, it signifies that he has already seen Yoon Seungho flustered. Why? Because the doctor from chapter 57 only met the young master, when he was a teenager. (chapter 57) The latter was introduced to Yoon Chang-Hyeon through the butler. The protagonist must have had a doctor in the past. Can you imagine a life without a doctor for 13 years? And this assumption was proven correct after the release. But let’s return our attention to the physician from season 4.
What caught my attention is the white bag. Why is he wearing it? It is because he is on the verge of vanishing, he plans to run away. But why? From my point of view, he is the one who provided the aphrodisiac and opium to Lee Jihwa. Besides, in season 1, he had already given the “replenishing medicine” to the valet.
(chapter 33) (rule 1-2-3) But why would he do such a thing? Simply, because he had been helping Min. He needed the protection of a powerful lord, since Kim had abused his position by threatening him. After seeing the new pictures from chapter 103, I had this sudden revelation. What did Min do after getting beaten by Yoon Seungho?
(chapter 54) He certainly didn’t let his wounds untreated. Thus the next morning his face
(chapter 56) looked much better. He had no swelling and the redness was already vanishing. From my point of view, he asked for the doctor’s assistance and that’s how the both came to an understanding. But since Min is now dead, the physician could get into trouble, for he helped the lord and now he is dead. But why am I so sure that the physician is about to run away? Look at all these images:
(chapter 44)
(chapter 44)
(chapter 45)
(chapter 100)
They are all carrying the white bag on their back… and they are about to depart! Kim wished to leave the propriety with his master under the pretense that he was bringing misfortune to the painter. All this proves that the doctor is far from being innocent. Hence he wishes to run away. However, if he does this, this means that he exits the “play”. So he could die. Moreover, how did he know that the lord would return to the mansion with the wounded painter? I can not answer to this question with certainty. However, I would like to point out that since Min talked to someone in the shadow, it is very likely that this person had long planned Black Heart and his friend’s demise. Nonetheless, the schemers had not foreseen two three elements:
- the survival of lord Shin
(chapter 102)
- the survival of Baek Na-Kyum, once again…. in season 2, he also almost died
(chapter 61) [For more read the essay “No matter what… Baek Na-Kyum must vanish”]
- the absence of Min’s friend who has always been by his side!
(chapter 59) Lord Jang had disguised himself as Black Heart’s friend, the hanboks looked very similar.
(chapter 99)
(chapter 59) The schemers mistook him for the noble with the mole.
They are trying to repeat the same actions from the past, but the schemers are doomed to fail, for they didn’t listen to The Joker’s advice: (chapter 76) And this observation leads me to present the following theory: father Lee is definitely involved in this new trick! The drama has not ended yet. Why? According to my theory, these domestics didn’t belong to Yoon Seungho’s staff
(chapter 61), for the colors grey-white off are only seen at the Lee’s.
(chapter 9)
(chapter 18, Lee Jihwa’s spy)
(chapter 41)
(chapter 50)
(chapter 100) And now compare these servants to the staff from chapter 97:
Their colors are all different reflecting that Yoon Seungho has no control over his staff. But what did the staff do in episode 61, when they manipulated the lord by saying that the painter had run away? One of the domestics offered the scarf and headgear to the lord:
(chapter 61) Once again the clothes… All these details are exposing the involvement of elder Lee. He had many reasons to have Min and the painter eliminated. However, there is no ambiguity that he is not working on his own. That’s the reason why I am now wondering if “father Lee” or the shadow sent the doctor to Yoon Seungho in order to witness the painter’s death. Note that the doctor from season 1 came and not season 2. And what had the maids said in episode 33?
(chapter 33) Yet, the painter survived, hence the doctor has every reason to run away. His complicity could come to light… on the other hand, the moment he leaves Yoon Seungho’s side, he is no longer protected. The reason is simple. He owns a part of the truth, and what the schemers are attempting to do is the exact opposite: burying the truth so that their act is not discovered. And now who participated in this huge “drama”? The list of the suspects is quite long… Father Lee
(chapter 82), lord Yoon Chang-Hyeon
(chapter 86), the other physician
(chapter 74), “lord Song”
(chapter 83), the “fake servant” alias the king (for me)
(chapter 37) There is no doubt that a tailor was involved, for he had to create similar clothes, the costumes …
(chapter 64) All have one common denominator: the BEARD. They are OLD BEARDED MEN!
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Painter Of The Night: The shadowy plot(s) 👀 from the past 🙊
This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night
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There is a reason why I selected the illustration of season 4 for this essay, though my focus is the past, and more precisely Yoon Seungho’s suffering. It is because the darkness surrounding the protagonist not only refers to his tragic youth, but also it reflects the situation of the manhwalovers. The latter are still in the dark concerning his torment. His terrible secrets have not been totally unveiled. So far, the author allowed the readers to see glimpses of his past, like f. ex. the gangrape or the suicide of his mother. But these were just small pieces of the puzzle, thus it is still impossible to have a complete picture of his martyrdom. There are many reasons for this. The main victim never testified about his suffering, he refused to open up to Baek Na-Kyum.
(chapter 84) Then many witnesses vanished
(chapter 86) or the ones alive preferred telling lies in order to hide their own wrongdoings or are simply in denial about their own culpability. Finally, the victim, the perpetrators and accomplices had no idea about the whole truth. They only know or knew certain facts, because many of them were deceived as well. What exactly happened to Yoon Seungho? How could this take place, though he belonged to one of the most powerful noble families? Now, you are probably expecting that I will give you answers to all these questions, and recreate the past. But I have to admit that it is not possible, for I don’t know the whole chronology. Consequently, I added “shadowy” in the title. To conclude, my real intention is more to offer new pieces from the riddle than create a whole new “story”. The main source for this new insight is the painter’s fate which is a reflection from the noble’s past and torment. This means that Byeonduck left traces in season 1, 2 and 3! That’s how I discovered that he had been abandoned and betrayed by everyone, kidnapped, treated as a male kisaeng, robbed, abused, raped and even gangraped at least twice, tortured and finally drugged! But like mentioned above, it is difficult to give the proper order and the persons truly involved in the crimes. On the other hand, what I can guarantee is that Yoon Seungho’s nightmare is linked to conspiracies. I came to this conclusion, because if you compare all the seasons, you will detect the presence of plots. There exists at least 3 main plots in each season, though there definitely exist more. The conspiracies are all connected to incidents.
1. The conspiracies
To validate my theory, I will use the first season as an example. The incident with the ruined drawing was actually initiated by Min and his friend with the mole. Black Heart had slapped his friend (chapter 9), so that the latter visited Lee Jihwa to arouse his jealousy. It was to push him to commit a crime so that Baek Na-Kyum would be removed from the main lead’s side. As you can see, there were 3 people involved, though the readers only saw the result.
(chapter 12) They had the impression that the red-haired master had acted on his own. However, he had been manipulated, incited to commit a crime. But my point is not to diminish his wrongdoing, rather to expose the involvement of the schemers. Hence at the end of season 1, the author unveiled their true role and as such their identities.
(chapter 43) However, observe that when Lee Jihwa went to the pavilion, the noble with the mole had other guests. 2 nobles left the place, as they refused to participate in a murder.
(chapter 43) Funny is that they are now witnesses of Min’s crime. This can have repercussions in season 4. Black Heart had been the one who had suggested the assassination to Lee Jihwa. And the aristocrats were still there, when he had made this proposition.
(chapter 43) But the two empty seats also serve as a metaphor for the existence of other helping hands: Kim and No-Name! The latter was about to get hired by the young master. Hence I deduce that this scene was to display the existence of accomplices who had always been acting in the shadow. Or we could say that the number of conspirators increased! However, I would like to point out the existence of a second conspiracy: the stolen wine.
(chapter 19) And this is related to Kim and the gibang. Yet, the butler ruined Black Heart’s plan. To conclude, we have two main plotters in season 1, but the butler’s bad intentions were not detected, for Yoon Seungho’s bad actions were more eye-catching. People had the impression that the valet was defending the artist’s best interest. From my point of view, the number of persons involved in the plot kept increasing, as they needed more and more accomplices. The reason is that their plans didn’t work out like expected. At the end of season 3, Min involved the kisaengs in the gibang, while Kim asked the assistance of the staff, the maids
(chapter 91) and the servants
(chapter 97). Thus I deduce that in the past, the same must have happened. Many people were involved in the downfall of Yoon Seungho and his family. But who was the real target in the end? It is difficult to say with 100% certainty.
While Min serves as a reflection from the main mastermind in the past, his actions are not entirely clear. Note that he kept changing his mind and heart. On the one hand, he wished to have the painter killed, then later to have the young artist by his side as a source of entertainment. Yet, there is no doubt that he wished to have sex with Baek Na-Kyum right from the start. (chapter 8) Thus in season 2, he came to this resolution:
(chapter 56) He had planned to rape him before having him eliminated. This shows his inner conflict. From my point of view, the painter’s death is connected to the incident in the gibang.
(chapter 1) Baek Na-Kyum was a witness of Min’s wrongdoing, just like the painter was a witness and victim of his crimes in the shrine. (chapter 99) One thing is sure: Min was full of greed and jealousy. He was determined to harm and ruin Yoon Seungho. Hence I come to the deduction that the real target of the conspiracy in the past was Yoon Chang-Hyeon. And his son was used against him.
Interesting is that in the first season, the plots were not obvious, except one: the painter’s murder! The conspiracies only came to light, when the readers paid attention to details. The best example is the incident with the open door: (chapter 16) This doesn’t look like a crime. However, it is one! It was done on purpose, to separate the couple. Someone had intervened in order to interrupt this session, and as such someone had been spying on them. Deok-Jae only revealed his spying activity from chapter 16 in season 2:
(chapter 53) Yet, the one opening the door had been Kim. This gesture can be considered as trespassing and invasion of privacy, the new version of this scene.
(chapter 16) But instead of revealing the truth, the butler sided with Lee Jihwa, and allowed him to trespass the propriety again. In my eyes, the butler thought
(chapter 17) that Yoon Seungho would come to perceive the painter as a man consumed by lust. He imagined that he would caught them fooling around. As you can see, this ruckus was also a plot, though it doesn’t look like one. Why would the maids gossip in the courtyard?
(chapter 18) From my point of view, the valet expected that the lord would fear people’s gaze and a scandal. Thus he would send away the painter to protect his “reputation”, but the opposite happened. Under this perspective, the manhwalovers can grasp why it is difficult to calculate accurately the number of plots and accomplices. Besides, some were naïve pawns, others not. And since I examined the first season more closely, it is necessary to analyze the vanishing of Jung In-Hun. His disappearance is strongly intertwined with Yoon Seungho’s secret. How so? The learned sir was determined to find the lord’s vulnerability and as such secret.
2. The scholar’s disappearance
Many readers have the impression that the learned sir is still alive, for they never saw his corpse or his execution. Since they had somehow witnessed Jung In-Hun’s departure, they knew that the learned sir could not have been killed in his humble home. I had already detected very early on, like other manhwaphiles, that the murder scene had been staged. (chapter 88) Thus many readers jumped to the conclusion that the learned sir had already switched sides and was plotting against the main lead. They had his following words in their mind:
(chapter 29) Thus many concluded that he had participated in the prank, faking his death. On the other hand, the manhwalovers believed to have seen Heena’s death!
(chapter 99) However, observe that we never saw her corpse. She was still alive in this panel. I had already pointed out that her murder was actually faked. Her mouth was not covered, hence she could have screamed, but she remained silent (blank speech bubble). Secondly, she never moved her legs… contrary to Yoon Seungho’s behavior in the gibang.
(chapter 68) That’s the reason why I came to the conclusion that Heena’s curtains didn’t take place. Hence I deduced that in the past, someone’s death must have been “faked” too and this vanishing must have affected the main lead’s fate. The other deduction is that the learned sir must be “dead”, as the author is working with positive and negative reflections. I had already presented this theory in two different compositions (“That day” and “The secret behind the library“) However, for each murder, the culprit must have a strong motive. For me, the mastermind behind his death is the pedophile himself. This man,
(chapter 37) who is the king in my eyes. [For more read the essay “The face of lord Song“]
3. The reasons for the assassination
Why would he eliminate the learned sir? In the past, I had said that he had ordered it out of jealousy. He believed that Jung In-Hun had become Yoon Seungho’s lover, for his brother had mistaken his identity. (chapter 37) Since Baek Na-Kyum was wearing a hanbok, Yoon Seung-Won thought that the person hidden under the hanbok was no commoner! Thus he called him a fellow. However, this motive is quite thin! Yet, two new details caught my attention. His visit to the “fake shaman” and his request. Notice what he told the man:
(chapter 29) He was announcing to the dark haired man his true intention. He desired to abandon and betray Yoon Seungho the moment he reached the first place in the civil service examination. He saw him as a burden. This is important, because his words represent a confession of his “sin”!! The scholar was admitting to the commoner that once he reached the first place, he would cut off his ties with the protagonist. But actually, the latter is connected to the pedophile. It was, as if he was saying that he would betray the king, for the young main lead is close to the king. On the other hand, he needed to reach the first place for this. And now, you have the explanation why he got killed. He needed to vanish, before he participated in the next round! The mysterious lord Song needed to remove him, before Jung reached the first place and betrayed his “lover”. In a certain way, the man could justify his action that he has been protecting Yoon Seungho from a future betrayal. However, there is no ambiguity that the true motive was jealousy. But he had naturally another motivation. It was important that the lord’s past never came to light either, as his secret was strongly intertwined with the ruler’s past actions. To conclude, the pedophile had every reason to order his assassination. But he was not the only one behind his death. Other people had an interest in this crime as well.
Jung In-Hun’s ”dream” stands in opposition to Yoon Seungwon‘s statement who somehow promised his father that he would reach first place. That’s the reason why the father boasted in the bedchamber. (chapter 86) However, in reality, he was relying on the king’s help and intervention. And this confession to the “fake shaman” represents the learned sir’s karma. He had asked the painter to act like a spy
(chapter 24), not realizing that he could be spied himself! He didn’t grasp that he exposed his weakness to the commoner: the civil service examination. Thus the man had constantly drops of sweat
on his face and interrogated Jung In-Hun.
(chapter 29) The girl was there to create a certain closeness. He was acting like Kim, asking why! But the stupid and arrogant learned sir thought that because the man was a commoner, he was ignorant and could be manipulated like the painter!
(chapter 29) He thought that the low-born would buy his lie here… but in my eyes, it was the opposite. He had already perceived the learned sir’s true nature. But he acted, as if he was agreeing. In other words, the scholar fell into his own trap. He envisioned that the man was “powerless”, but he overlooked his connections. The manhwalovers can see the contradiction, for he had approached the man due to his connections! .As you can see, I am more than ever convinced that the scholar has long been murdered. He was betrayed, exactly like he had planned to abandon Yoon Seungho! The pedophile must have heard from the servant about Jung’s plan, as he had confided it to the worker!!
Thus the man decided to meet Jung In-Hun himself, and give him a warning. He described the Yoons as powerless due to the purge. (chapter 37) But this doesn’t end here.
(chapter 37) Yoon Chang-Hyeon was portrayed as a traitor! The “fake servant” implied with his statement that there was a conspiracy, and the patriarch was involved. But in exchange to save his own skin, he had tattled on the others! He was trying to insinuate that if Jung In-Hun interacted more with the Yoons, his reputation could get tainted. He could get suspected of “treason” too, or he could get betrayed too. While the man met the learned sir during the day, the brother went to the villa in a hurry during the night.
(chapter 37) So it looked like the “scholar” had not grasped the warning. And if Yoon Seungwon had been informed about the content of the conversation between the learned sir and the “fake shaman”, it is not surprising that he rushed to his brother’s side. He could use this opportunity to warn him about a betrayal. However, he couldn’t do it so, because he imagined that the learned sir was present. This would explain this image:
(chapter 36) Hence he chose a different approach: filial duty. And the brother’s observation could only corroborate the pedophile’s perception. The scholar was Yoon Seungho’s lover, but he was also a backstabber. But let’s return our attention to the “mysterious lord Song”‘s statement: Yoon Chang-Hyeon is a denunciator, not a man of honor.
(chapter 37) Due to his denunciation and crime, he had to leave the mansion so suddenly leaving the protagonist behind. That’s what the old bearded man implied here. However, I believe that this declaration is a mixture of truth and lie! That’s how I could make the sudden connection:
(Chapter 67) Lee Jihwa had not only been denunciated, but he had been confronted by his friend! And the traitor was right by his side. As you can see, chapter 67 was a reflection from episode 37!! These two episodes have another common denominator: the betrayer had made the following suggestion.
(chapter 67) In exchange for his “survival”, he should help Black Heart and allow him to act on his behalf. This was the new plan. That’s how he started impersonating Lee Jihwa. That’s the reason why I come to the conclusion that in the past, the impersonation must have happened, but it took place in the beginning. Secondly, I am assuming that a traitor must have suggested to Yoon Chang-Hyeon to leave the mansion and abandon his son behind!
(chapter 27) And who is it? For me, it is Kim acting on the pedophile’s behalf. Striking is that in episode 27, the learned sir escaped death thanks to the intervention of the old bearded domestic and Baek Na-Kyum. Thus it came to my mind that the pedophile could even claim that he had eliminated the learned sir, because Yoon Seungho had attempted himself to kill him in the past. He had acted on his behalf. And what do have all these chapters have in common? SPYING and tattling! In episode 27, the servant unveiled a part of the past,
(chapter 27) Someone had tattled on the Yoons in the past, but the patriarch was turned into the traitor himself which the young main lead came to believe. Thus Yoon Seungho could say this to his father:
(chapter 86) However, I am suspecting that this is not true, someone else tattled on the powerful family and made a false accusation! As you can imagine, I am inclined to think that father Lee must have been behind this! Why? It is because he can no longer do it! Thus in season 3, he approached the patriarch Yoon.
(chapter 82) If the lord Seungho had truly committed a crime, he should have reported it to the authorities. The stupid Yoon Chang-Hyeon never wondered why the elder Lee visited him during the night and asked for his assistance. Furthermore, the elder Lee had been allowed to enter the bedchamber and see the huge drawing which could have been perceived as a sign of treason. He was eyeing at the throne.
(chapter 82) Note that the aristocrat mentioned “punishment” in this context. So maybe, he denunciated the patriarch so that the whole family would get punished. Father Lee was definitely played in this scene, hence I believe that someone had already anticipated his reactions. He would seek revenge. But this doesn’t end here. I had connected “rash departure” to “treason and spying”. And now, observe what Yoon Seungho said to his butler
(chapter 50) He had sent Jung In-Hun away in order to get rid of him! However, because of the expression “I thought”, I am quite certain that this idea had been suggested to him by the valet! I would like to underline that in this episode, the valet was acting as a tattler!
(chapter 50) But in order to hide his own crime, he portrayed it as a rumor (It may not be accurate”). This truly underlines the butler’s MO. He used information and turned it as gossips to hide his spying activities. The shadow… Simultaneously, he turned gossips into a verity!! This is no coincidence that in season 3, the same method was employed. Yoon Seungho was supposed to have murdered the scholar and Deok-Jae! My avid readers can sense the leitmotiv in all these episodes. RUMORS are turned into a reality, and as such a CRIME! Even here…
(chapter 37)
(chapter 37) But Kim is not the only spy and traitor! The younger brother Seungwon is also one! Thus he was introduced in the same chapter. And I have an irrefutable evidence that the old bearded man was in contact with the younger master. Only recently, I realized that the man never mentioned the protagonist’s name, he just said “this one”. This idiom implies that there is another one!!! This is the evidence that he was in contact with Yoon Seungwon. Finally, why would the man talk about the elder master Yoon the entire time? It is, because technically Yoon Seungho is just the elder son. This means that the pedophile never officially gave the title to the protagonist. These were empty words.
(chapter 86) But since our beloved man started living in the bedchamber, this became a reality. That’s the other reason why Yoon Seungho was encouraged to live in debauchery and not to take the civil service examination. But this only occurred, the moment the lord returned living in the mansion and not before!! Secondly, I realized that this statement about Yoon Chang-Hyeon will become a reality for the “fake servant” himself.
(chapter 37) Not only he justified his return to the familial domain with the main lead’s lunacy (“under the pretense of some problem with this one”), but also he accused his own son of a crime.
(chapter 94) This means that he acted as a traitor, tattling on his own relative. Finally, observe that once confronted with brutal reality, the father did run away.
(chapter 87) The white bearded man’s words became a reality. However, since the fake servant, the mysterious lord Song, judges the elder master Yoon as a troublemaker and hypocrite, there is no ambiguity that the elder master Yoon will get into trouble. Since he did it in the past, he can only get suspected in the present.
Besides, because the scholar is now dead, the pedophile can only put the whole blame on someone else refusing to become responsible for this. He has always acted in the shadow. We have three possibilities: he puts the blame on Yoon Seungwon, and say that he had done it out of jealousy. Or Yoon Chang-Hyeon had intervened, because Jung represented an hindrance to the Yoons’ dream. Besides, he was supposed to stay in the mansion in Hanyang, and that’s where the rest of the family is living. (chapter 86) But the worst would be that the painter is blamed for his assassination. He did it out of resent! But this would expose the true thoughts of the schemers, the pedophile and Kim. That’s how they act, when they feel offended and bothered.
Striking is that the protagonist has no idea, that the banishment was staged, for he was told the same lie. In his mind, the father lives in exile.: (chapter 37) One thing is sure: the father’s dream will turn out to be an illusion.
For me, the younger brother’s biggest wrongdoings are spying, tattling and badmouthing. And the best evidence for this interpretation is this situation:
(chapter 44) He had given the ruined painting to his father, putting the blame on his brother, well aware that the latter would get angry. He was observing his father’s reaction.
(chapter 44) Yet, there is a difference to the past. Here, he had been fooled! He truly believed that this was his brother’s doing, whereas in truth the butler had been the one who had fooled him.
(chapter 38) And this is important, because when the letter was given to the brother, Jung In-Hun witnessed the wrongdoing from the butler!!
(chapter 38) And now, you know why the learned sir had to die!! He had caught the valet in the act. He had betrayed Yoon Seungho, though he didn’t realize it. The learned sir tried to discover the content of the letter, and as such was prying on his sponsor’s weakness.
(chapter 38) Hence I come to the conclusion that KIM played a huge role in the learned sir’s death as well. I would even say that he was the one who pushed the others to have the scholar and the painter killed. Both knew about the butler’s tricks without realizing his significance.
(chapter 37) Hence I deduce that as the story progressed, the role of the butler started changing. Now, I see him as a the main plotter, while all the others are now his pawns. We could say that the valet has gradually followed the pedophile’s path. However, there is no ambiguity that it was not the same in the past!
4. A new plot
I am quite certain that many manhwalovers are doubting my theory that the fake servant is the king and the main culprit in Yoon Seungho’s nightmare. Why? It is because in chapter 83, we saw a dark haired man, and according to Lee Jihwa, this was the mysterious lord Song.
(chapter 83) How can he be the same than the one from episode 37? The change of his hair color could be explained by a huge shock. But this is rather thin as a justification. Besides, now I am more inclined to think that these are two different persons, and that the main culprit is the one from episode 37. Why? It is because he smoked and utilized the same expression: “strange”.
(chapter 37) An idiom that Yoon Seungho constantly utilized: chapter 16, chapter 21
, chapter 50, chapter 71
(chapter 71). This means that he couldn’t understand, for he has a different way of thinking. This outlines his narrow-mindedness and his tendency to plan everything. He doesn’t like surprises.
Since the readers saw the hanbok and the beard, they imagine that he is the main culprit. But I would like the readers to keep in mind that Baek Na-Kyum’s fate is the clue about the main lead’s suffering. And how many people desired to have him by their side? TWO! Yoon Seungho and Min…. and we could say that both kidnapped the artist! The main lead did it in episode 1, and the other in episode 99! This means that Yoon Seungho should have two main sexual abusers in the past! However, in difference to the young lord, the painter only had sex with the main lead. Min always failed to taste him! That’s the reason why I am suspecting that the man from chapter 83 could represent the “first sexual abuser”. Besides, observe that he is not smoking! (chapter 83)
Because we saw the purple hanbok, we all imagined that he was representing the king or was connected to the palace. But is it true? Notice that one of the guests only has a moustache beard (chapter 83) which is actually connected to commoners. [For more read the essay “Painful departures“] Remember that Min tried to deceive people by wearing a similar hanbok which Lee Jihwa would often wear.
(chapter 69) Hence I started wondering if the mysterious man with the beard was not impersonating someone, for example “lord Song” and in reality he was just a merchant. Why merchant? It is related to the shungas and the hanboks. The king can not be involved in trading directly. However, this is what Yoon Seungho told to the learned sir:
(chapter 22) Nevertheless, the main lead could have never been involved in commerce, for he lived as a prisoner for many years. And this is what was said about the ruler:
(chapter 76) He is not so wealthy. How come? Yoon Seungho’s fortune must have a different origin.
Besides, I would like to outline that when Min was facing the ghost Yoon Seungho, he denied his responsibility by putting the blame on the childhood friend: (chapter 102) Min had never predicted that the young master would run to his friend and denunciate him to Yoon Seungho. However, since Black Heart had employed the assistance of servants
(chapter 101) , the kisaengs
(chapter 95)
(chapter 96), the officer
(chapter 98), No-Name, the doctor with the drugs and butler Kim, this signifies that behind the name Lee Jihwa stand many people! As you can see, the name “lord Song” doesn’t refer to one person, but many… My theory is that No-Name is the true owner of the title, but that’s how he ended up losing his home and his name! That’s the reason why I believe that in this image
(chapter 83), we only see one of many persons hiding behind the name “lord Song”. To conclude, I came to the theory that the men from chapter 37 and 83 are both “lord Song”, though the one from episode 37 can only be the king. But if the man in episode 83 was impersonating lord Song, and as such was dressed up as a royal, he was actually violating laws.
I would like to point out that Min had three goals, not only to ruin Yoon Seungho, but also to get rid of Baek Na-Kyum and Lee Jihwa. Why? It is because he had framed them for the incident in the gibang. (chapter 1) Furthermore, Lee Jihwa could testify that Black Heart was the mastermind of the murder. Thus I deduce that in the past, the mastermind must have had three intentions as well:
- remove Yoon Chang-Hyeon from his son’s side. That way, he could outlive his sexual fantasies.
(chapter 50)
- ruin the Yoons which represented a thorn to his power, hence the young man was incited to hate and blame his father.
- get rid of all the potential witnesses and accomplices.
We shouldn’t overlook that Min used to be the main lead’s sexual partner too. Hence we could say that he was trying to get rid of a former lover and potential rival! That’s why I can’t help myself thinking that the man in purple could have been fooled himself. (chapter 83) Here, he was smiling… but don’t forget that in this story, karma always retaliates immediately! The best example is the scholar who wished to discover the noble’s secret, but didn’t realize that his vulnerability and intentions were revealed. In episode 83, this smiling man tried to drive an edge between the two childhood friends, and he could definitely witness how the two sons entered the room before the arrival of the elders! Therefore his punishment should have been separation as well.
(chapter 83) The main lead was slapped and called animal, hence there is no ambiguity that at some point, the man must have suffered as well, unless he let others take the fall for him. We know for sure that the main lead was tortured, and as such arrested for a crime he didn’t commit! Besides, I would like the manhwaworms to keep in mind the importance of cosplay and “coup de théâtre”. We had the perfect illustration in chapter 37,
(chapter 71)
chapter 87) and
episode 92. The schemers in the past had definitely played with illusions and tricks. Thus I am expecting that it is now the pedophile’s turn to get fooled.
One possibility is that father Lee denunciated the Yoons saying that they were planning a coup d’Etat, and had already selected a new king. And don’t forget that he was wearing clothes that was indicating that he belonged to the royal family!! Thus his identity could have been mistaken. To conclude, for me, the man with the purple hanbok represents the reason why Yoon Seungho suffered. This led to the purge of the noble families close to the Yoons. But since the real “lord Song” had allowed people to use his name, he became the culprit for all the wrongdoings committed by others. Hence he lost everything. (chapter 82)
5. The poisoning
Another possibility is that the man with the purple hanbok got poisoned, and Yoon Seungho was framed for the man’s death or injury. I am suspecting a poisoning incident in the past. If it didn’t take place during that fateful night/day (chapter 83), then it definitely must have taken place before. But how did I come to this conclusion? According to my observations, karma always retaliates right away, though the “wrongdoer” has no idea, as the person doesn’t see the connection between the “punishment” and the sin. But I would like to point out that in each season, we had poisoning. (chapter 36) Here, the painter was forced to take an aphrodisiac under the pretense of his health. This action was repeated in season 2
(chapter 54) and 3.
(chapter 100) The nobles made him smoke opium or drink the aphrodisiac. The purpose of such drugs is to obtain the painter’s submission and control his mind and reactions. Striking is that each time, the perpetrators were “punished”. Kim was insulted and his plan didn’t work out.
(chapter 37) As for the young lords, they were evicted like commoners and later the others were even killed. As you can see, each time the poison was employed, there was a retaliation.
But note that in season 2, Deok-Jae had put stones in the painter’s rice. (chapter 47)
(chapter 47) If the painter had not eaten with the lord, the latter would have never noticed the incident. However, he believed the maids’ words.
(chapter 47) Hence he never investigated the matter. But this prank represented a serious issue. This could have been judged as an attempt against the owner of the mansion.
(chapter 47) And now look at this panel:
(chapter 83) Yoon Seungho had refused to take the drug! The bowl reminded me of the one from chapter 47! Finally, the butler had tried to give his master the drug in season 3
(chapter 77), but the latter had again rejected it and this twice.
(chapter 77) Kim calls the drug “medicinal tea”, truly an euphemism. It is also possible that the real target of the poisoning was Yoon Seungho, but since he was protected by the gods, someone ended up taking the “drug”. Because he was wearing a purple hanbok, the investigator mistook his identity, a royal member. Hence the Yoons were suspected of treason. Don’t forget that during this party, there was a kisaeng by their side.
(chapter 83) And the latter are trained to cook dishes for the clients. My avid readers are certainly recalling that since season 2, I have been waiting for a poisoning incident which became a reality at the end of season 3. Thus I come to the conclusion, that such an incident should be shown in season 4, one in the past and the other in the present.
To conclusion, since many people were hiding behind the name “lord Song”, it became a taboo. However, as the king had achieved all his goals thanks to this name, (chapter 56), he came to adopt this title in order to hide his identity and actions. Byeonduck explained in her notes that Baek Na-Kyum had no idea about Min’s name. And this is the same for Yoon Seungho. The pedophile could continue hiding behind “lord Song”, as the latter was blamed for everything. The pedophile could divert attention from his own tricks. That’s the reason why he would never write any letter to Yoon Seungho under this name. This means that at the end, the main culprit, the king, will be perceived as the main responsible for Yoon Seungho’s torment, similar to Min’s situation, just before got killed. Though many other people were involved, Yoon Seungho was able to judge the joker’s actions correctly, he was the main mastermind behind the plots. This explicates why the gods made Yoon Seungho forget the old bearded men’s face.
(chapter 44) This was a blessing in disguise. The moment the main lead faces the king, Yoon Seungho will be able perceive the truth. The king was behind his torment, and the butler had been his helping hand all along, the professional spy planted in his family. However, I don’t think that the monarch will admit his crimes and apologize for his wrongdoings. He will need a scapegoat, and this can only be the butler, the only one who knows the truth!
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Painter Of The Night / A Sip Of Poison: A Question Of Perspective: The loss of the topknot 💇🏻♂️ (second version)
This is where you can read the manhwas. https://www.lezhinus.com/en/comic/sip_poison This manhwa is mature. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/ I also used briefly Doctor Frost again which I highly recommend to my readers. https://www.webtoons.com/en/mystery/dr-frost/list?title_no=371 If you want to read more essays about other manhwas, here is the link to the table of contents: https://bebebisous33analyses.com/2021/06/06/table-of-contents-of-analyzed-mentioned-manhwas/
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
1. Castration or abandonment?
Anyone reading my previous analyses about Painter Of The Night will certainly recall that I had perceived the loss of the topknot as a castration. Why? In Joseon, the topknot was given to men the moment they became adults and this Coming-Of-Age ceremony took place just before a marriage. [For more read the essay “Coming Of Age”] In other words, no topknot meant no marriage and as such no responsibility and maturity. However, this is important to recall that the loss of the topknot was brought up in a different context. It was mentioned for the first time in the painter’s statement. (Chapter 1) When Baek Na-Kyum remembered his noona’s words about Yoon Seungho, he connected it to the loss of his future lover’s topknot. Here, the gesture had a different meaning. By cutting off his hair, the father was acting, as if he was abandoning his son. According to social norms, the hair was considered as a heritage from the parents. So if Yoon Chang-Hyeon had truly done it, the latter was showing that he was no longer considering the main lead as his son. While the rumor about the haircut gave the impression that the elder master Yoon was a honest and honorable noble, anyone can perceive the elder master’s action differently: the father is a coward, a selfish, ruthless and disloyal lord, especially the moment it is revealed that Yoon Seungho was abused sexually, physically and mentally. Let’s not forget that the protagonist used to live in the shed, for he was viewed as an animal. His situation reflected the father’s betrayal and abandonment. It doesn’t matter if he had been manipulated, because in the end, he made the decision to treat his son as a slave. He refused to send for a physician. To sum up, the loss of the topknot in this rumor would be judged as the epitome for cruelty and intolerance!! This shows that the loss of the hair in Painter Of The Night has actually many significations: castration, mercilessness and abandonment.
Then it occurred to me that the painter has been cutting off his hair all this time because of his noona. (Chapter 94) In this scene, the painter was rejected by the children, for he had no braid. Due to his hair dress, he was recognized as orphan immediately. The justification was that that way, the artist would appear more boyish. But by mentioning the loss of Yoon Seungho’s topknot, Heena was actually revealing that she knew the true signification of the haircut: abandonment and intolerance. Her words to her brother exposed her hypocrisy, though she attempted to portray the elder master as respectable. One might argue that when Na-Kyum was just a child, she had suggested the short hair, for she had good intentions. But after this experience with the children, the noona should have grasped the wrongness of her decision. She should have admitted her bad decision and stopped the painter from cutting his hair. Moreover, don’t forget that Na-Kyum was just a young boy, so the haircut must have been done by Heena herself. This shows that her gesture actually divulged her future behavior: she would betray and abandon the painter constantly (season 1, 2 and 3). At the same time, since the painter was seen with short hair in chapter 68
, this indicates that Heena kept cutting Baek Na-Kyum’s hair. So even in the past, she was betraying her brother, though the latter never realized it. The loss of hair could never be viewed as a sign of love or empathy, for it contributed to the painter’s abandonment issues and his self-loathing. He was suffering as an outcast and due to his girly features. The men in the gibang could mistreat him, for he had no long hair or topknot. Why?
(Chapter 94) He had no parents or guardians protecting him which is true, for here he was exposed to violence. Heena, as the head-kisaeng, had not protected him at all, she must definitely have portrayed herself as powerless. Yet as a slave of the state, she was belonging to the king. So she had connections to officers and the court. In my eyes, the head-kisaeng made sure that the artist could never get a topknot, and as such he would never be able to become a “noble” or even a man. Hence Baek Na-Kyum was constantly called boy
(Chapter 56)
(Chapter 59)
(chapter 66) and treated as one too. This observation made me realize that Heena’s belief could be used as an explanation for her action (cutting off his hair): she hates nobles so much that she didn’t allow her brother to have a topknot. But why would she do that? My idea is that deep down, she resented him, for he was a free man, while she was a slave. It went so far that he was encouraged to wear a white headband, the symbol for servitude, though he is no slave! To conclude, the loss of hair in Joseon should be perceived as a brutal and harsh punishment. Without a topknot, one is left unprotected, is not viewed as an adult. But this stands in opposition to Yoon Seungho’s action in front of Jung In-Hun’s home.
(Chapter 101) Here, the lord had spared his friend’s life.
2. The loss of the topknot: Symbol for forgiveness?
As you may have noticed, I often use other manhwas as a source of inspiration for my interpretations concerning Painter Of The Night. In the story “A Sip of Poison”, the main lead, the prince Nan-Woo (Chapter 23) cuts off the hair of the general Woo Jong Han, because he had committed crimes. First, he hid the fact that his sister had had a child before getting married to the emperor, which was actually a huge sin. The future Empress should have been a virgin. To sum up, he had committed treason, for he had allowed his sister to become Empress unrightfully. Then the field marshal had treated his niece as a slave violating social norms.
(chapter 34) That way, he assisted his sister to become powerful by covering up for her crimes (silence and passivity). She had killed many people to hide her previous relationship and to increase her power. Striking is that the prince still spared Baek-Ha’s uncle, and this for many reasons. First, the latter had not only saved both protagonists, the empress’ illegitimate daughter Baek-Ha and the prince Nan-Woo, but also had admitted his sins. Secondly, he was thinking of his wife Baek-Ha who is kind-hearted. He knew that his death could upset his bride.
(chapter 26) But there is more to it. Nan-Woo didn’t spare the man out of benevolence.
(chapter 26) He had a role to play. By cutting off his topknot, the general lost his “power”, he became the prince’s pawn! Nan-Woo wished to use the uncle in order to get rid of the Empress.
(chapter 23) That way, the protagonist wouldn’t even have to dirty his own hands. On the other hand, we could also say that Nan-Woo was forcing the Empress’ brother to undo his bad decision.
(chapter 23) Since he had protected his sister Seo-Ha out of affection, it was normal that now he had to show no mercy towards her. By presenting Baek -Ha to Nan-Woo, the general was well aware that the future ruler would recognize the female lead’s origins due to her resemblance to her mother. Therefore, we could interpret that Nan-Woo had spared the general, for the latter had switched sides and expressed the wish to undo his wrongdoings.
As you can see, Woo Jong Han shows many similarities with the second lead from Painter Of The Night: he was an accomplice of the real culprit, as he never intervened. He is connected to the notion: pity, knowledge, silence and passivity. Because Seo-Ha was his sister, as a dutiful older brother, he felt obligated to protect her. He was not blinded by greed like his donsaeng. This explicates why on the one hand, he saved Baek Ha’s life, on the other hand he still treated her as a slave in order to hide his sister’s wrongdoing. He felt torn between his obligation towards his younger sister and his empathy for his niece, Baek-Ha. Consequently, it is no coincidence that he once warmed her feet with his hands after the young girl had complained about her cold feet. Moreover, she received an education contrary to all the other slaves. He was caught in the middle, exactly like Lee Jihwa who had an attachment towards the main lead, yet he was still bound by social norms to his father. He needed to protect the family’s reputation. So when I saw this scene, (chapter 23) I couldn’t help myself thinking of Lee Jihwa and Yoon Seungho. How could the latter view the loss of a topknot as a gesture of leniency?
(Chapter 101) It is because he must have witnessed it himself in the past. I have already pointed out that Yoon Seungho would imitate people, especially his tormentors. So where did he learn from? I believe, Yoon Seungho copied it from someone… and this can only be “lord Song”. And now, the first loss of Lee Jihwa’s topknot can be perceived in a different perspective. The red-haired master was well aware that he had been spared, when he had lost his hair for the first time.
(Chapter 101) He knew deep down that thanks to his friend, he had been able to escape the worst. Since he had been spared once, he was well aware that this time, the ruler would show no leniency and would ask for his head, as the main lead was no longer protecting him. Remember what the lord had whispered to Baek Na-Kyum:
(chapter 88) (chapter 88) By cutting off the friend’s hair, he was showing that he was abandoning his friend. He was leaving him behind, and Lee Jihwa was forced to face lord Song alone.
(Chapter 83) This time, he had not his father by his side either. The latter could not protect him too. I had already voiced this theory before, as it would explain why Lee Jihwa is masking the man’s face. And note that Nan-Woo from A Sip Of Poison cut off the topknot, as he is already acting as the future ruler. Another important detail caught my attention. Just before receiving his sentence, Woo Jong-Han made an oath,
(chapter 23), he swore loyalty to the future emperor. This signifies that the topknot also symbolizes faithfulness, especially because it is connected to marriage. Thus I deduce that when Lee Jihwa lost his topknot for the first time, he was already judged as disloyal. Hence it is no coincidence when the antagonist screams that he would become the target of lord Song’s fury.
But the red-haired noble could never reveal the king’s meddling, as his relationship with Yoon Seungho was a secret. Hence he needed to blame someone: The Yoons! I had already exposed that the words from the noble with the mole were ambiguous and as such deceiving. (Chapter 59) First, lord Yoon could be a reference to the father and not only the son. Secondly, he implied that he had witnessed the scene, yet in reality he could have been referring to the outcome: the friend’s hair cut, just like the noona had only seen the hickeys on her brother’s neck. She had never witnessed the sex session. The noble with the mole assumed the perpetrator’s behavior, rage, based on the hair loss. Moreover, he could have been telling the truth: he had never seen Yoon Seungho so angry before, as the latter used to be weak in the past due to his social status: he was a male kisaeng due to his braid. This explicates why the noble with the purple robe would give an order to the host
(chapter 8) He felt himself superior to Yoon Seungho, and never expected “disobedience” or “rage” from the protagonist. Striking is that the lord didn’t vent his anger onto him, he first smiled before grabbing him by the topknot.
(Chapter 8) A simple change of hair dress had transformed the main lead. This exposes the gods’ intervention in this story. They let the man with the mole see the wrongness of his manipulations. Since he had stated that he had never seen the man so angry, his words became a reality in 3 occasions: chapter 8 like mentioned above, chapter 53
, for he was not present, chapter 57
in the inn. Here, he chose to run away, yet despite everything he still helped his friend Black Heart, for he was present in the gibang.
(Chapter 69) Under this new light, this panel from Twitter get a total new meaning:
The aristocrat knew about the true identity of “lord Song”, and he had indeed never seen the man so angry that he would cut off the topknot of a noble!! This means that the fate of the noble with the mole should be to end up as the lord’s new plaything. In other words, he takes over the main lead’s previous status. He becomes the male kisaeng and ends up living in the shed like the protagonist in the past where the pedophile vents his rage and resent him for his tricks. But we will see.
Another important detail caught my attention: the noble with the mole judged the loss of the topknot as a harsh punishment (chapter 59) Furthermore, he associated it to abandonment too.
(Chapter 59) Yet, observe the drop of sweat. This exposes that neither Min nor the noble with the mole were expecting that Lee Jihwa would be spared!! They acted, as if the loss of the topknot couldn’t be a sign of mercy. But observe what Lee Jihwa was recalling, when the “friend” was talking about abandonment.
(Chapter 59) He was by the protagonist’s side! This means that lord Song had spared Lee Jihwa’s life, for he had been present, when Yoon Seungho was suffering. Till the middle of season 2, no one was aware of the fallout between Lee Jihwa and the protagonist. None of the incidents in season 1 was leaked to the outside, hence the “pedophile” was not officially aware of the red-haired master’s wrongdoings. But the loss of hair in front of the learned sir’s house becomes the proof that the main lead has now left his friend’s side. He will be blamed for his suicide. Therefore it is not surprising that the young master chose to run away.
(Chapter 101) He knew that the ruler would show no leniency or understanding. Thus the noble with the mole’s karma should be to keep his topknot.
That way, he will realize that if he had lost his topknot like Jihwa, his torment would be short-lived and as such it was a sign of mercy. But in this image, it doesn’t look like it. He will suffer for hours and even days before even losing his life. Now, he will be able to see and experienced how enraged or lenient the culprit for the loss of Lee Jihwa’s topknot was towards the antagonist.
The manhwaphiles should keep in their mind the following two rules: the painter’s fate mirrors the lord’s, since the story is constructed like a kaleidoscope. And now, look at this: (chapter 27) The painter had saved his teacher’s life, and later the lord had restrained himself from hurting the scholar in the courtyard despite Jung In-Hun’s lies and lack of respect (he had touched the man’s shoulder).
(Chapter 30) Here again, the scholar had been spared. Then in episode 53, the painter had embraced the lord to stop him from killing Deok-Jae. This means that Yoon Seungho must have also saved people in the past by using his body, and this twice, for I had detected the presence of two circles: Yoon Chang-Hyeon and Lee Jihwa. That’s the reason why the father could survive the purge, and why Lee Jihwa only lost his topknot. And the heroine from A Sip Of Poison can serve as an example.
(chapter 26) The red-haired noble was able to escape death thanks to Yoon Seungho. But Lee Jihwa had to hide from others that he had been punished by the king, hence Father Yoon and Yoon Seungho got blamed (chapter 1 and 59). And now, you have the explanation why father Lee accepted to receive the main lead in his mansion.
(Chapter 1) As long as the latter was living there, the Lees had nothing to worry. The main lead was protecting them from the king. However, the manhwalovers should keep in their mind that Nan-Woo had showed mercy to the general for his own interests. He should become his helping hand in order to obtain the throne. Hence I come to the following deduction: neither Nan-Woo nor the “perpetrator” had cut off the topknot out of real leniency. This shows that for these characters, the loss of the topknot is not the symbol for forgiveness which is not true for the last incident with Lee Jihwa.
(chapter 101) Why? It is because the main lead had no intention to use his friend as a pawn. There was no pledge of loyalty… in truth, in this scene, Yoon Seungho was truly cutting ties with the second lead.
But if the pedophile chose to employ the young master after the loss of the topknot, what was his role? In my opinion, it was to keep Yoon Seungho by his side. The pedophile had slowly recognized that he could never separate these two boys, and without him by his side, Yoon Seungho would still reject him. In my eyes, the main lead had followed his friend. Under this new light, the manhwaworms can comprehend why father Lee accepted to let the main lead stay in his mansion. He could secure his position, yet pay attention that despite the topknot, he was still dressed so poorly. (chapter 1) Even the headband was different. This was no coincidence. He should never develop confidence and act as a lord. That’s how I recognized the following pattern. In front of the painter who looked like a minor, the main lead was forced to act like an adult. Thanks to the painter, he was encouraged to mature. Simultaneously this meant that at some point, while living with the Lees, the elder master Lee had to be confronted with the truth: his son’s sodomy.
Under this new light, it becomes understandable why Heena and Kim called the main lead a bird of misfortune. (Chapter 86) The reality was that the pedophile was the bad omen, but they couldn’t insult the king. Hence the young main lead became the scapegoat, people couldn’t separate the pedophile from Yoon Seungho. The “mysterious lord Song” would never give up on the protagonist. No matter what he would keep him by his side.
But like pointed out in an earlier analysis, Black Heart and his friend were definitely the reason why the red-haired master had to lose his topknot. From my point of view, this is related to this night, (chapter 1) and Lee Jihwa had no idea about it. Hence the painter got framed. On the other hand, Black Heart and his friend had to spy on Lee Jihwa in order to know about his ignorance concerning their “prank”. At the same time, they could only get intrigued, why the mysterious lord Song would behave that way, though he had been treating the main lead as a male kisaeng. Towards Yoon Seungho, he was quite selfish and cruel. The discrepancy in the treatment (mercy versus ruthlessness) could only surprise the young nobles. And this observation led me to the following question. Why would Heena mention the topknot to her brother in order to manipulate him? The kisaeng was well aware that he had witnessed the sex party in the kisaeng house, for this image represents a memory from the artist. It is to divert his attention: he should never connect Yoon Seungho to the braided man!! If he had a topknot, then he could never be the one doing the fellatio to the man with the purple hanbok!! But if the painter had pondered a little more, he should have realized his noona’s lies. She mentioned the loss of a topknot, but yet the smiling hell-raiser still had a topknot:
(chapter 1) Moreover, we shouldn’t overlook the publications with the braided man:
(Chapter 1) Baek Na-Kyum was not supposed to recognize the identity of the man having sex with the bearded man. From my point of view, Heena made sure to confuse her brother. Lee Jihwa’s humiliation became Yoon Seungho’s stigma. He became the culprit. Since in the past, the main lead had been blamed for everything, the perpetrators and accomplices chose to follow this “tradition”, because so far, they had been able to cover up their crimes. But thanks to the painter, it is no longer possible. Why? It is because the painter’s hair dress will serve as a mirror of truth: the absence of a topknot due to the braid and the hair cut will be perceived as an evidence for abandonment, cruelty and huge wrongdoing. This won’t be seen as a gesture of mercy or leniency by the two protagonists, for they suffered because of it!! That’s the reason why I am thinking that the pedophile’s karma should be the loss of the topknot which he viewed as a gesture of mercy and tolerance. But without the topknot, he is actually “castrated”, and as such humiliated for he can not wear his golden sangtu.
Yet, contrary to Lee Jihwa’s haircut, the loss of the topknot should not be judged as the symbol of mercy and forgiveness, in fact, the lord would officially cut ties with him. That’s how the mysterious Lord Song would be taught an important lesson: he was a huge hypocrite and a violent and ruthless pervert.
3. The tool for the loss of the topknot
Once again, A Sip Of Poison inspired me. The prince Nan-Woo asked his assistant Yoon (chapter 23) to give him a knife:
(chapter 23) before grabbing Woo Jang-Hon by his topknot
(chapter 23). Hence the hair fell between the men.
(chapter 23) And now, let’s return our attention to Painter Of The Night. Compare the position of the aristocrat’s topknot after Yoon Seungho had punished his friend.
(chapter 101) It was behind him!! Thus I deduce that he had used the sword, when Lee Jihwa had approached his friend. But wait… in season 1 and 2, Byeonduck drew scenes with a knife:
- Chapter 18:
And what had happened before? Yoon Seungho had dragged his friend by the topknot before stabbing the amateur spy. This is no coincidence.
- Chapter 57:
When this chapter had been released, I had assumed that this must have happened, when Yoon Seungho had lost his topknot! As you can see, I had already connected the knife to the loss of the topknot incident.
- However, note that the weapon was used to threaten the painter
(chapter 66)
That’s the reason why I am assuming that when Lee Jihwa lost his topknot for the first time, the mysterious lord Song must have used a knife and cut off the young master’s hair. Hence Byeonduck created such a picture where Lee Jihwa was put in a similar situation: (chapter 18) It was to trigger his memory. I am even assuming that the butler must have given lord Song the knife before while remaining in the shadow. But I also think that after the incident with the loss of the topknot, the pedophile must have also threatened him. If he were to reveal anything about this incident and his identity, then he would lose his head. So imagine Lee Jihwa’s reactions in chapter 101.
(chapter 101) He had now faced a sword and not a knife contrary to the past. Therefore it is not surprising that the young master got so scared and chose to flee. Lee Jihwa had betrayed lord Song by telling an anecdote from the past. He had more or less leaked the name “lord Song”.
(chapter 83)
(chapter 101) For the first time, he had been confronted alone with the sword directly. There was no one and nothing to protect him. When Yoon Seungho had barged in his bedroom, Lee Jihwa had fled behind the folding shield. Furthermore, his father and the domestic were also present.
(chapter 67) This shows that till season 3, Lee Jihwa had never been exposed to real justice. There was always someone ready to intervene for him. And now, you comprehend why the red-haired master felt no remorse to blame his friend for his humiliation in the past. He must have thought that if he had not been in his bedchamber during that night
(chapter 59), he wouldn’t have lost his topknot. Moreover, he could also use the other incident in the bedchamber as a justification. If Yoon Seungho had not dragged him there…
(chapter 83) This explicates why Lee Jihwa said this to Black Heart and his friend:
(chapter 59) The antagonist had witnessed his friend’s humiliation and suffering in the past, just like Yoon Seungho had been present, when the first topknot incident occurred. From my point of view, the lord must have even protected Lee Jihwa. But the problem is that Lee Jihwa was just receiving his punishment in delay for the stolen kiss and his lies
(chapter 77) He had kissed him without his consent, thus he got “castrated”. Let’s not forget that the main lead was forced to become a male prostitute, an uke, for he had not been able to perform, to have an erected phallus. On the other hand, Lee Jihwa had done nothing wrong in the bedchamber
(chapter 59), for he was consoling his friend, so the loss of the topknot appears as a harsh punishment. Moreover, it looks unfair, for the real perpetrators and accomplices got scot-free. Yet, this is just an illusion. Min and his friend were punished too. They got “castrated” too!! How so? It is because from that moment on, they were not allowed to treat Yoon Seungho as a uke, a male kisaeng.
(Chapter 1) This means that the painter’s vision was turned into a reality. That’s the moment Yoon Seungho got turned into a seme. Now, Black Heart and the noble with the mole should become his “playthings”, which signifies that they had switched positions. In my opinion, the pedophile had decided to no longer share his “companion” to others. As you can see, they got punished too, but since this was not painful, they never realized that they were receiving their karma. This was a symbolic “castration”. Under this new approach, it becomes understandable why Min was so obsessed with Yoon Seungho, why he wished to “fuck” Yoon Seungho in a figurative way. This is what he had desired in the past, in the gibang, but he had failed. Thus we have this gesture from Black Heart in the woods.
(Chapter 41) Due to the incident in the kisaeng house, Min had lost his privileged position with the king. Hence he got jealous. He could no longer screw” the protagonist, while he had to watch the lord’s slow ascension. To sum up, the loss of Jihwa’s topknot led to the “symbolic castration” of the infamous couple: Min and the noble with the mole.
But it is time to return our attention to the knife and the loss of the topknot. First, it is relevant to remember the following rule. Baek Na-Kyum will through the path than the main lead’s. Since the painter has been constantly cutting his hair, he never had the chance to get long hair and as such a topknot. And the lord was in a similar situation. He only got his topknot very late… but the only difference is that he had a long braid the entire time. This hair dress was the symbol of his servitude. (chapter 57) Hence the author drew slaves with braids constantly.
(chapter 77) And now, you comprehend why the pedophile cut off Lee Jihwa’s topknot! The latter had been blamed for the lord’s change of hair dress.
(chapter 59) Because of this, Yoon Seungho had become a lord, a noble. That’s the reason why we are not able to distinguish the main lead’s hair dress properly, neither in the last picture and in this one:
(chapter 57) The hair was short or not? Now, I don’t think so. The mystery of Yoon Seungho’s suffering is linked to the hair dress, yet the readers shouldn’t realize it too quickly. According to me, he still had the braid, until the doctor questioned why Yoon Seungho still had no topknot.
(chapter 57) Don’t forget that in each visit of a physician, the latter would question the butler:
(chapter 33)
(chapter 55) And who had given him the topknot? Naturally… Kim! Because he didn’t want to be perceived as someone who was violating social norms. However, there is no ambiguity that he hid his responsibility. That’s how Lee Jihwa and his “servant” got framed. They were responsible for giving the main lead the new hair dress. On the other side, I still believe that Yoon Seungho must have lost his hair too, but only once to the difference of Baek Na-Kyum! My reason is simple. Since the painter and Lee Jihwa lost their hair, and Yoon Seungho’s destiny is mirroring his lover’s, it signifies that the lord’s hair must have been cut too. But who did it? Let’s not forget that when Yoon Seungho punished his friend in front of the scholar’s home,
(chapter 101) the loss of the topknot had four significations: admission of a sin, mercy, forgiveness but also ABANDONMENT! He was cutting ties with his childhood friend. So he must have known the last meaning, but from a different source, as the first incident represented a sign of leniency. Consequently, I ended up with the following theory. Yoon Seungho must have cut off his own hair, yet he had been manipulated by Kim. Let’s not forget that the painter continues cutting his own hair and there is no sign of trauma linked to such an event. He had been encouraged to lose his hair by his noona. From my point of view, this must have happened between these two scenes:
(chapter 77) and this one
(chapter 83) The length was almost the same, yet 3 or 4 years had passed in the main time. Let’s not forget that this scene represents the patriarch’s abandonment
(chapter 77) and Kim had also experienced rejection from Yoon Seungho
(chapter 77) in that scene. For the butler, this gaze could be judged as betrayal and abandonment. Under this new perspective, it becomes comprehensible why the main lead was encouraged to blame and resent his father. If this theory is true, Kim pushed the main lead to cut off his braid, he did it out hatred and anger towards the Yoons. This would mask his own manipulation and culpability too. At the same time, the pedophile could benefit from it. The main lead was now an orphan, thus the bearded man could use him like he wished. I have an evidence for this interpretation. This is what Baek Ha said to her husband:
(chapter 23) Being slave meant being orphan. The pedophile could feign ignorance about the main lead’s true origins. If he truly cared for him, he just needed to ask this: papers!
(chapter 24) This shows that in Painter Of The Night, all the elders were depraved and violent hypocrites. Like mentioned above, the pedophile had a huge interest to keep the main lead as his slave, thus he was turned into an orphan and asked to keep a braid. And Yoon Seungho’s mother could do nothing, for the son had cut off his own hair, a huge symbolic act. He was no longer considering her his mother. But because of his status as slave, the pedophile could never trust the main lead. Then the suicide from the mother put an end to this farce. Hence lord Song could tell his sex partner that he had become the head of the Yoons and let him “have” the properties, while it was never his intention to let him become responsible. If he had become a lord, he could escape from his claws. He needed him to remain in an infantile and dependable state.
Since I detected that rumors often become a reality, I deduce that after the lord’s vanishing, Heena’s words will come to the surface and become the verity: (chapter 1) While in the past the father could judge this grapevine as positive, for he was portrayed as a honest and respectable man, the town folks will perceive him as the opposite: cruel, depraved and selfish. And this because of the false accusation:
(chapter 94) By framing the elder master Yoon, Kim can deny any responsibility in the loss of hair of Yoon Seungho and in the messenger’s death. It was the father’s doing. The nobles like the Lees and Yoon Chang-Hyeon are now accountable for the corpses. In the gibang, Yoon Seungho never killed anyone and he even spared his friend, though the latter had kidnapped Baek Na-Kyum. Finally, the town folks are now aware of Lee Jihwa’s homosexuality and his relationship with the protagonist. So I believe that people will jump to the conclusion that father Yoon had turned his elder son into a sodomite and sold him him to the Lees which is not false too. The king has a reputation to maintain and he needs scapegoats in order to hide his involvement and his crimes from the past.
4. The reason behind the loss of the topknot
And before closing this essay, I would like to point out another similarity between A Sip Of Poison and Painter Of The Night. Though Baek -Ha is the daughter of Nan-Woo’s enemy, the prince couldn’t hurt her in the end, for she saved him: (chapter 33)
(chapter 33) She not only treated his wounds, but also helped him to overcome on his guilt. He felt responsible for his brother’s death, for Nan-Woo had attempted once to commit suicide on the battlefield, and his brother had sacrificed himself to protect him. He was definitely plagued with remorse, self-loathing and shame. And that’s exactly what Baek Na-Kyum has been doing too: by simply loving him so selflessly and purely. Finally, Baek-Ha’s fate made him realize the Empress’ immense culpability. She was so greedy and selfish that
(chapter 34) she had abandoned her own child! Thus he was freed from his hatred and guilt. Nan-Woo was able to perceive the wrongness of this social norm which was common in Joseon: the child is responsible for the parents’ sins!
(chapter 33) Being an orphan outlined her innocence. And since I have already connected Baek Na-Kyum to the mysterious lord Song, I am quite sure that the painter will have a similar attitude than Baek Ha:
(chapter 33) He will feel responsible for Yoon Seungho’s martyrdom. And if he is truly his son, his abandonment can serve an evidence of his innocence. On the other hand, the readers shouldn’t forget that his surrogate parents, Jung In-Hun and Heena, played a role in lord Yoon’s torment as well. Thus he can only indebted towards his husband.
Chyomchyom and Byeonduck explained perfectly why the protagonists would suffer so much: ambition. (Doctor Frost, chapter 225) With this picture, the manhwaphiles can detect the presence of the endless vicious circle, the ouroboros, which I had described as a kaleidoscope. The absence of empathy in both stories was the reason why no one stopped the main perpetrators. Woo Jang-Hon felt guilty, for he had raised his younger sister who had become a monster. Kim felt deep down guilty, but chose to reject his responsibility by putting the blame on others. Out of fear, he preferred hiding his wrong decisions and later wrongdoings. And now it has become his MO. This distinguishes him from the general who chose to put an end to his guilty conscience and paid for his crimes..
(chapter 34)
To conclude, the loss of the topknot has many significations: punishment, castration, loss of power, servitude, guilt, abandonment, absence of protection, cruelty, betrayal, but also freedom, loyalty, leniency and forgiveness. As you can see, the gesture is associated to opposite notions: servitude versus liberty, betrayal versus loyalty etc…. as it depends on the perspective.
Thanks to Yoon Seungho, Lee Jihwa was able to free himself from his guilt and he could liberate himself from social norms (peers pressure, his father’s expectations,) and his shame due to his sexual orientation. Before losing his topknot, he had admitted his sins to his friend and it also indicated his loyalty towards Yoon Seungho. And this was the same for the general. The latter could finally find peace in his mind and redeem himself. Yet, now, he is no longer a powerful general, he is just the puppet of the prince. However, the moment the red-haired aristocrat lost his topknot, he was no longer the king’s puppet. Therefore he was no longer useful for the mysterious lord Song. That’s the reason why the antagonist got aware that he shouldn’t expect any forgiveness or mercy from “Captain Hook”. No matter what he would say, he would be suspected of a crime (chapter 101) and this because of the first incident with the topknot!! Since Black Heart and the noble with the mole had been able to avoid punishment after this incident in the kisaeng house
(chapter 1), he assumed that he could repeat his actions!! But he got proven wrong, for he ended up losing his life.
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Painter Of The Night: The liars 🤥 in front of the mirror of truth 👺 : Lee Jihwa and Yoon Chang-Hyeon (second version)
This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/
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Announcement: The essays “Sex and passion” and “The puzzle with the paper” have been updated.
I selected these pictures as illustration for this essay for two reasons. On the one hand, the couple was still in denial about their true desires. Both wished to be embraced and loved by the other, yet in this panel they still feared to voice their own wishes. Why? It is because they dreaded disappointment and betrayal due to their painful past experiences. In other words, they were lying to themselves. Therefore it is no coincidence that at the end of season 3, the two protagonists were confronted with separation and real lies! They had waited for a sign from their partner, hence their karma was to wait and lose the right time.
(chapter 102) The painter had confessed too late, for the schemers were already pulling the strings in the shadow. To conclude, the main leads’ self-deceptions were connected to love and time. The importance of self-manipulation leads me to the next observation. All the antagonists and villains were liars, because they were also deceiving themselves. They refused to admit their own fears and flaws, therefore they chose to commit a wrongdoing and manipulate others in order to hide their true thoughts. This means that not only the crime was covered up with a deception, but also the manipulation was hidden by another lie. This means that the list of their sins increased. Therefore it is not surprising that the gods chose to confront the liars with the verity, as they kept refusing to admit their sins. Now, it is time to focus on the antagonists and villains’ manipulations and the scenes where they were facing the mirror of truth. However, the readers are probably wondering where the mirror of truth is. The answer is simple. The mirrors of truth are not only the two main figures, but also Kim and Min, though they are their negative reflections. Remember that in Snow White, the item led the evil Queen to her doom, for the latter refused to accept reality. At the same time, the mirror of truth was not entirely honest either, for it never explained the definition of “Beauty”. In other words, it lied by “omission”. I realized that I can not examine all the antagonists and villains in one text, as I am so detail-oriented. Consequently, I selected Lee Jihwa and Yoon Chang-Hyeon first, for both characters’ lies are strongly intertwined.
1. The red-haired master’s sins
The manhwaphiles could witness his first wrongdoing in the study. He had kissed Yoon Seungho without his consent. (chapter 77) The problem is that he had been caught by the butler. Thus the door was open. The door is full of symbolism. It can represent opportunity, but also imprisonment. Simultaneously, the door embodies the passage from one world to another in religion and literature. In the analysis “The window, the door, the air and their signification”, I had explained that in Painter Of The Night, the door embodies the passage between the conscious and the unconscious. This means that when all the villains are confronted with the mirror of truth, they are standing on the doorstep. That’s why the reflection is linked to the open door. The characters are forced to face their own repressed desires and anxieties. Hence I deduce that the room symbolizes memories too, which means that we are dealing with repressed memories. In our first case, since Lee Jihwa was seen in the study, this means that when he got caught, he tried to deny his responsibility in the seduction. That’s how he started being in denial of his wrongdoing. Thus out of fear, he left his friend behind and as such he buried the incident in his unconscious. He tried to forget it. He convinced himself that he had seen the friend’s smile. This was the evidence of his “statement”, yet this was just an illusion. However, before he ran away, he lied to the butler too. He told him that the one who had kissed him had been the main lead. So not only he lied to the valet, but also to himself. That way, he was avoiding to feel guilty. There were two lies, and both were used to covered up his own wrongdoing. But the one who had been smiling, was in reality Lee Jihwa, as he had the impression that his dream had been fulfilled. Thus the author revealed the young master’s blushing, the expression of happiness.
(chapter 77) However, since he had been caught by the valet, he was facing the butler’s visage. And what did he see in his facial expressions? Shock and horror!! That’s how Lee Jihwa realized the gravity of his sin and chose to blame his friend. Thus I imagine that he must have blushed again and this time out of shame and embarrassment. It is very possible that in that moment, he must have copied the valet’s facial expressions before leaving Yoon Seungho behind and lying to the butler. Why do I think so? It is because the butler had made such an expression in front of the barn, when he had been caught.
(chapter 64) And what did the main lead say?
(chapter 64) Since the painter seems to have forgotten it, I deduce that it was the reverse for Lee Jihwa which explains why he felt so guilty in the end. As for the butler, when he had barged in the study, he had committed a wrongdoing himself. He should have asked for the main lead’s permission, but he did not. Consequently, he decided to believe in Lee Jihwa’s deception. One hand washes the other. He was covering up the guest’s sin, while the latter was doing the same thing for the domestic, though I doubt that Lee Jihwa truly realized it. Simultaneously, Kim had the perfect justification to hide the violation of social norms. He had caught the main lead red-handed, hence no one would question his own action. As you already know, I associate the butler to Pilatus, therefore he is connected to the bucket.
And since the childhood friend had been able to avoid punishment by lying and putting the whole blame on his friend, he learned that he could get away by deceiving others and by putting the whole blame on his friend. I would even add that with this incident, he was taught another lesson: Silence and burying the truth. Note that he never came clean, he never exposed the truth to his friend or to the elders. That’s the reason why from that moment on, Lee Jihwa became a hypocrite, but deep down, he felt guilty and ashamed, for he couldn’t outlive his sexual orientation due to the horrified expression. He had to hide his homosexuality in front of others, hence later he had sex in the barn with Yoon Seungho. This explains why the spirits chose to confront Lee Jihwa with the truth on different occasions in season 1.
I could mention the argument between the main lead and the red-haired master.
(chapter 13) However, in my eyes, this doesn’t represent the biggest confrontation with the mirror of truth. For me, it is the altercation in episode 17, for it took place in the same place than the aristocrat’s crime. When the red-haired master looked at the picture, he was suspecting that the painter had seduced his friend due to the insinuations by the staff. And his fear reached the peak, when he saw the painter’s reaction:
(chapter 17) As you can see, in this episode, the gods were recreating the same situation: a servant had witnessed how the two men “were fooling around”
(chapter 16), though this was definitely not the case!! And this is exactly like in the past, Yoon Seungho was totally pure and innocent. And what was Lee Jihwa’s reaction? A slap!
(chapter 17) This is what Yoon Seungho had experienced in the past. Yoon Chang-Hyeon had definitely abused him.
(chapter 57) Thus the main lead’s cheek was bruised. Then exactly like in the past, Lee Jihwa accused someone else of committing a crime. In the past, it was his friend, in the present it was Baek Na-Kyum. Both were portrayed as immoral seducers.
(chapter 17) These words were exposing the verity about the past. Lee Jihwa was admitting in front of the painter that his friend would never act like that, and as such he had not attempted to woo him in the past. Striking is that in front of the painter, the red-haired master was misinterpreting the incident. Why? It is because he was influenced by his past experiences. Since he had lied twice, he jumped to the wrong conclusion that it was the same in the present. And back then, he had even achieved to fool Kim. Therefore he couldn’t allow himself to be fooled like the butler. That’s the reason why he couldn’t imagine that someone was innocent.
(chapter 17) He was a liar in the past, so it must be the same for the painter. Yet, this was the negative reflection from the past. Thus his karma was to get caught by his childhood friend. Striking is that this time, he was put in his friend’s place. He was turning his back to the door. Moreover, due to his anger, he didn’t hear Yoon Seungho’s steps and the opening of the door!
(chapter 17) But the childhood friend refused to face reality in that moment, and as such to admit his guilt and responsibility. Why? It is because he had committed another crime in the past. This is related to the bedchamber incident.
(chapter 83) However, here he had been caught by his father, hence I believe that this confrontation represents mainly the elders’ punishment. As for Lee Jihwa, despite the humiliation and abandonment in chapter 18, he refused to give up on his friend.
(chapter 18) One might say that he was motivated by love, yet I think that it is related to his denial about his sexual orientation. And this coincides with his lack of honesty. He had not confessed his own sins and lies yet. Therefore
(chapter 36) he presented himself as a pitiful creature, as he was sharing the protagonist’s suffering due to his knowledge. However, this was not empathy, just sympathy. The person only feeling sympathy will always put a distance between himself and the counterpart. There‘s a “I“ and “you“, but no „we“. The person might come to pity the other, yet he won‘t intervene and help. He will just understand and that‘s it.
(chapter 36) This panel is the evidence for this interpretation. Lee Jihwa never used the personal pronoun “we”, even during the abduction.
(chapter 59) [For more information about sympathy read the essay “Sympathy for the devil”] Hence the gods let him meet the mirror of truth a second time:
(chapter 43) Based on this panel, Lee Jihwa had more or less barged in the study, but his presence was detected too late! One detail caught my attention in this picture, the presence of the light reflected on the door. Hence I assume that the main lead detected the presence of a witness because of the light!!
(chapter 43) Let’s not forget that the room was dark, when they were having sex.
(chapter 42) He was still looking at his lover’s face, when he perceived the change of the light. Hence he turned his head in direction of the light reflected on the door. My friend Luzaly brought my attention to this detail. The couple was turning their back to the door before.
(chapter 42) The form of the light reflected on the door doesn’t come from behind the gate
(chapter 43), for this is what we would see:
(chapter 97) And now, you comprehend why I came to the deduction that Lee Jihwa had witnessed the love session not from this door,
(chapter 43) from a different point. This explicates why once again, the lord couldn’t see the identity of the so-called “peeper”. Besides, don’t forget that the author is working with reflections, as such this means that the second lead must have been placed differently. But this doesn’t end here. I would like to point out that during that evening, the main lead had left the door wide open, when he confronted the artist.
(chapter 41) However, in the next episode, Byeonduck showed us a slight change.
(chapter 42) The door was now close. This means that the butler had intervened at some point. This was the negative reflection from episode 20.
(chapter 20) This time, the main lead had not requested for more privacy, for he had not detected the presence of his right-hand. And this leads me to the following conclusion. Since this is not the door
(chapter 43) which had been opened by Lee Jihwa, it is impossible for the second main lead to have witnessed this embrace from this perspective.
(chapter 43) I am even suspecting that he didn’t view this scene at all, because logically, the light should be coming from the other side!! But on the other side, there is no door!!
(chapter 49) But there is the window…. And now, you comprehend why Yoon Seungho never investigated the matter with the “door”. It had never been opened in the first place. But how could Lee Jihwa imagine such a scene?
(chapter 43) It is impossible, for he confessed later that he knew about the friend’s longing for an embrace!
(chapter 57) However, here it is necessary to remind the readers of my previous character’s examination. I had described Lee Jihwa as trapped in a dark room, because he had lost his auditory and visual sense due to his guilt!! This was the price to pay for his sins. He had imagined to see the friend’s smile and he had lied to the butler. And since in episode 17, his visual senses were triggered (the painting, the painter’s facial expressions), I deduce that in chapter 42/43, this time Lee Jihwa was confronted with the mirror of truth through words. Through the window, he could hear the moaning of the couple, hence he couldn’t see the painter’s sadness. Moreover, this is what the painter said:
(chapter 42). It sounded like he was indeed seducing the main lead. As for the embrace, he couldn’t hear it, but someone had heard the longing from the painter.
(chapter 41) In other words, the butler had helped Lee Jihwa to spy on the couple and had even divulged what he had heard from before. Naturally, he had deceived the red-haired master by omission. He never mentioned the existence of the scholar and the painter’s broken heart!! One might argue that this is not possible. I am again overthinking. But I would like to outline the existence of the following rule on which the story was created: the reflection within the same episode. How did Black Heart manipulate the red-haired master in the pavilion? Through words and that’s how the childhood friend came to envision this scene:
(chapter 43) The gods were punishing Lee Jihwa for his lie: his friend’s smile!! But I have more evidences for this theory. First, it is important to pay attention to Min’s words, when he manipulated Lee Jihwa. First, he portrayed the painter in a pejorative light with the idiom “indecent life”.
(chapter 43) Moreover, the noble employed the personal pronoun “we”, which is not typical for the selfish and hypocrite villain. This means that he was repeating Kim’s words. Then he added how the couple would have sex in the barn
(chapter 43) (“vulgar roll in the hay”), but this was not true. However, this is what had happened in the past with Lee Jihwa. The latter would have sex with his childhood friend in the storage room. This explicates why Lee Jihwa came to believe in Black Heart’s words and manipulations. With such a description, he was reminded of his own past!! Therefore it is not surprising that Lee Jihwa had such a vision.
(chapter 43) This is what he had wished in the past, and what he had done too: he had seduced his friend and smiled… and he had been caught! In other words, Kim was actually viewing the red-haired master as an immoral witch:
(chapter 43) Moreover, since this night was a reflection of the first Wedding night, this means that the author left a clue there. And now, look at this…
(chapter 21) The windows!! As you can see, the door is not the only place to spy or interrupt intimacy. Secondly, we should have reflections of the spying through the window in season 2.
(
Chapter 49) In this episode, the light in the study had suddenly vanished, and this is what we had before:
(Chapter 49) This darkness exposed the presence of someone outside. Then in episode 70, the author drew a panel focusing on the window and the bougies.
(Chapter 70) I had already suspected back then, that someone was listening to their conversation, and with this new discovery, Lee Jihwa hearing the love session from the window, this interpretation gets reinforced. Furthermore, in chapter 96, the main lead had explained the opening of the door with this:
(chapter 96). This signifies that in the past, the lord had explained the sudden opening of a window and the vanishing of the candle light with the wind during the night of chapter 49.
But why was Lee Jihwa confronted with the mirror of truth? It is because he was still dishonest. He kept deceiving himself and refusing to admit his wrongdoings. In the inn, this is what he had said in front of the nobles: (chapter 36) The reality is that he couldn’t cut ties with his friend. He had lied in the past, therefore he got manipulated in the present. And since he was confronted with his auditory and visual senses in season 1, he was put in a similar situation in season 2. However, there was a slight change, now the red-haired master was confronted with a real crime: murder!!
The darkness of the room and the silence from Yoon Seungho and the painter were referring to the master’s loss of senses and his guilt. Deep down, the young master knew that the assassination was not right. And note that the aristocrat had this nightmare in his own bedroom confirming that the room is the symbol for the subconscious. Finally, in season 3, Lee Jihwa got confronted with another uncomfortable truth: his friend’s sexual abuse. Lee Jihwa had acted, as if this stolen kiss was nothing. However, due to his silence, he let his friend get raped. And he knew about this, but he chose to close an eye to this. First, Lee Jihwa refused to share his friend with the painter
(chapter 18) implying that in the past, he had to share Yoon Seungho with other men. But since he had declared that the main lead had never taken an initiative
, this signifies that the protagonist had no choice in the selection of his partners. He had not the right to refuse anyone, not even the red-haired master. Hence the latter got furious and angry, when he was rejected for the first time.
(chapter 5) Therefore it is no coincidence that in the shaman’s house, he was put in the same position than Yoon Seungho. He couldn’t select his partner
(chapter 100), he had to rape Baek Na-Kyum. This is no coincidence that the Joker was standing in front of the door. He was pushing the young man to face his repressed memories and lies. That’s the reason why exactly like in the pavilion (chapter 43), Black Heart coerced the antagonist. He used words to manipulate the second lead, but there is a huge difference. The shaman’s house was representing the young noble’s unconscious and as such his true personality, while it was not the case in the pavilion. The room in chapter 43 was more embodying the Joker’s unconscious. Why? It is because Lee Jihwa was speaking the truth in that scene.
(chapter 43) He reproached Black Heart to have deceived him. On the other hand, the scene in the shaman’s house corroborates my interpretation that Lee Jihwa had not seen the embrace from chapter 42, for Black Heart was voicing the butler’s thoughts and emotions.
(chapter 100) This shows that during the night of chapter 42/43, the valet had intervened. Thus Min was acting, as if he was a victim in the recent past. He had been deceived by Lee Jihwa’s lies by omission or commission. This is what had happened in the past. Besides, I realized that when the man confessed the incident in the bedchamber
(chapter 83), Min couldn’t see the whole story. He had to rely on the second lead’s words. Just because we could observe the whole scene, this doesn’t mean that this was the case for the character. It is very likely that Lee Jihwa left details out, especially as he portrayed himself as a victim. Due to the narration, Min could have been misled. He could have envisioned that the childhood friend was living in the study and had dragged his friend to the bedchamber. Hence you comprehend why I consider it as another evidence that Lee Jihwa didn’t view the love session in the study from chapter 42 with his own eyes. He had to rely on his ears and naturally Kim played a role before Black Heart’s intervention. The servant hoped that Lee Jihwa would decide to do something…. in other words, he had been gradually manipulated by Kim and Min to hire an assassin. That way, he could be blamed for the murder of the scholar. He would become guilty by association. And the one pulling the strings behind the scene can only be the mysterious lord Song, for he can no longer interfere directly, though I am certain that he was not aware of the butler’s own meddling. Why? It is because in the past, Kim had never become proactive like that. Moreover, I think that even in the past, the man was not omniscient and omnipotent either. He over-estimated his own abilities, and didn’t recognize that he had been fooled himself either.
But let’s return to the scheme in the shaman’s house. The young master Lee was now cornered, for he had kept denying his own wrongdoings: the sexual assault with the stolen kiss and the lies by omission and by commission! What caught my attention is that the antagonist associated the sexual abuse with murder! (chapter 100) This is no coincidence, for the sexual abuse is the reason why Yoon Seungho’s heart and soul got destroyed. This had the same effect than killing someone, especially if the person is so innocent and pure. Because he recognized the truth, he had the courage to abandon and betray Black Heart. That’s how he could redeem himself in the end.
(chapter 100) At the same time, this is not surprising that Lee Jihwa met his friend and admitted his wrongdoing. For the first time, he didn’t remain silent and chose to intervene!! I also believe that during that night, he apologized to the protagonist before vanishing. In other words, Lee Jihwa had to face 4 different mirrors of truth, until he was able to admit the verity. He was responsible for Yoon Seungho’s suffering. He had lied, therefore he got deceived, until he had no other choice to confess his guilt and sins.
2. Yoon Chang-Hyeon’s lies
In episode 77, we discover from the butler the patriarch’s following promise to Kim: (chapter 77) He would do anything to cure Yoon Seungho implying that he wouldn’t mind spending money for the main lead’s treatment. However, the truth was that he refused to send for the physician, when the young boy was sick after the straw mat beating.
(chapter 77) This means that he broke his promise. Striking is that the vow to the butler was introduced in connection to the patio!! When the readers hear this promise, this is what we see shortly after.
(chapter 77) Secondly, the elder master Yoon was seen shortly after there.
(chapter 77) That’s how I realized that the elder master was connected to this patio in front of the building. Thus Byeonduck showed us him in this place in the gibang
(chapter 87) Finally, there exists the flashbulb from Yoon Seungho’s memory:
(chapter 55) My avid readers will certainly recall how I had claimed that this scene was representing Lee Jihwa and father Lee. I am not changing my mind, but I would like to point out that this story is built like a kaleidoscope and as such, each image is actually a reflection. Thereby I come to the conclusion that in this panel, the young boy and the elder are in verity embodying 4 people: the boy is Lee Jihwa and Yoon Seung-Won, as for the elder, it is father Lee and the elder Yoon. Why? It is because the punishments were related to the Lees’ behavior and words. There is no ambiguity that elder Lee intervened to protect his son’s reputation. In other words, father Yoon was seen in the patio in chapter 55. Then when he visited the physician, he remained outside too contrary to the main leads.
(chapter 57) It was, as if the elder master had nothing to hide, for the domestic and the butler could hear him. However, the latter got deceived. There is no ambiguity that the valet and the young master trusted him. On the other hand, the valet was the one who introduced him to the physician, like we could see here.
(chapter 57) But what does it mean? First, it shows that Yoon Chang-Hyeon was never seen in the bedchamber!! In other words, his power was fake. This interpretation gets validated, when I use the confrontation between Heena and Yoon Seungho.
(chapter 65) In that very same place, the protagonist had been insulted and could do nothing, for neither Kim nor his staff intervened. And this perception reinforces my perception that the patriarch has always been delusional and arrogant, over-estimating his own power. Moreover, the lord was not honest either.
(chapter 65) This shows that the patio is connected to violence, hypocrisy, deceptions and offenses.
Moreover, the patio in front of the bedchamber where anyone can see and hear the elder Yoon reminded me of the learned sir who selected the pavilion to incite the painter to disobey his host and sponsor. That’s why I started suspecting Yoon Chang-Hyeon again, if he had not manipulated the butler in the past and this on purpose. Moreover, since in Painter Of The Night, the room embodies memories and the unconscious, I deduce that the patio is exposing Yoon Chang-Hyeon’s true personality. He lacks not only integrity, but also knowledge. Let’s not forget that knowledge is acquired through reading and experiences. But in the patio, there is no book… and the person can only witness what is happening in the courtyard. This means that the view is limited and the person is not interacting with people. This explains why the man is stupid and superficial. Because of this new discovery, I had another revelation!!
According to the main lead, only his grand-father had a government post. (chapter 7) Then in the study, Yoon Seungho confessed that his father had been dismissed from his post which contradicts the previous statement.
(chapter 80) But how did Yoon Chang-Hyeon obtain his office then? Then the expression “follow in his footsteps” caught my attention. That’s how I realized that the elder master never passed the civil service examination!! In truth, he failed terribly. How can I be so sure about this? First, the civil service examination consists of different tests. Secondly the idiom from Yoon Seungho indicates an gradual rise in the grandfather’s career which is not reflected in the lord’s confession to the messenger. Finally, in front of the mirror of truth, the father voiced the following wish:
(chapter 86) This expectation exposes that this had not happened in the past. But why didn’t he expect this from Yoon Seungho earlier, though the latter had such a good notoriety? It is because he desired to be admired himself. He viewed himself as the Yoons. Thus he said this to his son:
(chapter 86) This means that he was using his own sons for his own career, though he claims that he is doing for the Yoons’ notoriety. In other words, the patriarch’s position was obtained through sexual favors. But since the king was the sponsor, there is no ambiguity that at some point, the elder master must have started dreaming even bigger, similar to the scholar:
(chapter 18) Hence I have the impression that he must have acted, as if he was the king’s relative. Hence he asked to be called by a certain title. This could only infuriate the mysterious lord Song, for the latter was hiding his sodomy and debauchery behind closed doors. No one was supposed to make a connection between him and the Yoons. However, I don’t think that the elder master Yoon had planned everything from the start. He had definitely been misguided, for in season 1 and 3, we could see that he was believing blindly what people would say to him. He never doubted his son’s words, when the latter said that Yoon Seungho had given him such a paper.
(chapter 44) And it is the same with father Lee. That’s the reason why I still think that he had been manipulated. He was pushed to sell his own son, thinking that the Yoons would benefit from it. However, this was just a delusion, as he was dependent on the monarch’s benevolence.
Therefore I came to realize that the confrontation in the bedchamber in chapter 83 was actually organized to mock the elder master, but not only by Kim. (chapter 83) Here, he was confronted with reality. His power came from prostitution and nothing more! From my point of view, this scene was a reflection of the night in the study with Min:
(chapter 53) But Yoon Chang-Hyeon refused to admit it, it went so far that he was denying his relationship with Yoon Seungho. He was just an animal.
(chapter 83) The reason why I am connecting it to episode 53 is because of The Joker’s smile which reminded me of lord Song’s evil smirk.
The man had a view to the patio, hence he could see who could enter the bedchamber or not. And observe that when the brutal father was in the bedchamber, the main lead never replied to him. This could only reinforce the man’s delusion and greed. That’s the reason why Yoon Seungho had to live in the barn and was not dressed properly. The elder master Yoon was avoiding his son for this reason. He was closing an eye to the truth. And that’s how he could convince himself that Yoon Seungho was just a sodomite. In other words, he came to believe his own lies, while in the beginning, he had definitely been deceived himself. To sum up, his evolution stands in opposition to Lee Jihwa. Instead of suffering from guilt and shame, he came to adopt this philosophy, Yoon Seungho is responsible for everything. His hatred towards the protagonist could only increase. But reality caught up with him during the same night! He ended losing his power, as all the noble families supporting him vanished. He had promised to cure his son, he ended up as a wreck. His health deteriorated, hence he is much thinner now.
(chapter 87) He was paying the price for his lies about the cure. Furthermore, the manhwaphiles will realize that he is no longer seen in the patio.
(chapter 44) This explicates why he refused to bid farewell to Yoon Seung-Won from the patio. This means that he chose to live in the bedroom, totally cut off from the world. And this leads me to the following observation. Once he met his son after such a long time, he refused to accept the verity. He was responsible for the situation and for Yoon Seungho’s suffering. This shows that his self-manipulations can no longer be removed. He remained once again totally delusional, thinking that the treason was just a subterfuge!
(chapter 86) Why? It is because the young lord was supported by the “king”. But since he had cut ties with the main lead in the past, treating him like a servant, there is no doubt that the pedophile doesn’t view Yoon Chang-Hyeon in a good light. Hence the son became the true owner of the mansion. In the bedchamber, the father was confronted with the consequences of his decisions and lies. He had lost everything: his position as the head of the family, the propriety, the wealth and the connections. Thus he was left speechless.
(chapter 86) But when he arrived in the study, this is what he saw. This picture revealed his greed and ambition
(chapter 86), but he would never admit it. This is no coincidence that the open door is reflected with the shadow. He claimed to contribute to the lineage of the Yoons, but like mentioned above, he was only thinking about himself. This scene shows that he was eyeing for the throne, and this must have happened in the past too. That’s the reason why I believe that he did sell his son to a pedophile for his own greed and ambition, but he never admitted it. He used the family and traditions to hide his ruthlessness and selfishness. When the father was on the verge of leaving the study, he expressed his regret that he shouldn’t have saved his son.
(chapter 87) This was another self-deception. Without the main lead, the latter would have lost everything. Note that he is living comfortably in the house in Hanyang. So if the young master were to disappear, I doubt that the mysterious lord Song will allow the father to take over the mansion. His regret implied that he shouldn’t have sent for a doctor. This is important, because this signifies that he will be punished the same way, it will be even worse. No one will be by his side to protect him and to save him… no one will request for the physician’s assistance. Similar to the broken promise in the patio:
(chapter 77) Moreover, the father acted, as if he was decent and righteous
(chapter 87), while Yoon Seungho was compared to a monster!
(chapter 86) The outcome of his lie can only be that he will be perceived by people as a monster, as an immoral father who had no conscience at all. How do I come to this conclusion? First, the painter could see right through the father’s gaze.
(chapter 87) He was a cruel and resentful father. Moreover, the lord’s words always become a reality. Hence the father can only be condemned as the licentious and depraved degenerate.
(chapter 86), the black sheep! Furthermore the moment Yoon Chang-Hyeon loses the house in Hanyang, he has no place where he can hide himself from public gaze. He can only ended up as a powerless outcast. I am suspecting that since he longed to be admired and fawned, he could end up committing suicide, for he is unable to tolerate people’s rejection and insults. To conclude, the father refused to admit his guilt and wrongdoings till the end. Even cornered, he chose to avoid reality, preferring to trust father Lee and the butler’s lies. Why? It is because he envisioned that by removing the main lead, he could take over the mansion, and act, as if nothing had happened, as if Yoon Seungho had never existed. The gods will fulfil his wish so that he can be confronted with reality. Besides, note that the patriarch never stopped his son from kissing the painter, he even followed him to the seat.
(chapter 87) This shows that deep down, the man was not truly against sodomy and prostitution. The father resented the son, for he could only achieve “glory” through debauchery and sodomy. I believe that the elder master Yoon was thinking like this: “no matter what” the Yoons’ power and notoriety must increase. In the bedchamber, the man exposed his true personality, while in the patio he was just the fake image of a powerful, decent and righteous man. This explicates why it took the teenager so long to realize the father’s betrayal.
(chapter 55) In the patio, the son still trusted the patriarch. In reality, Yoon Chang-Hyeon needed admiration in order to feel alive. In other words, his credulity, arrogance, superficiality and narrow-mindedness were the causes for the downfall of the Yoons and the main lead’s suffering. We could say that the folding shield in his bedchamber truly reflected his personality.
(chapter 82) He was just an empty shell, his knowledge, experiences and possessions were just an illusion.
Feel free to comment. If you have any suggestion for topics or manhwas, feel free to ask. If you enjoyed reading it, retweet it or push the button like. My Reddit-Instagram-Tumblr-Twitter account is: @bebebisous33. Thanks for reading and for the support, particularly, I would like to thank all the new followers and people recommending my blog.
Painter Of The Night: The rise of the dragon 🐲
This is where you can read the manhwa. https://www.lezhinus.com/en/comic/painter But be aware that this manhwa is a mature Yaoi, which means, it is about homosexuality with explicit scenes. If you want to read more essays, here is the link to the table of contents: https://bebebisous33analyses.wordpress.com/2020/07/04/table-of-contents-painter-of-the-night/
It would be great if you could make some donations/sponsoring: Ko-fi.com/bebebisous33 That way, you can support me with “coffee” so that I have the energy to keep examining manhwas. Besides, I need to cover up the expenses for this blog.
1. Yoon Seungho the king
After the end of season 1, I had been contacted by many followers asking me about the possible ending of Painter Of The Night. Many feared for a depressing ending, as Byeonduck had declared that the protagonists would be happy on their own. In their mind, this meant that the protagonists wouldn’t end up together. My reply was that the couple would become happy without getting too dependent on each other. I meant Yoon Seungho and Baek Na-Kyum would come to give a new sense to their own life, and their love would help them to have a goal and purpose in their life. And that’s how real couples live. Thus while examining season 1 closely, I came to imagine that Yoon Seungho would become the king and Baek Na-Kyum his painter. As you can see, very early on, I connected the noble to royalty. Why? First, we had the lord outlining his powerful position in front of the painter. (chapter 11) Secondly, I had associated the main lead to the eagle which is the symbol for the kings and emperors in Europe. He was seen here flying
(chapter 30), and his fingers reminded me of the eagle’s claws.
(chapter 18) And this perception got even reinforced, when I saw this panel:
(chapter 52) In this scene, he was sitting like a king surrounded by his “court”. The hanbok had such a design that I couldn’t help myself associating it to Joseon’s monarchy.
However, I have to admit my mistake, for this interpretation was strongly influenced by my own culture and as such European history. Yet, here we are dealing with Korean and as such with Joseon culture. Hence the symbol for Joseon’s dynasty is not the eagle, but the dragon. That’s why when I saw this new image on Twitter , I had another revelation. On the one hand, it actually confirmed that Yoon Seungho was somehow destined to become a king, yet he is not represented by the eagle or the phoenix, but by the dragon. Hence the moment I saw this image, one idiom came to my mind: Dragon king!
2. Yongwang
Because of this sudden association, I decided to look more into it. Thus imagine my surprise, when I discovered this:

Yongwang, or Dragon King, is a deity of the river or the sea, overseeing peace in the house, good health and longevity in the family, the harvest, catch and safe sailing. Yongwang is also called Yongsin (Dragon God).
Communities worshipped Yongwang as a water god, holding divine powers to control rainfall. Dragon King worship is closely related to the contemporary practice of staging rituals at village springs or wells that are believed to be dwelling places for Yongwang. Around the country there are also legends regarding dragon springs and dragon wells, created by a dragon that brought rain to repay humans by turning wasteland fertile, which shows that Yongwang is closely related to farming. […] In shamanism, Yongwang oversees not only fishing, but the souls of those who have drowned and died. In the worship of household gods, it is a deity that oversees peace in the household, good health and longevity in the family, the harvest, catch and safe sailing.
Among rituals held for Yongwang in the home by women, the most widely spread is yongwangmeogigi (feeding the dragon king), also referred to as yongsinje (dragon god ritual) and gaetje (fishing ritual). This ritual can take place in three different venues: First is a private well in the backyard; second is the communal well, where, in some cases, a spring ritual (saemje) is held, then water from the well is brought to the home and placed in the kitchen or on the sauce jar terrace for the Dragon King; […] https://folkency.nfm.go.kr/en/topic/detail/2618
The moment I read this article, I couldn’t restrain myself making the parallels between Yoon Seungho and Yongwang. First, the deity in the background reminded me of Yongwang. (chapter 100), though this deity is always accompanied with a dragon and in this picture, the readers couldn’t see one. However, it is possible that the author didn’t desire to reveal too much.
“his most distinctive traits are that his beard, moustache and eyebrows are (usually) “spiky,” protruding in sharp points, sometimes resembling coral, and his eyes are often bulging out like those of a fish. He most often holds the banya-jinju (般若眞珠, flaming pearl of wisdom, a type of ma-niju 摩尼珠), but sometimes a branch of coral or a sword.” quoted from http://www.san-shin.org/EKB-Yongwang-DragonKing.html
Secondly, we have a strong connection between rain and the main lead’s situation and emotional state. It rained, when the lord had sex with Baek Na-Kyum. (chapter 21) Why? It is because the lord was happy. These were the tears of happiness, which Yoon Seungho couldn’t express contrary to the painter. And this is no coincidence that in chapter 58, it started snowing, when the couple was making love:
(chapter 58) And we had the same weather, when Yoon Seungho saved his lover.
(chapter 102) The weather was expressing the main lead’s emotions: tears of happiness or sadness. We could say that the lord has the “power” to move the sky.
Furthermore, the well plays a huge role in this story. Many people are found dead in a well (chapter 97), and according to me, the messenger was drown there.
(chapter 94) In addition, my theory is that Deok-Jae and/or Jung In-Hun’s body were placed in a jar in order to hide the murders. For me, the jar plays a huge role in Painter Of The Night… thus Byeonduck created such a scene in season 2
(chapter 46) and we have so many jars next to the pond:
(chapter 94) [For more read the essay “The secret behind the library”]
Furthermore, this story takes place in Jemulpo, a town situated next to the sea, and Yongwang’s realm is supposed to be in the sea. (chapter 91) This is no coincidence. To conclude, all these elements (rain, jar, well, soul of a deceased), connected to the dragon king, are present in Painter Of The Night. Thus I came to the conclusion that Yoon Seungho is like Dragon king. This reinforces my conviction that the main lead is not only connected to shamanism, but also embodies royalty. So he might not be the king of Joseon, but he is powerful in his own way, though he is not aware of this. And note that the moment he wished to commit suicide by drowning in the pond, he was brought back to life.
(chapter 102) Water is his true element.
In different temples, you can discover Yongwang accompanied with a woman. She is also dressed in royal clothes with a small crown. What’s unclear is if she’s another Yongwang or if she’s his wife. And this could be a reference to the painter, who will become Yoon Seungho’s bride, but his true identity will remain hidden.
What caught my attention is that the rituals concerning Yongwang are held by women, which stands in opposition to the shrine and Confucianism. (chapter 85) This means that in the Yoons’ mansion, people didn’t venerate this god. And since the aristocrat made such a statement to the elder Yoon Chang-Hyeon,
(chapter 86), I have the impression that in season 4, we will assist to a real ritual to ward off evil and back luck, leading the tormenting souls to the afterlife peacefully.
And this leads me to the following observation, the dragon in Korea and Joseon is perceived as a good omen! He would bring good fortune.
Since the release, I realized that the decorated tree (chapter 100) and this altar
(chapter 100) were exposing the presence of a ritual. However, my problem was that I couldn’t determine exactly the nature of the ritual. But by making the connection between the dragon and good fortune, I had now more clues. I have to admit that I can not be 100% sure for this, but this is what I found:
“Yonggyeong (Kor. 용경, Chin. 龍耕, lit. dragon’s plowing) is a custom observed on Dongji (Kor. 동지, Chin. 冬至, Winter Solstice) in which people tried to predict the outcome of farming for the upcoming year based on the direction and angle of cracks on the surface of a frozen pond. The custom is also known as yonggari (Kor. 용갈이) or yong-ui batgari (Kor. 용의 밭갈이), both meaning ‘plowing by the dragon.’ When ice covers a pond, there is often a crack that divides the ice sheet into two halves, as though a field were divided along a furrow left after plowing. This phenomenon was considered a trail left by a dragon and, therefore, interpreted as having divinatory power concerning farming success in the year ahead. […]
According to another custom referred to as dongbok (Kor. 동복, Chin. 凍卜, lit. ice fortune-telling), on the eve of the year’s first full moon (the fourteenth of the first lunar month), people left two bowls of fresh water out overnight and positioned them north and south of each other. The next morning, they examined the ice sheet that appeared in the bowls and tried to predict the success of farming in the northern and southern regions. quoted from https://folkency.nfm.go.kr/en/topic/detail/4622
The timing fits to our story, and we have the presence of bowls in front of the deity in the yard. In my eyes, the shaman had prepared a ritual for the dragon king, and was praying for the success of the farming. Don’t forget that it takes place just before Spring. Consequently, this is not surprising that the lord got connected to peasants and this very early on. (chapter 4)
(chapter 6)
(chapter 82)
This observation leads me to the following conclusion: Yoon Seungho, as a new version of Dragon King, will bring luck to the commoners and peasants. He will help them to improve their living conditions (education and good farming). As you already know, I consider Yoon Seungho as a representative of Sirhak. [For more information read the essay “The scholars’ fight”] And now, you comprehend why very early on, I expected that Yoon Seungho would become a king. He doesn’t need to become a real “king”, yet there is no ambiguity that his fate is to become famous as a spiritual and fair leader.
3. Dragon and imoogi
That’s the reason why I started looking for more information about the dragon. As the readers could see through the deity, this mythical animal is strongly connected to water!
What caught my attention is that the Korean dragon has no wing, yet it can still fly and he has a small beard (hair around the mouth)!! But more importantly, this creature is a combination of different animals: the body of the snake, the antlers of the deer, the forehead of the camel, the nose of a pig, the ears of the cow, the claws of the hawk, the scales of the carp, the fist of a tiger and the eyes of the rabbit! He contains all the strongest features of these animals:
- luck for the pig
- strength for the tiger
- elegance of a deer
- stubbornness and resistance of a camel
- compassionate and giving nature of a cow
- the constant change, the metamorphosis of a snake (cycle of death and rebirth)
- the rapidity of a hawk
- fertility of a carp
- the abundance of the rabbit by sharing its eyes
In other sources, I read that the Korean dragon had also features of the dog, the frog and the sheep. But why does this mythical animal possess so many features from different creatures? It is because this powerful, God-like creature embodies the love and respect Korean people have for the natural world. I would even say that he represents nature, and as such he stands for harmony and justice. By being sharing features of different animals, he can understand their life. This is not surprising that the Joseon kings utilized this animal as their emblem. It symbolizes their power (omnipotence and “immortality”) while substantiating their ability to be fair and just rulers.
Striking is that we have an allusion to these animals in Painter Of The Night. First, the lord was able to kill the boar (chapter 83) and the deer
(chapter 22). Then the lord compared Baek Na-Kyum’s eyes to a rabbit.
(chapter 78) Since both resemble each other, I deduce that the main lead has the same eyes, the rabbit’s. Like mentioned above, he utilized his fingers similar to claws:
(chapter 18) He would fly like a bird, though he has no wing
(chapter 30). His fists in this scene reminded me of a tiger’s:
(chapter 54) One might argue that this signification is totally impossible, for the lord doesn’t have the body of a snake. This point can be refuted very easily. What is the major characteristic of a snake is molting. A regularly recurrent event during the activity period of all snakes is the shedding of the skin. This coincides with the lord’s change of clothes. The latter reflected his downfall and rising. Furthermore, this animal is linked to death and rebirth. My avid readers are already aware that I had detected different scenes, where we could witness the lord’s spiritual death and rebirth, like for example in the shed:
(chapter 62) When he discovered his misjudgment the next morning, he felt like dead. He no longer saw himself as a lord, but came to view the painter as his new lord :
(chapter 66) As a conclusion, Yoon Seungho shares so many similarities with the dragon that I came to view him as one. This explicates why even after getting married, he will never wear a beard!
The change of dresses and hair dresses of Yoon Seungho represents the different social status in Joseon society: young master, painter, male kisaeng, slave, peasant, executioner, servant, lord, concubine, “wife”/husband” etc. Moreover, since I had detected parallels between the protagonist and the legend of Dangun, this could only reinforce my conviction that Byeonduck is referring to old tales and religions (and as such Dragon King) in her story. The author has already stated that she won’t create a story with the couple set in our time, and this becomes understandable, if she is constantly referring to old traditions and myths.
According to different sources, the Korean dragon is not born as such.
“Korean mythology states dragons were born from a mating ritual between a phoenix and a crane. This led the dragon to become a creature that harnessed mythical power and intelligence.” Quoted from https://daebak.co/en-de/blogs/magazine/animal-symbolism-in-south-korea
My avid readers will certainly recall my associations for the characters, Yoon Seungho was the phoenix and Baek Na-Kyum a crane. Thus we could say that their union makes them the dragon bringing justice and peace to victims. In another source, I found that the dragons were once said to be Imoogi in the beginning, a giant lizard that resembles sea serpents. They exist several different versions on how Imoogi become Dragons. One said it would take a thousand years for them to become a dragon, while another says they must catch Yeouiju (star) falling from the sky. Thus in temples and in pictures, the Korean dragon is also always represented with a ball.

“Another theory that exists and sounds the most logical to me, says that Imoogi was born in a place where living and dead intermingled. It was created in cave where thousands of people were stuck due to war in 420AD. As more and more people started to die in the cave, their intense agony and suffering led the foundation for Imoogi’s birth and therefore it symbolizes destruction and sadness. Imoogi controls the power of birth, death and rebirth. Ouroboros, a symbol of wholeness/infinity is also represented by a snake(serpent) eating its tail.” quoted from https://rtaori60.medium.com/imoogi-the-great-lizard-aca02c6c9b1e
Since it takes 1000 years for an imoogi to transform into a dragon, we have 10 years of suffering in Painter Of The Night. For me, this is not random at all. This means that after chapter 102, Yoon Seungho turned into a real dragon! This corresponds to his Coming-Of-Age. That’s the reason why I don’t think that he will be manipulated again like in season 2 and 3! My avid readers are already aware of the presence of ouroboros in this manhwa. For me, Kim symbolizes the imoogi and Ouroboros! He could never turn into a real dragon. But why does the imoogi need to wait for so long ? Some say that this is a curse, other traditions hold the idea that Imoogi are “pupae” or “larvae” of dragons. And they will become full-fledged and full-fledged dragons after being in the ocean for 1000 years. This signifies that time, experience and patience are essential for this transformation. Thus not every imoogi can become a dragon in the end, and that’s Kim’s fate. He was not able to recognize Yoon Seungho as his “yeouiji”. The shaman’s house reminds me of the cavern (chapter 102), and thanks to the painter, Yoon Seungho’s soul was able to escape this “mental prison”.
And this leads me to the following aspect: Baek Na-Kyum is the lord’s Yeouiji, his fallen star fulfilling all his wishes. That’s the reason why the dragon is never seen without his star. One might say that this is exaggerated. However, my avid readers should remember that I had associated the painter to a star, the sun, in previous essays, even before making the relation between the dragon and Yoon Seungho! This explicates why the lord is carrying his lover like his bride (chapter 45)
(chapter 102), similar to the dragon in the picture above. His “star” serves as his guide, support and his source of life. Thus when the main lead confessed to the painter for the first time, the sun entered the bedchamber
(chapter 55) and as such his heart and mind.
Therefore I come to the conclusion that in season 4, the readers will witness a clash between two dragons, the king and Yoon Seungho! The fight between the fake and the real dragon! Thus when the author released this panel recently, (Twitter), she was actually announcing the arrival of the monarch in Joseon. Hence you comprehend why I selected such a title, the rise of the dragon. “Lord Song” can no longer hide his true identity.
4. Dragon king and expulsion
My readers will certainly recall that the starting point of this essay was this expression “dragon king” which came to my mind, when I saw the recent publication. Why? First, the main figure was wearing the gonryongpo (곤룡포), where dragons are sewn on it. This hanbok is the everyday robe for the king which explains why the latter is always wearing the red robe all the time he appears in front of people. Hence I made this association in my mind: dragon king. When Byeonduck published this image, , she was naturally creating a new story, another Alternative Universe. The student Baek Na-Kyum who got bullied by the classmate Deok-Jae was suddenly sent back to Joseon, and appeared in front of the king’s bedchamber, Yoon Seungho.
Striking is that this panel resembles a lot to this picture which the author hasn’t used yet: The painter is sitting inside a room, while Jung In-Hun is standing outside. Nonetheless, the position of the characters are very similar. This indicates that the author’s new alternative story is actually inspired by the main story!! This can only reinforce my perception that Yoon Seungho in the main story is associated to royalty. However, since it is a reflection, I deduce that this image
is the positive reflection of this scene:
How did the learned sir react here?
He criticized the painter by stating that this was “filthy”.
In this scene, the characters are caught by surprise, but it becomes obvious that there is no disgust or expulsion. In fact, the fall of man took place before, for Baek Na-Kyum was sent to Joseon. In this encounter, I detect attraction and curiosity. Hence I come to the conclusion that in the original story, when this scene took place,
, Yoon Seungho was far from being living like a king. As you already know, according to my interpretation, the protagonist was treated like a male kisaeng. That’s the reason why I believe that this scene played a huge role in Yoon Seungho’s liberation, the physical expulsion from hell in the end. Since in the parallel story, the student experienced time-travel and as such rejection and expulsion, I conclude that in the main story, Yoon Seungho must have made a similar experience! But this doesn’t end here, as the readers should keep in the mind the following rule: The painter’s destiny reflects the lord’s.
On the other hand, the manhwaphiles will complain that so far, Yoon Seungho has never appeared as a dragon. Yet, we shouldn’t overlook that the phoenix is the symbol for the Queen in Joseon. (chapter 50)
(chapter 52) This means that the mysterious lord Song was actually claiming the main lead as his wife in the last scene. Min and his friends were sent there in order to entertain the protagonist, but they failed. This explicates why the next day, Black Heart was seen with a hanbok of lower quality.
(chapter 56) It was, as if Min had been compensated for his bruised face by the mysterious lord Song. However, for the pedophile, Black Heart was just a concubine, and not his main wife! Hence the hanbok had not such a detailed and expensive design. This would explain the villain’s jealousy. And now, if you look back at the hanboks from the main lead, you will recognize his ascent. First, he is wearing green, which is similar to Yoon Chang-Hyeon’s color. At the same time, his hat resembled a lot to Kim’s.
(chapter 1) Then later, he is mostly wearing blue which is actually the color of the Crown prince.
(chapter 11) Yet, his robes initially have no design. Slowly, the lord is wearing colors and designs that are actually reserved for a king: blue, red, black and purple. This constant change of hanboks symbolizes the “snake molting” and as such his transformation and rising. This is not astonishing that on the night of the bloodbath, he had such a hanbok: